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Bernstein - Miss thistlebottoms hobgoblins: the careful writers guide to the taboos, bugbears, and outmoded rules of english usage

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Bernstein Miss thistlebottoms hobgoblins: the careful writers guide to the taboos, bugbears, and outmoded rules of english usage
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Miss thistlebottoms hobgoblins: the careful writers guide to the taboos, bugbears, and outmoded rules of english usage: summary, description and annotation

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Once you recall that Miss Thistlebottom was your elementary-school teacher who laid down all manner of taboos concerning the use of language, you will have an idea of what this book is about. In no sense permissive or radical, it topples the taboos that lack historical, logical or grammatical basis. It is a refreshing look at our living language, the perfect companion to the authors indispensable work, The Careful Writer. Mr. Bernstein writes four letters to Miss Thistlebottom that divide the book into four sections: Witchcraft in Words, Syntax Scarecrows, Imps of Idioms, and Spooks of Style. Can there be more than two alternatives Youll find the answer in the Words section. Can something grow smaller Ditto. How about Split Infinitives: is it proper to ever split one Is none invariably singular Take a look in the Syntax section. Isnt it absurd to say if worst comes to worst rather than if worse comes to worst or to say head over heels rather than heels over head The section on idioms will enlighten you on these absurdities. And then, is a preposition a proper word to end a sentence with The section on Style will show you that some authoritarians dont know what they are talking about and dont know what rules are for. The scores and scores of entries in this book are crisp, lightly written and amply provided with illustrative material. They are designed to help anyone who writes anything--the student, the reporter, the copy editor, the professional writer-cast off the inhibitions and prohibitions that lack validity and cramp his writing style. An Appendix includes some rare, out-of-print sources of some of the bogies: William Cullen Bryants Index Expurgatorius for writers on the old New York Post, James Gordon Bennetts Dont List for writers on the old New York Herald and Ambrose Bierces blacklist Write It Right.

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Table of Contents HEADLINES AND DEADLINES 1933 1961 with - photo 1
Table of Contents



HEADLINES AND DEADLINES 1933, 1961
( with Robert E. Garst )

WATCH YOUR LANGUAGE 1958

MORE LANGUAGE THAT NEEDS WATCHING 1962

THE CAREFUL WRITER 1965

MISS THISTLEBOTTOMS HOBGOBLINS 1971
T HIS is an appendix, all right, but it is more like a museum. All three partly fossilized exhibits are out of print and, by that fact alone, have a certain curiosity value. Yet their influence persists among writers to this day. Many of their strictures were valid when they were written and are just as valid now. With them this book has not been concerned. Others are so completely out of date that there was no point in mentioning them. Present-day writers are not likely to use secesh (secessionist) or jackies (sailors), nor should they be admonished to use pantaloons rather than pants. But a great many of the strictures had no validity when they were written, and naturally have none today. Still it is surprising how stubbornly some of them survive. Those are the ones that have been discussed in the preceding pagesnot all of them, to be sure, but those that seem to have the most persistent grip on writers and editors.
William Cullen Bryants list (perhaps the most sensible of the three) and that of James Gordon Bennett are addressed to newspapermen; Ambrose Bierces is directed not only to them but also to writers in general. But since journalists not infrequently branch out into the literary field, all three have had an effect on the writing art.
WILLIAM CULLEN BRYANTS
W ILLIAM CULLEN BRYANT, well known as an American poet of the nineteenth century and almost as well known as a journalist, was part owner and editor in chief of the New York Evening Post from 1829 until his death in 1878. He had good training in Latin, which undoubtedly provided the foundation for his careful competence in English. In his Index Expurgatorius (presented here as it appeared in Ayres) he sought to prevent writers for the Evening Post from using the following:
over and above (for more than)commence (for begin)
compete
artiste (for artist)cortege (for procession)
aspirantcotemporary (for contemporary)
authoress
beat (for defeat)couple (for two)
bagging (for capturing)darky (for negro)
balance (for remainder)day before yesterday (for the day before yesterday)
banquet (for dinner or supper)
debut
bogusdecrease (as a verb)
casket (for coffin)democracy (applied to a political party)
claimed (for asserted)
collideddevelop (for expose)
devouring element (for fire)Mrs. President, Mrs. Governor, Mrs. General, and all similar titles
donate
employ
enacted (for acted)mutual (for common)
endorse (for approve)official (for officer)
en routeovation
esq.on yesterday
graduate (for is graduated)over his signature
gents (for gentlemen)pants (for pantaloons)
Hon.parties (for persons)
House (for House of Representatives)partially (for partly)
past two weeks (for last two weeks and all similar expressions relating to a definite time)
humbug
inaugurate (for begin)
in our midst
item (for particle, extract or paragraph)poetess
portion (for part)
is being done, and all passives of this formposted (for informed)
progress (for advance)
jeopardizereliable (for trustworthy)
jubilant (for rejoicing)rendition (for performance)
juvenile (for boy)repudiate (for reject or disown)
lady (for wife)
last (for latest)retire (as an active verb)
lengthy (for long)Rev. (for the Rev.)
leniency (for lenity)role (for part)
loaferroughs
loan or loaned (for lend or lent)rowdies
secesh
locatedsensation (for noteworthy event)
majority (relating to places or circumstances, for most)
standpoint (for point of view)
start (in the sense of setting out)talented
tapis
state (for say)the deceased
taboowar (for dispute or disagreement)
talent (for talents or ability)
OF THE NEW YORK HERALD
UNDER JAMES GORDON BENNETT THE YOUNGER,
ITS PROPRIETOR FROM 1867 TO 1918
FOR THE
GUIDANCE OF REPORTERS
AND COPYREADERS


COURTESY AND FAIR PLAY
Do not use any expression that will unnecessarily hold any one up to ridicule. The printing of anonymous interviews, statements and implied accusations is forbidden.
Dont say Chinaman for a Chinese.
Dont call a Jew a Hebrew.
Dont use Italian in crime stories; say foreigner. Reflections on nationalities or races are taboo.
Dont say colored man when you mean negro.
Dont call her an old woman, say aged.

OBSERVE THE LAWS OF GOOD TASTE
In writing let it be taken for granted that a person shot, stabbed or mangled will bleed. Use the word blood only when it is essential.
Dont say box party for theatre party.
Dont say a man is a clubman.
Dont use courtesy visit.
Dont use visiting in the sense of Mr. and Mrs. Blank are visiting at Mr. Dashs villa.
Dont use invited guest or invited audience.
Dont use term dinner hostesses, dinner dance or dinner guest.
Dont use house guest, house party or reception guest.
Dont use (hotel) patron or guest.
Dont use guest of honor or maid of honor.
Dont say a man is a rich man or a magnate.
Dont use New Yorker.
Dont say a man is a society man.
Dont use week end or over Saturday.
Be careful in the use of the word sick that the context does not place upon it the possibility of an offensive construction. Ill is preferable.
Dont call a theatrical performance a show.
Dont use society belle; say society girl or social leader.
Dont apply schedule to the movement of persons, as:Ambassador Bacon was scheduled to leave Vienna in the morning.

AVOID INACCURACIES OF STATEMENT
Dont say mutual friend.
Dont refer to the club section of the city. There is none.
Once a King or Queen always one, unless deposed, as Marie Antoinette.
Dont use demote for reduce. There is no word demote.

DOS AND DONTS FOR WRITING FOR THE HERALD
Get the news, and all the news.
Outline your story before you begin to write.
Reporters will find it to their advantage to put down asingle fact, or a group of related facts, on one sheet of paper in making notes, so that they may readily and quickly arrange their material in logical sequence.
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