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Lisa Marie Basile - City Witchery: Accessible Rituals, Practices & Prompts for Conjuring and Creating in a Magical Metropolis

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City Witchery: Accessible Rituals, Practices & Prompts for Conjuring and Creating in a Magical Metropolis: summary, description and annotation

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City Witchery is an accessible and intuitive guide to making and finding magic as a city dweller, traveler, or someone living in a small apartment.
In this gorgeous book, author of Light Magic for Dark Times and The Magical Writing Grimoire, Lisa Marie Basile, shows how you can maintain a practical, potent, and poetic practice when nature, time, space, and resources are scarce.
City Witchery invites you to step into your own power through poetic writing prompts, reflections, and practical ritualsso that you can find the sacred in your city.
In these pages, you will:

  • tap into your inner magicwithin the context of a city environment or while traveling
  • shadow work with your city
  • tune into city astrology
  • embrace the enchantment of city streets and the power of wandering
  • honor the dead in your city through graveyard ritual
  • make kitchen witchery and find ways to make your apartment magical
  • disconnect from digital and sensory overload
  • reframe city limitations to reveal potential and inspiration
  • learn to tap into energies
  • write magical poetry inspired by your city
  • honor the people and cultures that came before you
  • From constructing portable or permanent altars and working with herbs in apartment magic to performing bibliomancy in your city library and working with nature and the moon in city spaces, City Witchery offers a new, attainable way to live intentionally in a city.

    Lisa Marie Basile: author's other books


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    CITY WITCHERY LISA MARIE BASILE TABLE OF CONTENTS - photo 1
    CITY WITCHERY LISA MARIE BASILE TABLE OF CONTENTS - photo 2
    CITY
    WITCHERY

    LISA MARIE BASILE

    TABLE OF CONTENTS You take delight not in a citys seven or seventy wonders - photo 3

    TABLE OF CONTENTSYou take delight not in a citys seven or seventy wonders but in the answer it - photo 4
    You take delight not in a citys seven or seventy wonders but in the answer it - photo 5

    You take delight not in a citys seven or seventy wonders, but in the answer it gives to a question of yours.

    ITALO CALVINO, Invisible Cities

    BEGIN AN INTRODUCTION TO THIS BOOK CITY WITCHERY AND MY KIND OF MAGIC - photo 6
    BEGIN
    AN INTRODUCTION TO THIS BOOK CITY WITCHERY AND MY KIND OF MAGIC I F - photo 7
    AN INTRODUCTION TO THIS BOOK, CITY WITCHERY, AND MY KIND OF MAGIC
    I F MAKING MAGIC IS A TOOL for influencing events creating from intention and - photo 8
    I F MAKING MAGIC IS A TOOL for influencing events creating from intention and - photo 9

    IF MAKING MAGIC IS A TOOL for influencing events, creating from intention, and alchemizing ideas into realities, then a city is surely a witchs muse. Think of all the ideas and art and movementsand magic!born of cities big and small.

    In my city, New York City, witches are everywhere. Theyre marching for LGBTQIA rights. Theyre covering the bridges in flowers to support Black lives. Theyre engaging in feverish conversations about dreams in crowded sidewalk bars. Theyre pulling tarot cards on picnic blankets, on buses, in cafes. These acts of splendid humanity are sacred to meto all of us. Because cities are places where we enchant and conjure, build community, and make change. Thats the energy of the city witch.

    Youre probably one of us.

    In this book, were going to explore the magic of dazzling, tiring, flawed, and beautiful cities (and city living, like making magic in an apartment). Were going to get to know our citys noises and shapes and shadows and languages and changes and ghostsand we are going to self-explore, self-care, intuit, create, write, travel, and make magic in it. We are going to play in the light and shadow from our bedrooms and fire escapes, beneath skyscrapers, and on public transportation.

    And were going to dispel the idea that only nature can make a witch. You dont need a dewy green meadow or a backyard garden or a beach property to experience magic. You dont need pure silence or a sky full of stars. You dont need expensive tools. You just need your intention, an open mind, and some creativity.

