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David Day - Alice’s Adventures in Wonderland Decoded: The Full Text of Lewis Carroll’s Novel with its Many Hidden Meanings Revealed

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    Alice’s Adventures in Wonderland Decoded: The Full Text of Lewis Carroll’s Novel with its Many Hidden Meanings Revealed
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Alice’s Adventures in Wonderland Decoded: The Full Text of Lewis Carroll’s Novel with its Many Hidden Meanings Revealed: summary, description and annotation

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This gorgeous 150th anniversary edition of Alices Adventures in Wonderland is also a revelatory work of scholarship.
Alices Adventures in Wonderland--published 150 years ago in 1865--is a book many of us love and feel we know well. But it turns out we have only scratched the surface. Scholar David Day has spent many years down the rabbit hole of this childrens classic and has emerged with a revelatory new view of its contents. What we have here, he brilliantly and persuasively argues, is a complete classical education in coded form--Carrolls gift to his wonder child Alice Liddell.
In two continuous commentaries, woven around the complete text of the novel for ease of cross-reference on every page, David Day reveals the many layers of teaching, concealed by manipulation of language, that are carried so lightly in the beguiling form of a fairy tale. These layers relate directly to Carrolls interest in philosophy, history, mathematics, classics, poetry, spiritualism and even to his love of music--both sacred and profane. His novel is a memory palace, given to Alice as the great gift of an education. It was delivered in coded form because in that age, it was a gift no girl would be permitted to receive in any other way.
Day also shows how a large number of the characters in the book are based on real Victorians. Wonderland, he shows, is a veritable Whos Who of Oxford at the height of its power and influence in the Victorian Age.
There is so much to be found behind the imaginary characters and creatures that inhabit the pages of Alices Adventures in Wonderland. David Days warm, witty and brilliantly insightful guide--beautifully designed and stunningly illustrated throughout in full colour--will make you marvel at the book as never before.

David Day: author's other books


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COPYRIGHT 2015 DAVID DAY All rights reserved The use of any part of this pu - photo 1
COPYRIGHT 2015 DAVID DAY All rights reserved The use of any part of this - photo 2
COPYRIGHT 2015 DAVID DAY All rights reserved The use of any part of this - photo 3

COPYRIGHT 2015 DAVID DAY

All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, or stored in a retrieval system without the prior written consent of the publisheror in the case of photocopying or other reprographic copying, license from the Canadian Copyright Licensing Agencyis an infringement of the copyright law.

Doubleday Canada and colophon are registered trademarks of Random House of Canada Limited

Library and Archives of Canada Cataloguing in Publication is available upon request

ISBN: 978-0-385-68226-8
ISBN: 978-0-385-68227-5 (epub)

Editor:
Tim Rostron

Editorial Assistants:
Loribeth Gregg
Kiara Kent
Carly McMillan
Zoe Maslow
Peter Phillips
Melanie Tutino

Managing Editor:
Susan Burns

Design:
CS Richardson

Production Director:
Carla Kean

Published in Canada by Doubleday Canada, a division of Random House of Canada Limited, a Penguin Random House Company

www.penguinrandomhouse.ca

v31 TO RISN MY IRISH ROSE AND TERRY JONES MENTOR AND FRIEND PART ONE - photo 4

v3.1

TO RISN, MY IRISH ROSE,

AND

TERRY JONES, MENTOR AND FRIEND

PART ONE:
ALICES ADVENTURES IN WONDERLAND
PART TWO:
AFTER WONDERLAND

who will deny that Oxford, by her ineffable harm, keeps ever calling us nearer to the true goal of all of us, to the ideal, to perfection,to beauty, in a word, which is only truth seen from another side? Matthew Arnold, Essays in Criticism, 1889.

Tom Gate the main entrance to Christ Church Oxford The college was Dodgsons - photo 5

Tom Gate, the main entrance to Christ Church, Oxford: The college was Dodgsons home for most of his life.

Introduction

I. WHATS IN A NAME ? Somehow it seems to fill my head with ideas only I dont know what they are! Alice might very well have been describing any readers first encounter with her adventures. Something peculiar and quite magical is happening in the word spell that is Wonderland.

