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Husserl Edmund - The concept of passivity in Husserls phenomenology

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Husserl Edmund The concept of passivity in Husserls phenomenology
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In Chapter 1, I explain why temporal syntheses, although distinguished from associative syntheses, count among the most fundamental phenomena of the passive sphere. I draw on Husserls account of absolute consciousness, which sublates pairs of opposites such as form/content and constituting/constituted, to show that activity and passivity mutually determine one another. In Chapter 2, I further expand on pre-egoic components of sense-giving acts encompassed by original passivity. I explain the function of primordial association (Urassoziation) in passive genesis with special reference to the. Read more...
Abstract: This book construes activity and passivity not as reciprocally exclusive terms but as mutually dependent moments of acts of consciousness. It claims that passivity makes it such that the sphere of ownness is always already alterated or infiltrated by alienness. Read more...

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Victor Biceaga Contributions To Phenomenology The Concept of Passivity in Husserl's Phenomenology 10.1007/978-90-481-3915-6_1 Springer Science+Business Media B.V. 2010
1. Passivity and Self-temporalization
Victor Biceaga 1
(1)
Nipissing University, North Bay, Canada
Victor Biceaga
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Abstract
For a number of reasons, no phenomenological account of the distinction between activity and passivity can afford to sidestep the question of internal time-consciousness which, in Husserls view, ranks among the most difficult of all phenomenological problems.1 First, temporal syntheses fall within the compass of the passive sphere. Second, as both active and passive synthetic accomplishments are grounded in temporal syntheses, the former can only be understood within the framework provided by the latter. Third, Husserls account of time-constituting consciousness sublates pairs of opposites, such as form/content and constituting/constituted, and invites a similar reconsideration of the relation between activity and passivity.
For a number of reasons, no phenomenological account of the distinction between activity and passivity can afford to sidestep the question of internal time-consciousness which, in Husserls view, ranks among the most difficult of all phenomenological problems. First, temporal syntheses fall within the compass of the passive sphere. Second, as both active and passive synthetic accomplishments are grounded in temporal syntheses, the former can only be understood within the framework provided by the latter. Third, Husserls account of time-constituting consciousness sublates pairs of opposites, such as form/content and constituting/constituted, and invites a similar reconsideration of the relation between activity and passivity.
In this chapter, I take temporal syntheses as illustration of the egos passivity in relation to itself. Time-consciousness is the product of an affection of the self by the self that arises pre-reflectively or non-spontaneously, i.e., independently of the egos control. Naturally, besides temporal syntheses, there are many other objects and experiences of which the ego can be aware pre-reflectively. The pre-reflective awareness accompanying the self-manifestation of the temporal flow of consciousness is peculiar in that it necessarily forestalls the possibility of reflective self-presentation. In the context of the analysis of perceptual experiences, the theme of passivity arises mainly in connection with affection. Affections come to form meaningful sensible patterns passively, that is, with a minimum of active egoic participation rather than altogether independently of it. In the context of the analysis of sedimentation, contents passively stored by consciousness and traditions passively inherited by intersubjective communities form a reservoir of dormant, temporarily deactivated meanings and dispositions that can be retrieved and reactivated through a resolute individual or communal effort. In contrast, temporal syntheses block in advance the possibility of self-presentation. Non-spontaneity marks out the passivity of temporal syntheses as inconvertible into activity. Although Husserl tends to model the relation between activity and passivity on the mutual determination between transverse and horizontal intentionalities, his discussion of the absolute flow of time-consciousness also intimates the possibility of divorcing passivity from its opposite pole of activity. Since a subject cannot be aware only of itself, self-affection must rely on a detour through alterity. Therefore, the regress toward a primordial sphere reveals the porosity of the border between ownness and otherness. I conclude this chapter by arguing that the affinity between passivity and rhythm bridges the gap between the formal temporal scheme of impressions, retentions and protentions, on the one hand, and the association of concrete contents of consciousness, on the other hand.
1.1 Time-Consciousness and Association
Although the laws of original time-consciousness, along with the laws of association, count as primordial laws of passive genesis (APS, 633), temporal syntheses are not to be conflated with associative syntheses. Since associative syntheses will feature prominently in the following two chapters, it is important to set them apart from temporal syntheses. I shall begin by saying a few words about Husserls objections to Brentanos associationist theory of time.
The starting point of Brentanos theory is the problem of the incompatibility between the logic of parts and wholes and the experience of time. On this account, what makes possible the representation of time is the faculty of imagination. Imagination offsets the self-enclosed character of the present by producing a new temporal moment past that gets associated to the actual sensorial content. By virtue of its adhesive force, association glues together the temporal moments of all actual nows, thus creating the impression of continuity. However, tying the experience of time to the faculty of imagination has a major drawback: it de-realizes time-consciousness. If we falsely believe we hear a melody instead of a singular tone it is only because phantasy relentlessly feeds our illusion. In fact, all we do is associate the actual sonorous content with its phantasmatic double and with the phantasmatic doubles of past nows. While acknowledging the phenomenological core (PCIT, 16) of this associationist view of time-consciousness, Husserl parts ways with it. To say that the temporal moment past is produced by imagination and associated with the temporal moment present amounts to making the past a part of the present, which is absurd. Husserl faults Brentanos explanation of temporally enduring tones for failing to accommodate an account of the perception of temporally extended objects.
Against the idea that associations have the power to impose temporal attributes on representations, Husserl maintains that temporal syntheses are passive, that is, non-spontaneous. Spontaneous acts bring about new objects out of already given ones. For example, classifying acts produce classes of objects, judging acts produce interpretations of states of affairs, counting acts produce numbers and so on. Nothing that was not already there emerges through temporal syntheses. Consciousness endures time; it does not produce temporal syntheses. As immanent temporal objects, all acts of consciousness presuppose a fixed temporal structure consisting of impressions flanked by retentions and protentions. That retentions connect up with every present impression constitutes a fundamental law of passive genesis (APS, 114). The famous metaphor of the comets tail is meant to indicate the continuous character of retentional modification: impression turns into retention, retention turns into retention of retention and so on. Retention modifies impression in the sense that it gradually levels out the affective relief of the present. Impoverished with respect to content, originary impression passes over into fresh retention (APS, 218) which then turns into empty retention . Finally, when it reaches complete affective non-differentiation, empty retention becomes empty presentation (APS, 219). It is characteristic of empty presentations that they can only enter in a synthetic nexus of a special kind, namely, in a synthetic nexus that lies entirely outside the genre of identifying syntheses (APS, 117). Retentions exist as members of retentional series. But insofar as they are empty, retentions cannot constitute objects. They are not complete and separate acts but non-self-sufficient phases thereof. Therefore, retentions lack intentional character (APS, 120).
original time-consciousness is not a synthesis of association ; retentions do not arise through an associative awakening directed backward from the impression, and thus, they do not have in themselves a directedness radiating out from there toward the emptily presented past . Therefore, it was not phenomenologically correct when Brentano characterized the regulated connection of retentions to impressions as an original association. One could only speak like this if one employed the word association in a completely superficial and frivolous manner for just any connection of presentations to presentations. (APS, 119)
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