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Anthony Esolen - No Apologies: Why Civilization Depends on the Strength of Men

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No Apologies: Why Civilization Depends on the Strength of Men: summary, description and annotation

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No more apologies for being a man! Best-selling social commentator Anthony Esolen draws on timeless wisdom to defend the masculine virtues of strength, drive, ambition, and determination in building and upholding civilization itself.
This is a book that should not have to be written. Its purpose is to return to men a sense of their worth as men and to give to boys the noble aim of manliness, an aim which is their due by right.
One of the most courageous and penetrating writers of our time, Anthony Esolen shows that men and women would both be happier if men came to a just appraisal of their worth. The manhood he praises does not boast or swagger, but it appreciates its powers. It is reluctant to hurt, but it does not cringe or cower.
The whole of civilization rests on the shoulders of men who have done work that most people would not doand that the physically weaker sex could not have done. And though the masculine mystique is about more than physical force, the differences between the sexesmanifold and profoundare all related in some way to that one, the easiest difference to see and the hardest to deny.
The feminist who mindlessly asserts that a woman needs a man like a fish needs a bicycle takes her comfortable worldincluding the bicyclefor granted. And she betrays her lovelessness and ingratitude. Worse, she poisons the minds and hearts of boys with her talk of toxic masculinity.
No Apologies, with its compelling vision of a strong and effective manhood, reminds men that they have powers as men, and that those powers must be used for the common good, for everyonemen, women, and children all.

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Anthony Esolen is one of our nations best writers because hes one of our best - photo 1

Anthony Esolen is one of our nations best writers because hes one of our best thinkers eloquent, bold, insightful, profound.Ryan T. Anderson, Ph.D.

No Apologies

Why Civilization Depends on the Strength of Men

Anthony Esolen

Author of Out of the Ashes and Nostalgia

Copyright 2022 by Anthony Esolen All rights reserved No part of this - photo 2

Copyright 2022 by Anthony Esolen

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopy, recording, or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, website, or broadcast.

Regnery Gateway is a trademark of Salem Communications Holding Corporation

Regnery is a registered trademark and its colophon is a trademark of Salem Communications Holding Corporation

Cataloging-in-Publication data on file with the Library of Congress

ISBN: 978-1-68451-234-8

eISBN: 978-1-68451-292-8

Library of Congress Control Number: 2021949635

Published in the United States by

Regnery Gateway, an Imprint of

Regnery Publishing

A Division of Salem Media Group

Washington, D.C.

www.Regnery.com

Books are available in quantity for promotional or premium use. For information on discounts and terms, please visit our website: www.Regnery.com.

Cover design by John Caruso

Introduction

I am writing a book that should not have to be written, to return to men a sense of their worth as men, and to give to boys the noble aim of manliness, an aim which is their due by right.

Let me set a few scenes. The first is from John Milton.

Adam and the affable angel Raphael have come to the end of their day-long conversation about God and the revolt of Satan in heaven, about the creation of the world, and about man and woman, the noble princes of that world. They speak as friend with friend, intellect to intellect. Adam confesses that he can behold all creation with delight, and without any disturbance in the mind, only in the presence of the beautiful woman

transported I behold,

Transported touch; here passion first I felt,

Commotion strange, in all enjoyments else

Superior and unmoved, here only weak

Against the charm of Beautys powerful glance. (Paradise Lost, 8.53034)

But Eve is no plaything. Milton reminds us throughout the poem that she is royal in her person, her bearing, her speech, and her thoughts. Before her, the most celebrated man or woman among us would appear like a cripple, hunched in mind and soul, ever hiding even from ourselves what we really believe and intend. She seems so absolute, says Adam, that

All higher knowledge in her presence falls

Degraded, Wisdom in discourse with her

Loses discountenanced, and like folly shows. (55153)

It is an experience that many a good man has had in the presence of a good woman. Something in herperhaps a love that can see in an instant what reason requires many steps to attainseems to sweep argument aside, and even knowledge and wisdom.

