Jeffery Deaver - John Pellam 2 Bloody River Blues

BLOODY RIVER BLUES

JEFFERY DEAVER

WRITING AS WILLIAM JEFFERIES

A LOCATION SCOUT MYSTERY

Joe Pellam, Book 2

* * * * * * *

For Monica Derham

* * * * * * *

"All you need for a movie is a gun and a girl."

JEAN-LUC GODARD * * * * * * *

All he wanted was a case of beer. And it looked like he was going to have to get it himself.

The way Stile explained it, "I can't hardly get a case of Labatts on the back of a Yamaha."

"That's okay," Pellam said into the cellular phone. "You want a six-pack, I can handle that. But the rack's a little loose. Which I guess I owe you. The rack, I mean. Sorry."

The motorcycle was the film company's but had been issued to Pellam, who had in turn loaned it to Stile. Stile was a stuntman. Pellam chose not to speculate on what he had been doing when the rack got broken.

"That's okay," Pellam said again. "I'll pick up a case."

He hung up the phone. He got his brown bomber jacket from the front closet of the Winnebago, trying to remember where he'd seen the discount beverage store. The Riverfront Deli was not far away but the date of his next expense check was and Pellam did not feel inclined to pay $26.50 for a case even if it had been imported all the way from Canada.

He stepped into the kitchenette of the camper, stirred the chili and put the cornbread in the small oven to heat. He had thought about cooking something else for a change. Nobody seemed to notice that whenever Pellam hosted the poker game he made chili. Maybe he would serve it on hot dogs, maybe on rice, but it was always chili. And oyster crackers. He didn't know how to cook much else.

He thought about doing without the beer, calling back Stile and saying, yeah, just bring a six-pack. But he did the calculation and decided they needed a whole case. There would be five of them playing for six hours and that meant even a case would be stretched pretty thin. He would have to break out the mezcal and Wild Turkey as it was.

Pellam stepped outside, locked the camper door and walked along the road paralleling the gray plane of the Missouri River. It was just after dark, an autumn weekday, and by rights ought to be rush hour. But the road dipped and rose away from him and it was deserted of traffic. He zipped his jacket tight. Pellam was tall and thin. Tonight he wore jeans and a work shirt that had been black and was now mottled gray. His cowboy boots sounded in loud, scraping taps on the wet asphalt. He wished he had worn his Lakers cap or his Stetson; a cold wind, salty-fishy smelling, streamed off the river. His eyes stung, his ears ached.

He walked quickly. He was worried that Dannythe scriptwriter of the movie they were now shooting would show up early. Pellam had recently left a ten-pound catfish in Danny's hotel room bathtub and the writer had threatened to weld the Winnebago door shut in retaliation.

The fourth of the poker players was a grip from San Diego who looked just like the merchant marine he had once been, complete with tattoo. The fifth was a lawyer in St. Louis, a hawkish man with jowls. The film company's L.A. office had hired him to negotiate property and talent contracts with the locals. He talked nonstop about Washington politics as if he had run for office and been defeated because he was the only honest candidate in the race. His chatter was a pain but he was a hell of a good man to play poker with. He bet big and lost amiably.

Hands in pockets, Pellam turned down Adams Street, away from the river, studying the spooky, abandoned redbrick Maddox Ironworks building.

Thinking, its damp, it may rain.

Thinking, would the filming in this damn town go much over schedule?

Would the chili burn, had he turned it down?

Thinking about a case of beer.

* * *

"All right, Gaudia is walking down Third, okay? He works most of the time till six or six-thirty but tonight he's going for drinks with some girl I don't know who she is."

Philip Lombro asked Ralph Bales, "Why is he in Maddox?"

"That's what I'm saying. He's going to the Jolly Rogue for drinks. You know it? Then he's going to Callaghan's for the steak."

As he listened, Philip Lombro dipped his head and touched his cheek with two fingers formed into a V. He had a long face, tanned. The color, though, didn't turn Lombro bronze; he was more silvery, like platinum, which matched his mane of white hair, carefully sprayed into place. He said, "What about Gaudia's bodyguard?"

"He won't be coming. Gaudia thinks Maddox is safe. Okay, then he's got a reservation at seven-thirty. It's a five-minute walkI timed itand they'll leave at quarter after."

Ralph Bales was sitting forward on the front seat of the navy-blue Lincoln as he spoke to Lombro. Ralph Bales was thirty-nine, muscular, hairy everywhere but on the head. His face was disproportionately thick, as if he were wearing a latex special-effects mask. He was not an ugly man but seen straight on his face, because of the fat, seemed moonlike. Tonight he wore a black-and-red striped rugby shirt, blue jeans and a leather jacket. "He's on Third, okay? There's an alleyway there, going west. It's real dark. Stevie'll be there, doing kind of a homeless number."

"Homeless? They don't have homeless in Maddox."

"Well, a bum. They've got bums in Maddox," Ralph Bales said.

"Okay."

"He's got a little Beretta, a .22. Doesn't even need a suppressor. I've got the Ruger. Stevie calls him, he stops and turns. Stevie does him, up close. I'm behind, just in case. Bang, we're in Stevie's car, over the river, then we're lost."

"I'll be in front of the alley then," Lombro said. "On Third."

Ralph Bales didn't say anything for a moment but kept his eyes on Lombro. What he saw was this: a hook nose, kind eyes, trim suit, paisley tie ... It was odd but you couldn't see more than that. You thought you could peg him easily as if the silver hair, the tasseled oxblood loafers polished spit-shine, and the battered Rolex were going to explain everything about Philip Lombro. But no, those were all you could come up with. The parts and the parts alone. Like a People magazine photo.

Lombro, who was calmly looking back into Ralph Bales's eyes, said, "Yes? Do you have a problem with that?'

Ralph Bales decided he could win the staring contest if he wanted to and began to examine the swirl of hair on the back of his own hand. "Okay, I don't think it's such a good idea, you being there. But I told you that already."

"Yes, you did."

"Okay, I still don't think it's a good idea."

"I want to see him die."

"You'll see pictures. The Post-Dispatch'll have pictures. The Reporter'll have pictures. In color."

"I'll be there from seven-fifteen."

Ralph Bales was drumming his fingers on the leather seat of the Lincoln. "It's my ass, too."

Lombro looked at his watch. The crystal was chipped and yellowed. Six-fifty. "I can find somebody else to do the job."

Ralph Bales waited a moment. "That won't be necessary. You want to be there, that's your business."

"Yes, it is my business."

Without response Ralph Bales swung the car door open.

That's when it happened.

Sonofabitch...

A thud, the sound of glass on glass, a couple of muted pops. Ralph Bales saw the mana thin guy in a brown leather jacketstanding there, looking down, a sour smile on his face, a smile that said, I knew something like this was going to happen. Foamy beer chugged out of the bottom of the cardboard case, which rested on its end on the sidewalk.

The man looked at Ralph Bales, then past him into the car. Ralph Bales slammed the door and walked away.

The man with the rueful grin said, "Hey, my beer..."

Ralph Bales ignored him and continued along Adams.

"Hey, my beer!"

Ralph Bales ignored him.

The man was stepping toward him. "I'm talking to you. Hey!"