Michael Grant - The Tattooed Heart

It may surprise some readers to learn that I dont make books all by myself. I just write the words. But I dont design either the exterior or the interior of the book, because the results would be sad looking. I dont arrange for the book to get to bookstores or librarieswho would I even call to arrange that? I dont know. I dont really even tell people about the book unless its on Twitter, so there are professionals who take care of that for me, too. And, the truth is, although I write every word, I do it with the benefit of insight and experience from great editors, and a great publisher. So, I want to thank at least some of the people who make all that stuff happen: Barb Fitzsimmons, Joel Tippie and Amy Ryan from design; Kathryn Silsand from managing editorial; Lauren Flower and Alana Whitman from marketing; Rosanne Romanello from publicity; Kelsey Horton from editorial; and of course, the boss and my pal, Katherine Tegen.

Gone

Hunger

Lies

Plague

Fear

Light

Gone Series Complete Collection

Messenger of Fear

The Tattooed Heart

The Snake

Front Lines

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FROM CHILDHOOD I SUFFERED FROM OCCASIONAL nightmares featuring the most vivid monsters and the most intense of emotions. A constant theme was helplessness. I was often paralyzed in my dreams. Or, if I could move, it was in slow motion while everything and everyone around me moved at normal speed. I would often wake myself by screaming. Deliberately, you see. In the throes of the horror I would tell myself to scream, to scream until I was awake.

When my father died, my dreams changed and became bittersweet. I had one terrible dream in which I saw him dead. After that he was never dead, just far away. I never saw him in his casket, nor did my unconscious mind conjure the moment when an enemys bullet took his life. He was always alive and his eyes shone not with fear but with regret and love. I would savor those dreams and seek to prolong them. And when at last, reluctant, I woke, I would find my pillow wet.

I think maybe dreams provide a type of balance. When life is good, dreams remind you that fear still lives out there in the world. When life is bad, dreams offer hope.

I am Mara. I am sixteen years old. And my dreams now are most often of my home, my school, my friends, past pets, objects I hold dear, and my mother and my ever-absent, ever-present father. They are dreams of loss and alienation, but not nightmares.

Life is my nightmare now, and paradoxically, my dreams have become escapes.

So, in the seconds before my eyes fluttered open, I was at my friend Suzees pool party for her thirteenth birthday. The sun was shining, but not hotit seldom gets really hot in Marin County, California. The pool in the dream was overflowing, lapping around the legs of my chaise longue. My flip-flops were floating away. But in compensation the water was carrying a bag of blue corn tortilla chips toward me and in the dream I thought, Well, thats a fair trade. I waited patiently for the flip-flops and the snacks to pass each other, indifferent to the fact that a current cannot flow in opposite directions at once.

In reality, after that pool party, after that lovely, languorous day, I had a terrible nightmare in which the water kept rising until, immobilized, I began to drown.

Now my subconscious mind goes back to that pool party as a pleasant antidote to the traumas I endure daily. The mind strives for balance, doesnt it?

Balance has become a very important thing to me. Balance is the explanation for the indignities and cruelties I must inflict on the Messengers targets. I justify myself with that concept, hoping it is not an illusion or a lie, hoping that I am doing good and not evil.

I no longer live in the land of suburban pool parties, I live in... well, its hard to summarize the nature of my existence for the simple reason that I do not yet fully understand it myself.

What I do understand is that there are things at work in this dull world that are more vivid, more bizarre, and more awful than rational people can easily accept. Everything about this life I now lead spells dream, and yet it is terribly real.

I have moved through solid objects.

Understand this: I do not mean that I have imagined doing so, or that were still in dreamland, or that some spectral projection of me has done this. I mean that I have moved through solid objects.

I have been transported effortlessly through time and space. Ive been to a past I never experienced and to a future that is not mine.

I have caused the world to rewind, to advance at half speed, to accelerate as though reality itself was just Netflix on my laptop.

I have dived deep into the tortured unconscious minds of people I did not previously know.

These are not my powers, but power granted to me by gods older than any known to mortal man. It is the gods who labor to keep the world balanced on the edge of nonexistence so that it should not fall into oblivion.

Balance, you see, always balance.

Yes, it is the gods who right the wobbly balance of justice, and their instruments are Messengers of Fear. And I, as punishment for my own terrible sins, have been made the apprentice of one such messenger.

I know him only by that name: Messenger. And I know the day is coming when my name, too, shall be only Messenger.

He was in the kitchen when I woke and stumbled in in search of coffee and breakfast. Please note that I do not say my kitchen. There is nothing about this place I inhabit that is truly mine. It is a place, or perhaps just a cunning and convincing illusion of a place, where I sleep and eat and recuperate in between following Messenger on his duties.

But were I to open the front door I would not see the suburban neighborhood that should be this abodes native habitat. Rather I would see the mist, the soul-crushing yellow mist that surrounds this place. And yet through the kitchen window I could see the sun-blanched leaves of a tree. A real tree? I very much doubt it, but whoever or whatever created this space had some concern for my well-being and must have known Id go slowly mad if I never saw sunlight.

Did you rest well? Messenger asked.

I did, I said, smiling at the memory of trading flip-flops for corn chips.

I took the liberty of making coffee.

I could smell it. I poured myself a cup and took a sip. Id always taken coffee sweetened and with milk before. I took it black now. The bitterness no longer seemed significant to me. Indeed there was something reassuring about it.

Are we traveling? I asked him.

Yes. We have a complex situation.

I dont think hed ever referred to one of our missions in quite that way before. I might have asked him what he meant but the Messenger of Fear is not easily questioned. He speaks or does not, as he chooses.