No one had written anything quite like Alices Adventures in Wonderland before, andsave for its sequel, Through the Looking-Glassno one has written anything like it since. It is a childs adventure set in a fantastic imaginary world that is explored by a brave little girl armed only with her own common sense and an all-consuming curiosity. It is a book that can and should be read for pleasure by the young, but looking at the authors unique use of language, it is remarkable that children can comprehend it at all. And yet somehow they do, and we do. Furthermore, it evokes in all its readers a tantalizing sense that there is something else to be revealed just under the surface of this compelling tale.

C harles Lutwidge Dodgson was a British mathematician, logician, clergyman and photographer. A resident Oxford don for almost half a century, he was famously known as Lewis Carroll, the author of two great childrens classics.

Alices adventures have become part of popular culture worldwide, and have been translated into virtually every language. If these adventures were just flights of fancy, or simply nonsense as Dodgson/Carroll liked to call them, why, you might ask, are they so often quoted by physicists, philosophers, mathematicians, political scientists, historians, psychiatrists, logicians, poets, filmmakers, novelists and computer geeks?

W onderland has an undeniably strange atmosphere, in part because it is largely inhabited by literary tropesthat is, imaginary beings with no existence except as figures of speech or as characters from childrens rhymes, fairy tales or myths. These are creatures such as the Cheshire Cat, the Mad Hatter, the March Hare, the Mock Turtle, the Gryphon and the King and Queen of Hearts. In Wonderland, real things like hedgehogs and flamingos are treated as objects, while objects like playing cards and numbers behave like real things.

Also, as many critics have pointed out, Wonderland is a complex and sophisticated construct full of literary allusions, parodies and variations of other fairy tales, rhymes and songs: Robert Southeys Goldilocks and The Old Mans Comforts, Goethes Sorcerers Apprentice, Aesops Belling the Cat and The Tortoise and the Hare, Isaac Wattss How Doth the Little Bee and The Sluggard, James Sayless Star of Evening, William Mees Alice Gray, Mary Howitts The Spider and the Fly and Charles Lambs The King and Queen of Hearts.

In all things, Dodgson felt the need for disguises of one form or another. Just as he always insisted on separating the life of the mathematician Charles Dodgson from that of the author Lewis Carroll, so was he careful to visually differentiate the real dark-haired Alice Liddell from his fictional blonde dream-child moving through the land / Of wonders wild and new.

Charles Dodgsons many pseudonyms included Edgar Cuthwellis and Mad Mathesis I - photo 6

Charles Dodgsons many pseudonyms included Edgar Cuthwellis and Mad Mathesis.

I nsight into the mind of Charles Lutwidge Dodgson can be gained by looking at a few of his numerous pseudonyms, such as Mad Mathesis, Balbus, Dares, Edgar Cuthwellis and Edgar U. C. Westhill. The first of these obviously refers to his vocation as a mathematician, the second is a classical allusion to the Roman Balbus the Stutterer (an affliction shared by Dodgson), the third relates to his birthplace of Daresbury and the final two are anagrams of his first two names, Charles Lutwidge.

These are simple enough, but Dodgson also invented many other fairly obscure variations of his name or initials. One typical example was Mr. De Cielpronounced Mr. D. C. L.a scrambling of his initials, C. L. D. Elsewhere, he used the signature Sea ld, pronounced sealed or C. L. D. And even more obscurely, on one occasion Dodgson used as a pen name the initials R. W. G.: the fourth letter in each of his names.

And then of course there is the Reverend Dodgsons celebrated pen name, Lewis Carroll. As most Carroll fans know, Dodgson began by translating his first two given names, Charles Lutwidge, into Latin, to arrive at Carolus Ludovicus. He then reversed the order of those names and translated them back into English, to arrive at Lewis Carroll.

This much we know from Dodgsons own correspondence. Yet there is another possible level of interpretation, consistent with this authors obsession with multilingual wordplay. As the classically educated Charles Dodgson knew full well, ludo is Latin for I play and carol is both English and Old French for a joyous songso Lewis Carroll could have the wonderfully appropriate meaning I play a joyous song.

F rom an early age, Charles Dodgson wrote stories, plays, fairy tales, poems, riddles and games. He saw in literature a wide variety of types of entertainment that children loved; that would benefit them by keeping boredom, despair and temptation at bay; and that wouldas he strove to do (in a manner unlike any other childrens author) in his eventual writing of the Alice bookssubliminally educate them.

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