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Jackson - Origami toys: that tumble, fly, and spin

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Jackson Origami toys: that tumble, fly, and spin
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    Origami toys: that tumble, fly, and spin
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Machine derived contents note: textformat=02> Acknowledgments 4 -- Introduction 5 -- Read This! 6 -- Pecking Bird 16 -- simple -- Feeding Bird 18 -- intermediate -- Woodpecker 21 -- advanced -- Squawking Bird 25 -- intermediate -- Flapping Bird 1 31 -- advanced -- Flapping Bird 2 36 -- intermediate -- Snapping Crocodile 1 39 -- advanced -- Snapping Crocodile 2 44 -- advanced -- Nodding Dog 50 -- simple -- Puppet Beak 54 -- intermediate -- Croaking Frog 58 -- intermediate -- Scuttling Mouse 62 -- simple -- Barking Dog 1 64 -- advanced -- Barking Dog 2 68 -- advanced -- Moving Lips 72 -- intermediate -- Kissing Cousins 76 -- intermediate -- Horse and Rider 80 -- advanced -- Swimming Fish 86 -- intermediate -- Big Beak 89 -- intermediate -- Paper Orchestra: -- Clacker 93 -- simple -- Lip Smacker 96 -- simple -- Whip Crack 99 -- simple -- Worlds Best Dreidl 102 -- intermediate -- Domino Rally 106 -- intermediate -- Pencil Propeller 109 -- simple -- Quasar 112 -- intermediate -- Catapult 115 -- intermediate -- The Cutter 119 -- intermediate -- T-Glider 123 -- simple -- Resources 127.;Origami Toys is a how-to book on making various interactive origami toys that flap, jump, fly, spin, bang, tumble, turn inside out, peck, snap, rock, and talk. Each toy is of the authors creation: in every instance, he has either come up with his own design, or he has created a modification of a previous classic design. Theres a variety of toys for all origami levels: beginning, intermediate, and advanced.

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Origami Toys That Tumble Fly and Spin Paul Jackson Origami Toys Digital - photo 1
Origami Toys
That Tumble, Fly, and Spin
Paul Jackson
Origami Toys Digital Edition v10 Text and illustrations 2010 Paul Jackson - photo 2

Origami Toys

Digital Edition v1.0

Text and illustrations 2010 Paul Jackson

Photographs 2010 Avi Valdman

Hand model: Chen Ozeri

All rights reserved. The models in this book were created by the author, Paul Jackson, who is also the copyright holder. Acquisition of this book entitles the reader to make the models for private purposes. The reader may also teach them in situations involving no fees or nominal fees, clearly crediting Paul Jackson as the creator and naming this book as the source. The reader may not teach them for a substantial fee without prior written permission from the author.

The step-by-step instructions and photographic or illustrative likenesses of completed models may not be used commercially without prior written permission from the author. The definition of commercially includes online media advertisements; video advertising on YouTube and similar video broadcast Web sites; posters; displays; product brochures; direct mail packs; statement inserts and flyers; e-mails; printed books and e-books; newspapers, magazines, and other press; banner advertisements; keyword advertising and sponsored links; television; radio; and any and all other forms of online, electronic, or hard copy advertising.

Permission will be granted in most circumstances, though fees may apply.

Gibbs Smith, Publisher

PO Box 667

Layton, UT 84041

Orders: 1.800.835.4993

www.gibbs-smith.com

Library of Congress Catalog-in-Publishing Data

ISBN-13: 978-1-4236-0524-9

ISBN-10: 1-4236-0524-1

1. Origami. 2. Paper toy making. I. Title.

TT870.J322 2010

736.982dc22

2009027530

To my son Jonathan, age 5. You taught me the joy of sharing origami toys.

