Patricia Wentworth - The Astonishing Adventure of Jane Smith
Here you can read online Patricia Wentworth - The Astonishing Adventure of Jane Smith full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2021, publisher: Otbebookpublishing, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:The Astonishing Adventure of Jane Smith
- Author:
- Publisher:Otbebookpublishing
- Genre:
- Year:2021
- Rating:4 / 5
- Favourites:Add to favourites
- Your mark:
- 80
- 1
- 2
- 3
- 4
- 5
The Astonishing Adventure of Jane Smith: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Astonishing Adventure of Jane Smith" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Patricia Wentworth: author's other books
Who wrote The Astonishing Adventure of Jane Smith? Find out the surname, the name of the author of the book and a list of all author's works by series.
The Astonishing Adventure of Jane Smith — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Astonishing Adventure of Jane Smith" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
The dining-room of Molloys flat had not been built to receive twenty-five guests, but the Delegates of twenty-five affiliated Organisations had been crowded into it. The unshaded electric light glared down upon men of many types and nationalities. It did not flatter them.
The air was heavy with the smoke of bad tobacco and the fumes of a very indifferent gas fire. There was a table in the middle of the room, and some dozen of the men were seated at it. The rest stood in groups, or leaned against the walls.
Of the four who formed the Inner Council three were present. Most of the Delegates had expected that the head of The Council, the head of the Federated Organisations, that mysterious Number One whom they all knew by reputation and yet had never seen in the flesh, would be present in person to take the chair. But the Delegates who had entertained this expectation were doomed to disappointment. Once again Number Ones authority had been delegated to the other three members of The Council. Of these, Number Three was Molloy, the big, handsome Irishman who rented the flat. He sat facing the door, a fine figure of a man in the late forties. Number Two leaned forward over the fire, warming his hands, his pale, intellectual face expressionless, his eyes veiled. Belcovitch, who was Number Four, was on his feet speaking. They were large, bony feet, in boots which had most noticeably not been made for him. He spoke fluently, but with a heavy foreign accent.
Propaganda, he said, and laughed; really he had a very unpleasant laughpropaganda is what you call rot, rubbish, damn nonsense. What else have we been about for yearsno, generationsand where are we to-day?
Number Two drew his chair closer to the fire with an impatient jerk. Number Fours oratory bored him stiff. The room was cold. This gas fire was like all gas fires. He pulled his fur coat together and spoke sharply:
Molloy, this rooms most infernally cold, and where in the world does the draught come from?
Propaganda is dead, said Number Four. He looked over his shoulder with dislike at Number Two, and mopped his brow with a dirty handkerchief. Molloy, just opposite him, turned a little and laughed.
You bring the cold with you, Number Two, he said. Heres Number Four as hot as his own speeches. Youve got all the fire, and the doors shut, and a screen in front of it, so what more do you want?
Propaganda is dead, repeated Number Four. He stood with his back to the door. Only the top panel of it showed above the black screen which had been drawn across it. The screen had four leaves. On each leaf a golden stork on one leg contemplated a golden water-lily. The light shone on the golden birds and the golden flowers.
Number Four thrust his handkerchief back into his pocket, and rapped sharply on the table. It was covered with a red cloth which had seen better days. Number Fourteen had upset the ink only a few moments before, and a greenish-purple patch was still spreading amidst the crimson.
Belcovitch leaned forward, both his hands on the table, his raucous voice brought to a dead level. Instead of propaganda, what? he said. Instead of building here, teaching there, what? That is what Im here to-night to tell you. To-morrow you all go to your own places, each to his post; but before you go, I am authorised to prepare you for what is to come. It will not be to-day, but it may be to-morrow, or it may not be for many to-morrows yet. One final stage is lacking, but in essentials The Process is complete. Propaganda is dead, because we no longer need propaganda. Comradeshis voice sank a littlethere are enough of us. Every city in the world has its quota. What The Process will effecthe paused, looked round, caught Number Twos slightly sardonic expression, and struck the table with his open handwhat The Process will effect is this, he criedin one word, Annihilation of the whole human race! Only our organisation will be left.
Now what I am instructed to tell you is this,he spoke evenly, swiftly, statement following statementnever had the attention of an audience been so fully his; and then suddenly the thread was broken. With a loud grating sound, Number Fifteen, sitting next to Molloy, pushed his chair back, and sprang to his feet.
The door! he shouted. The door! Every man in the room looked where Fifteen was looking. Above the water-lilies and the storks, where the top panel of the door had shown, there was a dark, empty space. The door was open.
Number Four whipped out a revolver and dragged the screen away. The door was open, and in the doorway stood a girl in her nightdress. Her hands were stretched out, as if she were feeling her way. Her eyes, of a greenish hazel in colour, were widely opened, and had a dazed expression. Her brown hair hung in two neat plaits. Her feet were bare. Molloy pushed forward quickly.
Well, there, if that wasnt the start of our lives, he said, and no reason for it when alls said and done. Its my daughter, Renata, comrades, and shes walking in her sleep. Now Ill just take her back to her room and be with you again.
A minute, I think, Molloy, said Number Two. He got up slowly out of his chair, and came across to where the girl stood motionless, blinking at the light. I said there was a most infernal draught. Will you come in, Miss Molloy? he added politely, and took the girl by the hand. She yielded to his touch, and came into the room, shivering a little. Some one shut the door. Molloy, shrugging his shoulders, pulled the crimson cloth from the table and wrapped it about his daughter. The ink-soaked patch came upon her bare shoulder, and she cried out, cast a wild look at the strange and terrifying faces about her, and burst into a flood of tears.
Molloy, standing behind her, looked around as she had looked, and his face darkened. Number Four had his back against the door, and his revolver in his hand. There was only one face in the whole circle that was not stamped with suspicion and fear, and behind the fear and the suspicion there was something icy, something ruthless. Number Two, with a slightly bored expression, was feeling in his waistcoat pocket. He produced a small glass bottle, extracted from it a tiny pellet, and proceeded to dissolve it in the glass of water which had stood neglected at Number Fours right hand.
Now, Miss Molloy, he said, but Molloy caught him by the wrist.
What the devil he stammered, and Number Two laughed.
My dear Molloy, he said, how crude! You might know me better than that.
He held the glass to Renatas lips, and she took it and drank. When she had set down the glass, she felt her way to a chair and leaned back with closed eyes. The room seemed to whirl about her. A confusion of sound was in her ears, loud, angry, with sentences that came and went. If she heard,then anotherHow long was she there? Some one must have seen the door open.
Who did, then? Then in the harshest voice of all, I dont care if shes Molloys daughter fifty times over, if she heard what Four said about The Process, she must go. Go where?
There was something cold and wet touching her shoulder. The cold seemed to spread all over her. Now her father was speaking. She had never heard his voice quite like that before. And now the man in the fur coat, the one who had given her the glass of water:
Yes, certainly, elimination if it is necessary. Were all agreed about that. But let us make sure. His voice had quite a gentle sound, but Renatas heart began to beat with great thuds.
Miss Molloy,he was speaking to her now, and she opened her eyes and looked at him. His face was of a clear, even pallor. His eyes, light blue and without noticeable lashes, looked straight into hers. The veil was gone from them. They held a terrifying intelligence.
Font size:
Interval:
Bookmark:
Similar books «The Astonishing Adventure of Jane Smith»
Look at similar books to The Astonishing Adventure of Jane Smith. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book The Astonishing Adventure of Jane Smith and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.