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Ben Lerner - The Lichtenberg Figures

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Ben Lerner The Lichtenberg Figures
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    The Lichtenberg Figures
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The Lichtenberg Figures: summary, description and annotation

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The Lichtenberg Figures, winner of the Hayden Carruth Award, is an unconventional sonnet sequence that interrogates the relationship between language and memory, violence and form. Lichtenberg figures are fern-like electrical patterns that can appear on (and quickly fade from) the bodies of people struck by lightning.Throughout this playful and elegiac debutwith its flashes of autobiography, intellection, comedy, and critiquethe vocabulary of academic theory collides with American slang and the idiom of the Old Testament meets the jargon of the Internet to display an eclectic sensibility

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Note to the Reader Copper Canyon Press encourages you to calibrate your - photo 1
Note to the Reader Copper Canyon Press encourages you to calibrate your settings by using the line of characters below, which optimizes the line length and character size: Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque euismod magna ac diam Please take the time to adjust the size of the text on your viewer so that the line of characters above appears on one line, if possible. When this text appears on one line on your device, the resulting settings will most accurately reproduce the layout of the text on the page and the line length intended by the author. Viewing the title at a higher than optimal text size or on a device too small to accommodate the lines in the text will cause the reading experience to be altered considerably; single lines of some poems will be displayed as multiple lines of text. If this occurs, the turn of the line will be marked with a shallow indent. Thank you.

We hope you enjoy these poems. This e-book edition was created through a special grant provided by the Paul G. Allen Family Foundation. Copper Canyon Press would like to thank Constellation Digital Services for their partnership in making this e-book possible.for Eric, Ed, Stephen, and Cy

Contents
The dark collects our empties, empties our ashtrays. Did you mean this could go on forever in a good way? Up in the fragrant rafters, moths seek out a finer dust. Please feel free to cue or cut the lights.

Along the order of magnitudes, a glyph, portable, narrowDamn. Ive lost it. But its shadow. Cast in the long run. As the dark touches us up. Earlier you asked if I would enter the data like a room, well, either the sun has begun to burn its manuscripts or Im an idiot, an idiot with my eleven semiprecious rings.

Real snow on the stage. Fake blood on the snow. Could this go on forever in a good way? A brain left lace from age or lightning. The chicken is a little dry and/or youve ruined my life.

I had meant to apologize in advance. I had meant to jettison all dogmatism in theory and all sclerosis in organization.

I had meant to place my hand in a position to receive the sun. I imagined such a gesture would amount to batter, battery. A cookie is not the only substance that receives the shape of the instrument with which its cut. The man-child tucks a flare gun into his sweatpants and sets out for a bench of great beauty and peacefulness. Like the girl my neighbors sent to Catholic school, tonight the moon lies down with any boy who talks of leaving town. My cowardice may or may not have a concrete economic foundation.

I beat Orlando Duran with a ratchet till he bled from his eye. I like it when you cut the crust off my sandwiches. The name of our state flower changes as it dries.

In my day, we knew how to drown plausibly, to renounce the bodys seven claims to buoyancy. In my day, our fragrances had agency, our exhausted clocks complained so beautifully that cause began to shed its calories like sparks. With great ostentation, I began to bald.

With great ostentation, I built a small door in my door for dogs. In my day, we were reasonable men. Even you women and children were reasonable men. And there was the promise of pleasure in every question we postponed. Like a blouse, the most elegant crimes were left undone. Now I am the only one who knows the story of the baleful forms our valences assumed in winter light.

My people, are you not horrified of how these verbs decline their great ostentation, their doors of different sizes?

What am I the antecedent of? When I shave I feel like a Russian. When I drink Im the last Jew in Kansas. I sit in my hammock and whittle my rebus. I feel disease spread through me like a theory. I take a sip from Deaths black daiquiri. (A scythe of moon divides the cloud. (A scythe of moon divides the cloud.

The story regains its upward sweep.) O slender spadix projecting from a narrow spathe, you are thinner than spaghetti but not as thin as vermicelli. You are the first and last indigenous Nintendo.

We must retract our offerings, burnt as they are. We must recall our lines of verse like faulty tires. We must flay the curatoriat, invest our sackcloth, and enter the Academy single file. Poetry has yet to emerge.

The image is no substitute. The image is an anecdote in the mouth of a stillborn. And not reflection, with its bad infinitude, nor religion, with its eighth of mushrooms, can bring orgasm to orgasm like poetry. As a policy, we are generally sorry. But sorry doesnt cut it. We must ask you to remove your shoes, your lenses, your teeth.

We must ask you to sob openly. If it is any consolation, we admire the early work of John Ashbery. If it is any consolation, you wont feel a thing.

I attend a class for mouth-to-mouth, a class for hand-to-hand. I can no longer distinguish between combat and resuscitation. I could revive my victims.

I could kill a man with a maneuver designed to clear the throat of food. Tonight, the moon sulks at apogee. A bitch complains to the polestar. An enemy fills a Ping-Pong ball with Drano and drops it in the gas tank of my car. Reader, may your death strictly adhere to recognized forms. May someone place his lips on yours, shake you gently, call your name.

May someone interlace his fingers, lock his elbows, and compress your chest, every two seconds, to the depth of one and one-half inches. In the dream, I discover my body among the abandoned tracks of North Topeka. Orlando Duran stands over me, bleeding from his eye. I can no longer distinguish between verb moods that indicate confidence and those that express uncertainty. An upward emergency calls away the sky.

Pleasure is a profoundly negative experience, my father was fond of saying underwater.

His body was carried out like a wish. We paid our last respects as rent. The mere possibility of apology allows me to express my favorite wreck as a relation between stairs and stars. I take that back. To sum up, up beyond the lamps sweep, where a drip installed by heat still dripssome tender timbers. At thirteen, I had a series of dreams I cant remember, although Im sure that they involved a rape.

Im brutal because Im naked, not because Im named, a distinction that the scientific and scholarly communities, if not the wider public, should be expected to maintain. No additional media available (but isnt it beautiful when a toddler manages to find and strike a match).

I invite you to think creatively about politics in the age of histamine. I invite you to think creatively about politics given men as they are: asthmatic, out of tune and time, out of bounds and practice. I invite you to run your mouth, to run your hands through my thin hair like a theme. I invite you to lean your head against my better judgment.

Once uncertainty ran through these sketches like a Lab. Now, of my early work, a critic has said: It was open, so I let myself in. Ladies and gentlemen, tonights weather has been canceled. The Academy has condemned the blue tit. The poor are stealing the saltlicks. Grenades luxuriate in the garden of decommissioned adjectives.

It is the Sabbath. I must invite you to lay down your knowledge claims, to lay them down slowly and with great sadness. Given men as they are, women pack snow into jars for the summer ahead. Given men as they are, the trees surrender.

Im going to kill the president. I promise.

I surrender. Im sorry. Im gay. Im pregnant. Im dying. Im not your father.

Youre fired. Fire. I forgot your birthday. You will have to lose the leg. She was asking for it. It ran right under the car.

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