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Rozsa Peter - Playing with Infinity: Mathematical Explorations and Excursions

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Rozsa Peter Playing with Infinity: Mathematical Explorations and Excursions
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    Playing with Infinity: Mathematical Explorations and Excursions
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This popular account of the many mathematical concepts relating to infinity is one of the best introductions to this subject and to the entire field of mathematics. Dividing her book into three parts The Sorcerers Apprentice, The Creative Role of Form, and The Self-Critique of Pure Reason Peter develops her material in twenty-two chapters that sound almost too appealing to be true: playing with fingers, coloring the grey number series, we catch infinity again, the line is filled up, some workshop secrets, the building rocks, and so on.
Yet, within this structure, the author discusses many important mathematical concepts with complete accuracy: number systems, arithmetical progression, diagonals of convex polygons, the theory of combinations, the law of prime numbers, equations, negative numbers, vectors, operations with fractions, infinite series, irrational numbers, Pythagoras Theorem, logarithm tables, analytical geometry, the line at infinity, indefinite and definite integrals, the squaring of the circle, transcendental numbers, the theory of groups, the theory of sets, metamathematics, and much more. Numerous illustrations and examples make all the material readily comprehensible.
Without being technical or superficial, the author writes with complete clarity and much originality on the whole range of topics from counting to mathematical logic. Using little algebra and no mathematical formulas, she has written an unusual book that will interest even mathematicians and teachers. Beginning mathematics students and people in the humanities and other fields will find the book particularly outstanding for their purposes.

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Table of Contents After Use Should the reader wish to refer to for - photo 1
Table of Contents

After Use

Should the reader wish to refer to, for instance, the integral he will find in the list of Contents only the title many small make a great. For this reason I have added here as a postscript what mathematical concepts are to be found in the various chapters. (Dont be put off by them!)

PART I
  • 1 Addition, multiplication, raising to a power
  • 2 The volume of a cube. Graphical representation of functions
  • 3 Number systems. Rules for divisibility
  • 4 Arithmetical progression. Areas of rectangles and triangles
  • 5 Diagonals of convex polygons. Combinations in pairs. The formula. Postscript: Topology, Congruence and similarity, Regular solids
  • 6 Theory of Combinations. Mathematical induction. The square of the sum of two terms
  • 7 Decomposition into prime factors. The distribution of prime numbers. The law of prime numbers
  • 8 Equations. The impossibility of solving equations of the fifth degree; Galois theory
PART II
  • 9 Negative numbers. Vectors. The principle of permanency
  • 10 Operations with fractions. Arithmetical mean. Sets that are everywhere dense. The cardinal number of the rational numbers.
  • 11 The transformation of fractions into decimals and vice versa. The box principle. Infinite series
  • 12 Irrational numbers. Pythagoras Theorem. The cardinal number of real numbers
  • 13 Logarithm tables. The extension of the concept of power. Smooth curves. Hyperbolas. Zero as a divisor
  • 14 The general concept of function. Analytical Geometry. Postscript: ( a ) Circular functions (sines and cosines), Approximation of periodic functions; ( b ) Projective Geometry, Invariants
  • 15 The line at infinity. Complex numbers. Relationship between the circular functions and the exponential function. The fundamental theorem of Algebra. The expansion of functions in power series
  • 16 The direction of the tangent. The differential coefficient. Extreme values
  • 17 Indefinite and definite integrals. The calculation of areas
PART III
  • 18 The squaring of the circle. Transcendental numbers. Euclids system of axioms. Bolyais Geometry. Different kinds of Geometry. Postscript: The fourth dimension
  • 19 The theory of groups. The theory of sets. Antinomies. Intuitionism
  • 20 Symbolic Logic
  • 21 The theory of proofs. Metamathematics. The proof of the freedom from contradiction of number theory. The Continuum Theorem. Postscript: The axiomatization of Analysis
  • 22 Undecided problems and problems undecidable by means of certain given means. The question of so-called undecidable problems
I. Playing with fingers

