David Grossman - To the End of the Land
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FICTION
In Another Life
Someone to Run With
Be My Knife
The Zigzag Kid
The Book of Intimate Grammar
See Under: Love
The Smile of the Lamb
NONFICTION
Writing in the Dark: Essays on Literature and Politics
Death as a Way of Life: Israel Ten Years After Oslo
Sleeping on a Wire: Conversations with Palestinians in Israel
The Yellow Wind
THIS IS A BORZOI BOOK
PUBLISHED BY ALFRED A. KNOPF
Translation copyright 2010 by Jessica Cohen
All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House, Inc., New York.
www.aaknopf.com
Knopf, Borzoi Books, and the colophon are registered trademarks of Random House, Inc.
Originally published in Israel as Isha Borachat Mebesurah by HaKibbutz HaMeuchad Publishing House, Ltd., Tel Aviv, in 2008. Copyright 2008 by David Grossman and HaKibbutz HaMeuchad Publishing House, Ltd.
This is a work of fiction. Any resemblance to actual persons living or dead, events, or locales is entirely coincidental.
Library of Congress Cataloging-in-Publication Data
Grossman, David.
[Ishah borahat mi-besorah. English]
To the end of the land / by David Grossman ; translated from the Hebrew by Jessica Cohen.
1st American ed.
p. cm.
This is a Borzoi book.
eISBN: 978-0-307-59434-1
I. Cohen, Jessica. II. Title.
PJ5054.G728I8413 2010
892.436dc22 2010003915
v3.1
For Michal
For Yonatan and Ruti
For Uri, 1985-2006
HEY, GIRL , quiet!
Who is that?
Be quiet! You woke everyone up!
But I was holding her
Who?
On the rock, we were sitting together
What rock are you talking about? Let us sleep
Then she just fell
All this shouting and singing
But I was asleep
And you were shouting!
She just let go of my hand and fell
Stop it, go to sleep
Turn on a light
Are you crazy? Theyll kill us if we do that
Wait
What?
I was singing?
Singing, shouting, everything. Now be quiet
What was I singing?
What were you singing?!
In my sleep, what was I singing?
Im supposed to know what you were singing? A bunch of shouts. Thats what you were singing. What was I singing, she wants to know
You dont remember the song?
Look, are you nuts? Im barely alive
But who are you?
Room Three
Youre in isolation, too?
Gotta get back
Dont go Did you leave? Wait, hello Gone But what was I singing?
AND the next night he woke her up again, angry at her again for singing at the top of her lungs and waking up the whole hospital, and she begged him to try to remember if it was the same song from the night before. She was desperate to know, because of her dream, which kept getting dreamed almost every night during those years. An utterly white dream. Everything in it was white, the streets and the houses and the trees and the cats and dogs and the rock at the edge of the cliff. And Ada, her redheaded friend, was also entirely white, without a drop of blood in her face or body. Without a drop of color in her hair. But he couldnt remember which song it was this time, either. His whole body was shuddering, and she shuddered back at him from her bed. Were like a pair of castanets, he said, and to her surprise, she burst out with bright laughter that tickled him inside. He had used up all his strength on the journey from his room to hers, thirty-five steps, resting after each one, holding on to walls, doorframes, empty food carts. Now he flopped onto the sticky linoleum floor in her doorway. For several minutes they both breathed heavily. He wanted to make her laugh again but he could no longer speak, and then he must have fallen asleep, until her voice woke him. Tell me something
What? Who is it?
Its me
You
Tell me, am I alone in this room?
How should I know?
Are you, like, shivering?
Yeah, shivering
How high is yours?
It was forty this evening
Mine was forty point three. When do you die?
At forty-two
Thats close
No, no, you still have time
Dont go, Im scared
Do you hear?
What?
How quiet it is suddenly?
Were there booms before?
Cannons
I keep sleeping, and all of a sudden its nighttime again
Cause theres a blackout
I think theyre winning
Who?
The Arabs
No way
Theyve occupied Tel Aviv
What are you who told you that?
I dont know. Maybe I heard it
You dreamed it
No, they said it here, someone, before, I heard voices
Its from the fever. Nightmares. I have them, too
My dream I was with my friend
Maybe you know
What?
Which direction I came from
I dont know anything here
How long for you?
Dont know
Me, four days. Maybe a week
Wait, wheres the nurse?
At night shes in Internal A. Shes an Arab
How do you know?
You can hear it when she talks
Youre shaking
My mouth, my whole face
But where is everybody?
Theyre not taking us to the bomb shelter
Why?
So we dont infect them
Wait, so its just us
And the nurse
I thought
What?
If you could sing it for me
That again?
Just hum
Im leaving
If it was the other way around, I would sing to you
Gotta get back
Where?
Where, where, to lie with my forefathers, to bring me down with sorrow to the grave, thats where
What? What was that? Wait, do I know you? Hey, come back
AND the next night, too, before midnight, he came to stand in her doorway and scolded her again and complained that she was singing in her sleep, waking him and the whole world, and she smiled to herself and asked if his room was really that far, and that was when he realized, from her voice, that she wasnt where she had been the night before and the night before that.
Because now Im sitting, she explained. He asked cautiously, But why are you sitting? Because I couldnt sleep, she said. And I wasnt singing. I was sitting here quietly waiting for you.
They both thought it was getting even darker. A new wave of heat, which may have had nothing to do with her illness, climbed up from Oras toes and sparked red spots on her neck and face. Its a good thing its dark, she thought, and held her loose pajama collar up to her neck. Finally, from the doorway, he cleared his throat softly and said, Well, I have to get back. But why? she asked. He said he urgently had to tar and feather himself. She didnt get it, but then she got it and laughed deeply. Come on, dummy, enough with your act, I put a chair out for you next to me.
He felt along the doorway, metal cabinets, and beds, until he stopped way off, leaned his arms on an empty bed, and panted loudly. Im here, he groaned. Come closer to me, she said. Wait, let me catch my breath. The darkness filled her with courage and she said in a loud voice, in her voice of health, of beaches and paddleball and swimming out to the rafts on Quiet Beach, What are you afraid of? I dont bite. He mumbled, Okay, okay, I get it, Im barely alive. His grumbling tone and the heavy way he dragged his feet touched her. Were kind of like an elderly couple, she thought.
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