Raphael is not one to pull rank, put on airs, or insist upon his dignity. But with contracted brow the archangel warns Adam not to give over his place as the head of his household. He recommends to him a just evaluation of his worth:

Oft-time nothing profits more

Than self-esteem, grounded on just and right

Well-managed; of that skill the more thou knowst,

The more she will acknowledge thee her Head,

And to realities yield all her shows. (57175)

Such language is not now to our taste. It is not egalitarian. I will have more to say about true and false notions of human equality quite aside from sex differences (men, from the dynamic groups they commonly form in every culture across the world, have a sense that equality and hierarchy can march shoulder to shoulder). But the question here is not whether what Raphael says is to our taste. The question is whether it is true. Would men and women both be happier if men came to a just appraisal of their worth, grounded on powers well managed? Such an appraisal would not boast. It would not swagger. But neither would it cringe or cower, or hang back in exasperated silence. It would be shy to hurt, but it would refuse to lie.

Another scene. Imagine a farmhouse, somewhere in North America, in the 1860s. It is a winter evening, already dark outside, but bright and warm within. Wood is on the fire and oil is in the lamps. The husband and wife have chores to do. She is making a pair of warm trousers for the smallest boy, from scraps cut from a woolen coat her husband has worn out. She is using one of those new Singer sewing machines, the result of a hundred years of invention and improvement. He is sharpening a pruning hook, which he will be using soon on some of the poorer branches of his apple trees. The children are reading a book of Bible stories by the lamplight.

There is a pungent odor in the air, but everyone is used to it. It comes from the oil in the lamps. Thousands of miles away, men are scrambling up the masts to cut the sails as a sudden storm tosses the ship like a cork. They are the bravest and the most blessedly foolish of men, making what fortune they can by pursuing the whale, whose oil they will render in a try-works on the ship itself and then store in hundreds of huge casks. That oil is in the lamps in that home. It was the lubricant also for the various mills that made the sewing machine, the store-bought cloth, the pruning hook, and the press that printed the book. Men commit themselves to years at sea, they fight the storms and the creatures of the deep, they eat hard fare often riddled with weevils, they sleep in bunks without room to stretch, and sometimes they sing, and sometimes they quarrel and curse, and often they die for the oil to light the lamps and make the machines run smooth. The woman at her sewing, the man at his sharpening, and the children musing upon the book depend upon some man up a mainmast, where one false move would cost him his life.

Another scene. You are standing at the edge of a vast sea of grasses, with not a tree in sight. Birds and animals there are, and the buffalo, thousands in a herd to shake the earth, have left many a sign of their passing through. But there are no farms, no roads, no houses, no towns, no barges on the shallow and sluggish rivers, no canals, no mills. Beneath your feet, for many hundreds of miles in all directions, lies some of the richest soil in the world. It is untilled, and except for the natives who hunt the grazing beasts, it feeds no one. In one century, a mere blink in the eye of the life of mankind on earth, this land will be crisscrossed with the most life-giving and life-expanding works of mans labor and intelligence, and it will feed billions. Men will make that happen.

It is still so. Look around you. Every road you see was laid by men. Every house, church, every school, every factory, every public building was raised by the hands of men. You eat with a stainless-steel fork; the iron was mined and the carbon was quarried by men. You type a message on your computer; the plastic it is made of came from petroleum dredged out of the earth, often out of earth beneath hundreds of feet of sea water, by men. The electricity that powers your computerwhere did it come from? Perhaps from an enormous turbine whirled about by countless tons of water, on a great river dammed up by men, or from a power plant burning coal, harvested out of the earth, with considerable risk, by men. The whole of your civilization rests upon the shoulders of men who have done work that most people will not doand that the physically weaker sex could not have done. There is more to it than physical force, as I will show. The differences between the sexes, which are manifold and profound, are all related in some way to that one, the easiest to see and the hardest to deny. But there is at least that, and it alone would be decisive.

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