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Scott L. Balthazar - Historical Dictionary of Opera

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Scott L. Balthazar Historical Dictionary of Opera
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The information in the Historical Dictionary of Opera will help the reader identify central figures, works, concepts, and trends in the history of opera through selectively chosen entries that provide essential information and integrate that content within broad social or stylistic narratives. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on important persons, composers, individual keystone operas, cities and terms. This book is a vital reference tool for students, teachers, and to all opera lovers, performers, and composers who seek information about the development of the genre.

Scott L. Balthazar: author's other books


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The historical dictionaries present essential information on a broad range of - photo 1

The historical dictionaries present essential information on a broad range of subjects, including American and world history, art, business, cities, countries, cultures, customs, film, global conflicts, international relations, literature, music, philosophy, religion, sports, and theater. Written by experts, all contain highly informative introductory essays of the topic and detailed chronologies that, in some cases, cover vast historical time periods but still manage to heavily feature more recent events.

Brief AZ entries describe the main people, events, politics, social issues, institutions, and policies that make the topic unique, and entries are cross-referenced for ease of browsing. Extensive bibliographies are divided into several general subject areas, providing excellent access points for students, researchers, and anyone wanting to know more. Additionally, maps, photographs, and appendixes of supplemental information aid high school and college students doing term papers or introductory research projects. In short, the historical dictionaries are the perfect starting point for anyone looking to research in these fields.

Historical Dictionaries of
Literature and the Arts

Jon Woronoff, Series Editor

Science Fiction Literature, by Brian Stableford, 2004.

Hong Kong Cinema, by Lisa Odham Stokes, 2007.

American Radio Soap Operas, by Jim Cox, 2005.

Japanese Traditional Theatre, by Samuel L. Leiter, 2006.

Fantasy Literature, by Brian Stableford, 2005.

Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006.

African-American Television, by Kathleen Fearn-Banks, 2006.

Lesbian Literature, by Meredith Miller, 2006.

Scandinavian Literature and Theater, by Jan Sjvik, 2006.

British Radio, by Sen Street, 2006.

German Theater, by William Grange, 2006.

African American Cinema, by S. Torriano Berry and Venise Berry, 2006.

Sacred Music, by Joseph P. Swain, 2006.

Russian Theater, by Laurence Senelick, 2007.

French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007.

Postmodernist Literature and Theater, by Fran Mason, 2007.

Irish Cinema, by Roderick Flynn and Pat Brereton, 2007.

Australian Radio and Television, by Albert Moran and Chris Keating, 2007.

Polish Cinema, by Marek Haltof, 2007.

Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008.

Renaissance Art, by Lilian H. Zirpolo, 2008.

Broadway Musical, by William A. Everett and Paul R. Laird, 2008.

American Theater: Modernism, by James Fisher and Felicia Hardison Londr, 2008.

German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008.

Horror Cinema, by Peter Hutchings, 2008.

Westerns in Cinema, by Paul Varner, 2008.

Chinese Theater, by Tan Ye, 2008.

Italian Cinema, by Gino Moliterno, 2008.

Architecture, by Allison Lee Palmer, 2008.

Russian and Soviet Cinema, by Peter Rollberg, 2008.

African American Theater, by Anthony D. Hill, 2009.

Postwar German Literature, by William Grange, 2009.

Modern Japanese Literature and Theater, by J. Scott Miller, 2009.

Animation and Cartoons, by Nichola Dobson, 2009.

Modern Chinese Literature, by Li-hua Ying, 2010.

Middle Eastern Cinema, by Terri Ginsberg and Chris Lippard, 2010.

Spanish Cinema, by Alberto Mira, 2010.

Film Noir, by Andrew Spicer, 2010.

French Theater, by Edward Forman, 2010.

Choral Music, by Melvin P. Unger, 2010.

Westerns in Literature, by Paul Varner, 2010.

Baroque Art and Architecture, by Lilian H. Zirpolo, 2010.

Surrealism, by Keith Aspley, 2010.

Science Fiction Cinema, by M. Keith Booker, 2010.

Latin American Literature and Theater, by Richard A. Young and Odile Cisneros, 2011.

Childrens Literature, by Emer OSullivan, 2010.

German Literature to 1945, by William Grange, 2011.

Neoclassical Art and Architecture, by Allison Lee Palmer, 2011.

American Cinema, by M. Keith Booker, 2011.

American Theater: Contemporary, by James Fisher, 2011.

English Music: ca. 14001958, by Charles Edward McGuire and Steven E. Plank, 2011.

Rococo Art, by Jennifer D. Milam, 2011.

Romantic Art and Architecture, by Allison Lee Palmer, 2011.

Japanese Cinema, by Jasper Sharp, 2011.

Modern and Contemporary Classical Music, by Nicole V. Gagn, 2012.

Russian Music, by Daniel Jaff, 2012.

Music of the Classical Period, by Bertil van Boer, 2012.

Holocaust Cinema, by Robert C. Reimer and Carol J. Reimer, 2012.

Asian American Literature and Theater, by Wenjing Xu, 2012.

Beat Movement, by Paul Varner, 2012.

Jazz, by John S. Davis, 2012.

Crime Films, by Geoff Mayer, 2013.

Scandinavian Cinema, by John Sundholm, Isak Thorsen, Lars Gustaf Andersson, Olof Hedling, Gunnar Iversen, and Birgir Thor Mller, 2013.

Chinese Cinema, by Tan Ye and Yun Zhu, 2013.

Taiwan Cinema, by Daw-Ming Lee, 2013.

Russian Literature, by Jonathan Stone, 2013.

Gothic Literature, by William Hughes, 2013.

French Literature, by John Flower, 2013.

Opera, by Scott L. Balthazar, 2013.



Historical Dictionary of Opera


Scott L. Balthazar

Historical Dictionary of Opera - image 2

The Scarecrow Press, Inc.

Lanham Toronto Plymouth, UK

2013

Published by Scarecrow Press, Inc.

A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.

4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706

http://www.scarecrowpress.com


10 Thornbury Road, Plymouth PL6 7PP, United Kingdom


Copyright 2013 by Scott L. Balthazar


All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.


British Library Cataloguing in Publication Information Available


Library of Congress Cataloging-in-Publication Data


Balthazar, Scott Leslie.

Historical dictionary of opera / Scott L. Balthazar.

pages cm. (Historical dictionaries of literature and the arts)

Includes bibliographical references.

ISBN 978-0-8108-6768-0 (cloth : alk. paper) ISBN 978-0-8108-7943-0 (ebook)

1. OperaDictionaries. I. Title.

ML102.O6B28 2013

782.103dc23

2013004536


Picture 3 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.


Printed in the United States of America.

Editors Foreword

If you dont know Italian, you may actually have a better idea of what opera is, since you judge it by what it is rather than as a simple word that just means a work, which does not tell us much. For what an extraordinary work it is! Combining music and dance, story and acting, scenery, costumes, and more, the final result can be enjoyed by countless audiences who may not know Italianalthough that skill can come in handybut who appreciate the incredible talent of a long line of composers and librettists whose work has been performed and is still being performed by remarkable casts of singers, dancers, musicians, set designers, and others ever since the late 16th century. Moreover, opera is a work in progress, having evolved over centuries as it was fashioned by different cultures and countries, with Italian, French, German, English, Russian, American, and many other varieties, and reshaped by different currents and tastes, from the baroque through the classical and romantic periods, and more recently influenced by neo-classicism, serialism, minimalism, and whatever comes next. Will opera still be around for another century? That is a question that will not be answered here, but this book does give us every reason to hope so.

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