LET us begin at the beginning. I am not writing a history of mathematics; this could be done only on the basis of written evidence, and how far from the beginning is the first written evidence! We must imagine primitive man in his primitive surroundings, as he begins to count. In these imaginings, the little primitive man, who grows into an educated human being before our eyes, will always come to our aid; the little baby, who is getting to know his own body and the world, is playing with his tiny fingers. It is possible that the words one, two, three and four are mere abbreviations for this little piggie went to market, this little piggie stayed at home, this one had roast beef, this one had none and so on; and this is not even meant to be a joke: I heard from a medical man that there are people suffering from certain brain injuries who cannot tell one finger from another, and with such an injury the ability to count invariably disappears. This connexion, although unconscious, is therefore still extremely close even in educated persons. I am inclined to believe that one of the origins of mathematics is mans playful nature, and for this reason mathematics is not only a Science, but to at least the same extent also an Art.

We imagine that counting was already a purposeful activity in the beginning. Perhaps primitive man wanted to keep track of his property by counting how many skins he had. But it is also conceivable that counting was some kind of magic rite, since even today compulsion-neurotics use counting as a magic prescription by means of which they regulate certain forbidden thoughts; for example, they must count from one to twenty and only then can they think of something else. However this may be, whether it concerns animal skins or successive time-intervals, counting always means that we go beyond what is there by one: we can even go beyond our ten fingers and so emerges mans first magnificent mathematical creation, the infinite sequence of numbers,

1, 2, 3, 4, 5, 6,...

the sequence of natural numbers. It is infinite, because after any number, however large, you can always count one more. This creation required a highly developed ability for abstraction, since these numbers are mere shadows of reality. For example, 3 here does not mean 3 fingers, 3 apples or 3 heartbeats, etc., but something which is common to all these, something that has been abstracted from them, namely their number. The very large numbers were not even abstracted from reality, since no one has ever seen a billion apples, nobody has ever counted a billion heartbeats; we imagine these numbers on the analogy of the small numbers which do have a basis of reality: in imagination one could go on and on, counting beyond any so-far known number.

Man is never tired of counting. If nothing else, the joy of repetition carries him along. Poets are well aware of this; the repeated return to the same rhythm, to the same sound pattern. This is a very live business; small children do not get bored with the same game; the fossilized grown-up will soon find it a nuisance to keep on throwing the ball, while the child would go on throwing it again and again.

We go as far as 4? Let us count one more, then one more, then one more! Where have we got to? To 7, the same number that we should have got to if we had straight away counted 3 more. We have discovered addition

4 + 1 + 1 + 1 = 4 + 3 = 7

Now let us play about further with this operation: let us add to 3 another 3, then another 3, then another 3! Here we have added 3s four times, which we can state briefly as: four threes are twelve, or in symbols:

3 + 3 + 3 + 3 = 4 x 3 = 12

and this is multiplication.

We may so enjoy this game of repetition that it might seem difficult to stop. We can play with multiplication in the same way: let us multiply 4 by 4 and again by 4, then we shall get

4 x 4 x 4 = 64

This repetition or iteration of multiplication is called raising to a power. We say that 4 is the base, and we indicate by means of a small number written at the top right-hand corner of the 4 the number of 4s that we have to multiply; i.e. the notation is this:

43 = 4 x 4 x 4 = 64

As is easily seen, we keep getting larger and larger numbers: 4 x 3 is more than 4 + 3, and 43 is a good deal more than 4 x 3. This playful repetition carries us well up amongst the large numbers; even more so, if we iterate raising to a power itself. Let us raise 4 to the power which is the fourth power of four:

44 = 4 x 4 x 4 x 4 = 64 x 4 = 256

and we have to raise 4 to this power:

I have no patience to write any more since I should have to put down 256 4s - photo 2

I have no patience to write any more, since I should have to put down 256 4s, not to mention the actual carrying out of the multiplication! The result would be an unimaginably large number, so that we use our common sense, and, however amusing it would be to iterate again and again, we do not include the iteration of powers among our accepted operations.

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