Henry James - Essays in London and Elsewhere

HENRY JAMES

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ISBN: 978-1-4114-4039-5

LONDON

I

T HERE is a certain evening that I count as virtually a first impressionthe end of a wet, black Sunday, twenty years ago, about the first of March. There had been an earlier vision, but it had turned gray, like faded ink, and the occasion I speak of was a fresh beginning. No doubt I had a mystic prescience of how fond of the murky modern Babylon I was one day to become; certain it is that as I look back I find every small circumstance of those hours of approach and arrival still as vivid as if the solemnity of an opening era had breathed upon it. The sense of approach was already almost intolerably strong at Liverpool, where, as I remember, the perception of the English character of everything was as acute as a surprise, though it could only be a surprise without a shock. It was expectation exquisitely gratified, superabundantly confirmed. There was a kind of wonder, indeed, that England should be as English as, for my entertainment, she took the trouble to be; but the wonder would have been greater, and all the pleasure absent, if the sensation had not been violent. It seems to sit there again like a visiting presence, as it sat opposite to me at breakfast at a small table in a window of the old coffee-room of the Adelphi Hotelthe unextended (as it then was), the unimproved, the unblushingly local Adelphi. Liverpool is not a romantic city, but that smoky Saturday returns to me as a supreme success, measured by its association with the kind of emotion in the hope of which, for the most part, we betake ourselves to far countries.

It assumed this character at an early houror rather, indeed, twenty-four hours beforewith the sight, as one looked across the wintry ocean, of the strange, dark, lonely freshness of the coast of Ireland. Better still, before we could come up to the city, were the black steamers knocking about in the yellow Mersey, under a sky so low that they seemed to touch it with their funnels, and in the thickest, windiest light. Spring was already in the air, in the town; there was no rain, but there was still less sunone wondered what had become, on this side of the world, of the big white splotch in the heavens; and the gray mildness, shading away into black at every pretext, appeared in itself a promise. This was how it hung about me, between the window and the fire, in the coffee-room of the hotellate in the morning for breakfast, as we had been long disembarking. The other passengers had dispersed, knowingly catching trains for London (we had only been a handful); I had the place to myself, and I felt as if I had an exclusive property in the impression. I prolonged it, I sacrificed to it, and it is perfectly recoverable now, with the very taste of the national muffin, the creak of the waiter's shoes as he came and went (could anything be so English as his intensely professional back? it revealed a country of tradition), and the rustle of the newspaper I was too excited to read.

I continued to sacrifice for the rest of the day; it didn't seem to me a sentient thing, as yet, to inquire into the means of getting away. My curiosity must indeed have languished, for I found myself on the morrow in the slowest of Sunday trains, pottering up to London with an interruptedness which might have been tedious without the conversation of an old gentleman who shared the carriage with me and to whom my alien as well as comparatively youthful character had betrayed itself. He instructed me as to the sights of London, and impressed upon me that nothing was more worthy of my attention than the great cathedral of St. Paul. "Have you seen St. Peter's in Rome? St. Peter's is more highly embellished, you know; but you may depend upon it that St. Paul's is the better building of the two." The impression I began with speaking of was, strictly, that of the drive from Euston, after dark, to Morley's Hotel in Trafalgar Square. It was not lovelyit was in fact rather horrible; but as I move again through dusky, tortuous miles, in the greasy four-wheeler to which my luggage had compelled me to commit myself, I recognize the first step in an initiation of which the subsequent stages were to abound in pleasant things. It is a kind of humiliation in a great city not to know where you are going, and Morley's Hotel was then, to my imagination, only a vague ruddy spot in the general immensity. The immensity was the great fact, and that was a charm; the miles of housetops and viaducts, the complication of junctions and signals through which the train made its way to the station had already given me the scale. The weather had turned to wet, and we went deeper and deeper into the Sunday night. The sheep in the fields, on the way from Liverpool, had shown in their demeanor a certain consciousness of the day; but this momentous cab-drive was an introduction to rigidities of custom. The low black houses were as inanimate as so many rows of coal-scuttles, save where at frequent corners, from a gin-shop, there was a flare of light more brutal still than the darkness. The custom of ginthat was equally rigid, and in this first impression the public-houses counted for much.

Morley's Hotel proved indeed to be a ruddy spot; brilliant, in my recollection, is the coffee-room fire, the hospitable mahogany, the sense that in the stupendous city this, at any rate for the hour, was a shelter and a point of view. My remembrance of the rest of the eveningI was probably very tiredis mainly a remembrance of a vast four-poster. My little bedroom candle, set in its deep basin, caused this monument to project a huge shadow and to make me think, I scarce knew why, of "The Ingoldsby Legends." If at a tolerably early hour the next day I found myself approaching St. Paul's, it was not wholly in obedience to the old gentleman in the railway-carriage: I had an errand in the City, and the City was doubtless prodigious. But what I mainly recall is the romantic consciousness of passing under Temple Bar and the way two lines of "Henry Esmond" repeated themselves in my mind as I drew near the masterpiece of Sir Christopher Wren. "The stout, red-faced woman" whom Esmond had seen tearing after the stag-hounds over the slopes at Windsor was not a bit like the effigy "which turns its stony back upon St. Paul's and faces the coaches struggling up Ludgate Hill." As I looked at Queen Anne over the apron of my hansomshe struck me as very small and dirty, and the vehicle ascended the mild incline without an effortit was a thrilling thought that the statue had been familiar to the hero of the incomparable novel. All history appeared to live again, and the continuity of things to vibrate through my mind.

To this hour, as I pass along the Strand, I take again the walk I took there that afternoon. I love the place today, and that was the commencement of my passion. It appeared to me to present phenomena and to contain objects of every kind, of an inexhaustible interest; in particular it struck me as desirable and even indispensable that I should purchase most of the articles in most of the shops. My eyes rest with a certain tenderness on the places where I resisted and on those where I succumbed. The fragrance of Mr. Rimmel's establishment is again in my nostrils; I see the slim young lady (I hear her pronunciation) who waited upon me there. Sacred to me today is the particular aroma of the hair-wash that I bought of her. I pause before the granite portico of Exeter Hall (it was unexpectedly narrow and wedge-like), and it evokes a cloud of associations which are nonetheless impressive because they are vague; coming from I don't know wherefrom