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Ally Carter - Uncommon Criminals

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Ally Carter Uncommon Criminals
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    Uncommon Criminals
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ACKNOWLEDGMENTS

If theres one thing that writing the Heist Society books has taught me, its that you are is only as good as your crew.

I could never have finished this book without the tremendous support and keen editorial eyes of Catherine Onder. I owe so much to Stephanie Lurie, Deborah Bass, Dina Sherman, and the rest of the Disney-Hyperion family, who are always willing to shelter me when Im on the run and get me whatever gear I need.

Im deeply indebted to Jenny Meyer, Whitney Lee, Sarah Self, and especially Kristin Nelson and everyone at the Nelson Literary Agency for their constant loyalty and unwavering dedication. They are the best fences in the business.

Words cannot express my gratitude to Heidi Leinbach for all she does to make these books possible and keep me sane. Plus, shes always there to drive the getaway car.

My crew would not be complete without Jen Barnes, Holly Black, Rose Brock, Maureen Johnson, Carrie Ryan, and Bob, who are always willing to blow things up, dangle off rooftops, and do whatever it takes to help me survive the long con that is this business.

And, of course, I owe it all to my father, mother, and big sister, who have taught me everything I know.

CHAPTER 1

M oscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years.

When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nailto hang a painting on the landing at the top of the stairsto mark the end of a long war.

The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Czanne.

No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils.

Or, as the case may be, the paintings.

Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob.

And still the painting stayed hanging, the music kept playing, and the party itself seemed to lastechoing out onto the street, fading into the frigid air of the night.

The party on the first Friday of February was a fund-raiserthough for what cause or foundation, no one really knew. It didnt matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below.

But one of the partygoers was not, actually, the same.

When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscows winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window.

And jumped.

And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.

CHAPTER 10

S omewhere between the airport and the brownstone, the others must have fallen asleep. Kat watched Gabrielle curl into a tiny ball like a kitten while Hale splayed across the limos backseat, long legs and arms, and a head that, on occasion, would drift onto Kats shoulder in a way she couldnt bring herself to mind.

Kat knew that she should be resting, but her eyes stayed open, watching the darkness fade. Thinking. Planning. Worrying about all the ways it could end badly. The switch could get blown or the gear could jam. The roof access might be compromised and the blueprints could be out of date. There were always a million ways a job could go wrong, but only one way for it to go right.

There were always too many chances.

When the car stopped, the street was quiet in that space that wasnt quite night and wasnt quite morning, and the girl who wasnt quite a thief thought for a minute about staying there, telling Marcus to cut the engine and let everyone just sleep. But then Hale shifted beside her.

We home? Kat felt his breath against her neck, warm and soft. It was as if, half awake, hed forgotten to be angry about Moscow and Rio and all the others. She missed the boy who was curled against her. Did you sleep?

Sure.

Liar, Gabrielle said, straightening and stretching. Youre thinking about the roof, arent you?

Among other things, Kat had to admit.

The switch? Hale asked.

The cameras? Gabrielle guessed, but Kat sat perfectly still, unsure whether she was hearing the spinning of the wheels in her head or the idling car. It seemed to take all the strength she could summon to reach for the door and step out into the dusky light.

The timing. She felt the green stone in her pocket, smooth and fragile. The timingis everything.

Turning from the car, Kat expected to see the empty street and the vacant brownstone, to find peace and quiet and anything but the sound of a gruff voice saying, I couldnt have said it better myself.

Kat would never know how many faces and names her uncle had worn in his long life. Eddie himself probably had no idea. There was only one Eddie that mattered, though, and that was the man who turned and left the stoop, walking through the dim house. That was the man the three teens followed into the heat of the kitchen.

Youll sit, he told Kat. Youll eat.

It was the first time in a long time that Kat could remember a decision being made for her, and she couldnt help herselfshe did exactly as she was told. And she liked it.

He struck a match and lit the flame on the old stove, then pulled a dozen eggs from the refrigerator. It was part habit, part ritual, and the hands that had run a thousand cons moved with steady, even purpose.

You have been to Europe.

It wasnt a question, and Kat knew better than to deny it. Hale and Gabrielle shared a worried glance behind her uncles back, but Kat just sat, feeling the weight of Charlies stone in her pocket, pressing against her hip.

And how is your Mr. Stein?

The first thought that came to Kats mind was relief: He doesnt know. The second, she had to admit, was irritation. Hes not my Mr. Stein.

I see headlines about statues in Brazil. Uncle Eddie talked on as if she hadnt spoken at all. I hear whispers that a Czanne has gone missing in Moscow.

Hale held up two fingers. Just a little one.

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