    THE INSPIRATION BEHIND THIS BOOK This book came to me during the COVID-19 - photo 10
    THE INSPIRATION BEHIND THIS BOOK

    This book came to me during the COVID-19 crisis in New York Citywhich is ongoing as I write thiswhen our city made global headlines for being a hotspot. It was the hardest year for me; Im sure this is true for you. I hope by the time this book is in your hands, your city will be healing.

    I have been in mourning, watching my city build makeshift hospitals in anchored ships and in the convention center where I graduated. I spent much of this time reflecting on the changing energies of my city, experiencing the gloom of silence and the awe of public ritual.

    For months, each night at 7:00 p.m., my fellow city dwellers pulled out pots and pans and sent their clamoring sounds into the skies and streets below as a way of thanking the essential workers caring for the sick and the dearly departed. I knew cities around the country and world were doing this toothis collective ritual that served as a message, a bonding, and a way of summoning and directing energy to the people who needed it most. It was a ritual of unity. And when I clanked my pots together on rooftops, it was city magic.

    Confined in my apartment, it became clear my relationship to my city had changed now that I had less access to itand the few masked solo walks I could take would have to be made extra magical. So I found hidden corners to meditate and peopleless spots at the Seaport to work with water energies. And even though it was always lovely to have space to think and just be, I found the missing energy of the city meant more to me than Id realized.

    I have had many powerful magical experiences in New York: Leading a grief-and-death poetic ritual in Brooklyns Green-Wood Cemeterywhere hundreds of people got comfortable with the thinning of the veils. Volunteering at a soup kitchen. Taking to my New York City rooftop to eat ancestral foods and make a summer altar with friends. Spending hours at the Metropolitan Museum of Art, soaking in the history and being creatively inspired by the energies around me. Riding a subway and drawing symbols of protection into my palm when the car broke down in a dark tunnel underground. Creating self-care rituals after commuting back and forth from New York City to New Jersey everyday for two years (and creating energy protective shields while walking through Port Authority). Realizing my wallet had been stolen and having a stranger give me money and a Metrocard with which to get to work. This was my city magicand this book is inspired by all of it.

    What is your city magic, or what kind of city magic do you hope for?

    THE MAGIC OF THE CITYSCAPE IS IN MY BLOOD

    Ive got city energy deep in my blood. Born in a small city in the New York metropolitan area, I have been living in the city for about two decades. Today, I live a block from the World Trade Center and City Hall, two spaces of immense energy. In these spaces, Ive watched humanity grieve and grow, protest and resist.

    New York City (Ive lived in nearly every borough!) has shaped who Ive becomewriting poems and casting spells on rooftops and stoops, visiting botanicas and bodegas to buy candles and smoke-cleansing supplies, keeping my altars or sacred spaces collapsible or undetectable so my roommates wouldnt notice, and visiting community gardens and cemeteries during long, meditative walks.

    The great energy of city life lives within me. My Sicilian grandparentswho emigrated from cities themselves (Naples and Palermo)landed here in New York City, making homes for themselves in Brooklyn and New Jersey. I imagine my ancestors shopping for fresh herbs in clamoring piazzas under the hot sun, hanging colorful linens and undergarments from apartment building clotheslines, and contending with fascist officers out in the streets.

    My other set of great-grandparents left Russia and Poland to descend on a new life in cities in New Jersey. It was a struggle for my familyfinancially, culturally, and in other ways I cant imagine. And it was a struggle for me.

    As a teenager, I was in foster care in New Jersey; once I aged out and came to New York City, I was thrown into a wild world of change and movement and opportunity, working endless hours to survive on very little money. It had (and has) its ups and downs and its beauties and deep problems but I used the lessons I learned to create a sacred life for myself, to help myself and others. I think, in some ways, the city helped me find myself after traumaand build myself into who Id become.

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