Acknowledgments

A book that is more than thirty years in the making accumulates many people to whom I owe a debt of thanks. In origami, I particularly thank Bob Neale and Seiryo Takekawa for their inspiration; also John Smith, Dave Brill, Mick Guy, and the late Eric Kennaway, all of the British Origami Society, for their encouragement and wise words down the years, especially when I was much younger and certainly much sillier. My thanks also to the many origami societies, magazines, publishers, and authors around the world who have so generously given me forums in which to teach and publish my origami toys and other modelsyour support for my work has been invaluable. Finally, for her support during this project, my love and thanks to my wife, Miri Golan, the most extraordinary person in my life and in origami today.

Introduction

A successful origami toy is an appealing combination of good design and innocent delight. The very first model I designed was a toy (the Flapping Bird 1), and ever since then, my greatest satisfaction in origami has come from designing interactive toys that flap, jump, fly, spin, swim, bang, tumble, turn inside out, peck, snap, rock, and talk.

For me, a successful toy is the most satisfying form of creative origami. This is because to be considered a success, the mechanism must function well, and this functionality is the result of a design that is refined in both its concept and its folding sequence. With noninteractive models, the concept and the folding sequence are almost always compromised to achieve a degree of representation or realism, but when a model is designed to move, these cannot be compromised or the mechanism will not function well.

The best origami toys, then, have an inherent directness and claritythey seem somehow pure or obvious, to have been discovered in the paper, not contrived from it. However, behind this apparent obviousness often lies a great deal of work. Some of my toys were folded into endless variations before I decided that one variationand only onewas somehow the best, the most perfect realization of an imperfect idea. These variations were always in search of an apparently effortless merging between a mechanism that operated to its optimum efficiency, the aesthetic appearance of the completed model, and a fluent, concise folding sequence. When I had the balance right, I would know it. The key word to describe my favorite pieces is elegance.

My origami toy heroes are Bob Neale (USA) and Seiryo Takekawa (Japan). Both these creators have designed origami toys of supreme originality and elegance. In todays origami world, where mathematical complexity and representational details rule, these simple, charming toys can easily be dismissed as nave, but this is to misunderstand them. I thank them for their inspiration and for the joy their work has given me.

The designs that follow are a selection of my favorite origami toys. It has been a most pleasurable assignment to review, edit, redraw, and write about three decades of themed design work, reopening old origami documents and magazines, reviewing drawings on yellowing paper from times past, and reminiscing about treasured origami friendships, some with people no longer with me. For that, I am grateful to have had the opportunity to write this book.

Read This!

If you are new to origami, or if it has been some years since you picked up an origami book, please read this section. Instead of trying to fold the most complicated models in the book without perhaps knowing the difference between a valley fold and a mountain fold, you should read carefully through these pages. They will help you enjoy your folding and ensure your success.

Paper

Paper, of course, is essential. The absolute best paper to use for most of the toys in this book is specialist origami paper. Origami paper is square paper, colored on one side and white on the other, a little thinner than common copier paper. The difference in color between the two sides is often used to improve the recognition of a modelfor example, by creating color-change eyesrather than being used to prettify a model. Thus, the color change is often functional rather than merely decorative.

Origami paper can be bought from a number of sources:

Stores: Try arts and crafts stores, toy stores, Japanese and East Asian stores, stationary stores, and office supply stores.

Origami societies: Most cities have an organized origami society that will sell origami paper (and books and more). To find the society local to you, simply type origami and your country or city name into an online search engine.

Online: Entering origami paper into a search engine will bring up many online retailers. You could also try auction sites for a bargain.

For those impromptu moments when you are seized by the urge to fold, or when someone suddenly requests you fold that amazing model you made last week, other papers are also suitable for folding. Try using printed junk maila wonderful free source of excellent paperor magazines, old photocopies, or notepads. In truth, most papers that are printed on are okay to fold, and the potential for recycling and reusing papers in this way makes great sense in this age of increasing green awareness. Indeed, I know of origami people who on principle never buy paper to foldthey reuse papers of all kinds that others have discarded. Good for them.

Papers to avoid include newspapers, paper towels, tissue, and any other paper that will not hold a crease well.

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