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John Banville - The Untouchable

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Acclaim for JOHN BANVILLEs THE UNTOUCHABLE Maskell takes his place with John le - photo 1
Acclaim for JOHN BANVILLEs
THE UNTOUCHABLE

Maskell takes his place with John le Carrs Alec Leamas as one of spy fictions greatest characters. Poetic and deeply affecting.

People

[Banvilles] books are not only an illumination to readfor they are always packed with information and learningbut a joyful and durable source of aesthetic satisfaction.

The New York Review of Books

Enthralling. Victor Maskell is a thinly disguised Anthony Blunt Banville has pulled off a marvelous series of tricks.

Anita Brookner, The Spectator

Banville has the skill, ambition and learning to stand at the end of the great tradition of modernist writers.

Times Literary Supplement

It must by now be an open secret that on this [U.K.] side of the Atlantic, Banville is the most intelligent and stylish novelist at work.

George Steiner, The Observer

Banvilles acute characterization and laceratingly witty prose capture perfectly the paradoxically idealistic yet cynical mood of the upper classes in 1930s Britain.

Time Out

An icy detailed portrait of a traitor, and a precise meditation on the nature of belief and betrayal a subtle, sad, and deeply moving work.

Kirkus Reviews

Delectably droll and masterful The rich fabric of this novel blends the shrewd humor of a comedy of manners with the suspense of a tale of espionage.

Booklist

[Written with] grace and intelligence. His story is so well told that why he spiedand who betrayed himbecome secondary.

Library Journal

BY JOHN BANVILLE

The Sea

Shroud

Eclipse

Athena

Ghosts

The Book of Evidence

Mefisto

The Newton Letter

Kepler

Doctor Copernicus

Birchwood

Nightspawn

Long Lankin

JOHN BANVILLE THE UNTOUCHABLE John Banville was born in Wexford Ireland in - photo 2
JOHN BANVILLE
THE UNTOUCHABLE

John Banville was born in Wexford, Ireland, in 1945. He is the author of more than ten novels, including The Book of Evidence, which was shortlisted for the Booker Prize and won the Guinness Peat Aviation Award. He won the Booker Prize for his novel The Sea in 2005. He lives in Dublin.

to Colm and Douglas ONE F - photo 3

to Colm and Douglas ONE F irst day of the new life Very strange - photo 4

to Colm and Douglas

ONE
F irst day of the new life Very strange Feeling almost skittish all day - photo 5

F irst day of the new life. Very strange. Feeling almost skittish all day. Exhausted now yet feverish also, like a child at the end of a party. Like a child, yes: as if I had suffered a grotesque form of rebirth. Yet this morning I realised for the first time that I am an old man. I was crossing Gower Street, my former stamping ground. I stepped off the path and something hindered me. Odd sensation, as if the air at my ankles had developed a flaw, seemed to turnwhat is the word: viscid?and resisted me and I almost stumbled. Bus thundering past with a grinning blackamoor at the wheel. What did he see? Sandals, mac, my inveterate string bag, old rheumy eye wild with fright. If I had been run over they would have said it was suicide, with relief all round. But I will not give them that satisfaction. I shall be seventy-two this year. Impossible to believe. Inside, an eternal twenty-two. I suppose that is how it is for everybody old. Brr.

Never kept a journal before. Fear of incrimination. Leave nothing in writing, Boy always said. Why have I started now? I just sat down and began to write, as if it were the most natural thing in the world, which of course it is not. My last testament. It is twilight, everything very still and poignant. The trees in the square are dripping. Tiny sound of birdsong. April. I do not like the spring, its antics and agitations; I fear that anguished seething in the heart, what it might make me do. What it might have made me do: one has to be scrupulous with tenses, at my age. I miss my children. Goodness, where did that come from? They are hardly what you could call children any more. Julian must bewell, he must be forty this year, which makes Blanche thirty-eight, is it? Compared to them I seem to myself hardly grown-up at all. Auden wrote somewhere that no matter what the age of the company, he was always convinced he was the youngest in the room; me, too. All the same, I thought they might have called. Sorry to hear about your treachery, Daddums. Yet I am not at all sure I would want to hear Blanche sniffling and Julian tightening his lips at me down the line. His mothers son. I suppose all fathers say that.

I mustnt ramble.

Public disgrace is a strange thing. Fluttery feeling in the region of the diaphragm and a sort of racing sensation all over, as of the blood like mercury slithering along heavily just under the skin. Excitement mixed with fright makes for a heady brew. At first I could not think what this state reminded me of, then it came to me: those first nights on the prowl after I had finally admitted to myself it was my own kind that I wanted. The same hot shiver of mingled anticipation and fear, the same desperate grin trying not to break out. Wanting to be caught. To be set upon. To be manhandled. Well, past all that now. Past everything, really. There is a particular bit of blue sky in Et in Arcadia Ego, where the clouds are broken in the shape of a bird in swift flight, which is the true, clandestine centre-point, the pinnacle of the picture, for me. When I contemplate death, and I contemplate it with an ever-diminishing sense of implausibility in these latter days, I see myself swaddled in zinc-white cerements, more a figure out of El Greco than Poussin, ascending in a transport of erotic agony amid alleluias and lip-farts through a swirl of clouds the colour of golden tea head-first into just such a patch of pellucid bleu cleste.

Switch on the lamp. My steady, little light. How neatly it defines this narrow bourn of desk and page in which I have always found my deepest joy, this lighted tent wherein I crouch in happy hiding from the world. For even the pictures were more a matter of mind than eye. Here there is everything that

That was a call from Querell. Well, he certainly has nerve, Ill say that for him. The telephone ringing gave me a dreadful start.

I have never got used to this machine, the way it crouches so malevolently, ready to start clamouring for attention when you least expect it, like a mad baby. My poor heart is still thudding in the most alarming way. Who did I think it would be? He was calling from Antibes. I thought I could hear the sea in the background and I felt envious and annoyed, but more likely it was just the noise of traffic passing by outside his flat, along the Corniche, is it?or is that somewhere else? Heard the news on the World Service, so he said. Dreadful, old man, dreadful; what can I say? He could not keep the eagerness out of his voice. Wanted all the dirty details. Was it sex they got you on? How disingenuousand yet how little he realises, after all. Should I have challenged him, told him I know him for his perfidy? What would have been the point. Skryne reads his books, he is a real fan. That Querell, now, he says, doing that peculiar whistle with his dentures, he has the measure of us all. Not of me, he hasnt, my friend; not of me. At least, I hope not.

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