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Salman Rushdie - The Golden House: A Novel

Here you can read online Salman Rushdie - The Golden House: A Novel full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2017, publisher: Random House, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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The Golden House: A Novel: summary, description and annotation

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NEW YORK TIMES BESTSELLER A modern American epic set against the panorama of contemporary politics and culturea hurtling, page-turning mystery that is equal parts The Great Gatsby and The Bonfire of the Vanities
On the day of Barack Obamas inauguration, an enigmatic billionaire from foreign shores takes up residence in the architectural jewel of the Gardens, a cloistered community in New Yorks Greenwich Village. The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his kinga queen in want of an heir.
Our guide to the Goldens world is their neighbor Ren, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down.
Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdies triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinventiona powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age.
Praise for The Golden House
If you read a lot of fiction, you know that every once in a while you stumble upon a book that transports you, telling a story full of wonder and leaving you marveling at how it ever came out of the authors head. The Golden House is one of those books. . . . [It] tackles more than a handful of universal truths while feeling wholly original.The Associated Press
The Golden House . . . ranks among Rushdies most ambitious and provocative books [and] displays the quicksilver wit and playful storytelling of Rushdies best work.USA Today
[The Golden House] is a recognizably Rushdie novel in its playfulness, its verbal jousting, its audacious bravado, its unapologetic erudition, and its sheer, dazzling brilliance.The Boston Globe

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The Golden House is a work of fiction Apart from the well-known actual p - photo 1
The Golden House is a work of fiction Apart from the well-known actual people - photo 2The Golden House is a work of fiction Apart from the well-known actual people - photo 3

The Golden House is a work of fiction. Apart from the well-known actual people, events, and locales that figure in the narrative, all names, characters, places, and incidents are the products of the authors imagination or are used fictitiously. Any resemblance to current events or locales, or to living persons, is entirely coincidental.

Copyright 2017 by Salman Rushdie

All rights reserved.

Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.

R ANDOM H OUSE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.

Grateful acknowledgment is made to the following for permission to reprint previously published material:

The Random House Group Ltd: Excerpt from You Will Hear Thunder from Selected Poems by Anna Akhmatova, translated by D. M. Thomas (London: Vintage Classics, 2009). First published as You Will Hear Thunder (London: Martin Secker & Warburg, 1995). Copyright 1976, 1979, 1985 by D. M. Thomas. Reprinted by permission of The Random House Group Ltd.

Laura Truffaut: Quotation from La Femme d ct (1981, France, Director: Franois Truffaut, Screenplay: Franois Truffaut, Suzanne Schiffman, and Jean Aurel) is reprinted with the permission of Laura Truffaut.

United Agents LLP on behalf of The Royal Literary Fund: Excerpt from Sheppey by W. Somerset Maugham. Reprinted by permission of United Agents LLP on behalf of The Royal Literary Fund.

ISBN9780399592805

Ebook ISBN9780399592812

randomhousebooks.com

Book design by Caroline Cunningham, adapted for ebook

Cover design: Roberto de Vicq de Cumptich

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Contents

Give me a copper penny and Ill tell you a golden story.

The cry of street-corner storytellers in ancient Rome, quoted by Pliny

Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road to the future: but we go round, or scramble over the obstacles. Weve got to live, no matter how many skies have fallen.

D. H. Lawrence, Lady Chatterleys Lover

La vie a beaucoup plus dimagination que nous.

Franois Truffaut

The Golden House A Novel - photo 4O n the day of the new presidents inauguration when we worried that he might - photo 5
O n the day of the new presidents inauguration when we worried that he might - photo 6O n the day of the new presidents inauguration when we worried that he might - photo 7

O n the day of the new presidents inauguration, when we worried that he might be murdered as he walked hand in hand with his exceptional wife among the cheering crowds, and when so many of us were close to economic ruin in the aftermath of the bursting of the mortgage bubble, and when Isis was still an Egyptian mother-goddess, an uncrowned seventy-something king from a faraway country arrived in New York City with his three motherless sons to take possession of the palace of his exile, behaving as if nothing was wrong with the country or the world or his own story. He began to rule over his neighborhood like a benevolent emperor, although in spite of his charming smile and his skill at playing his 1745 Guadagnini violin he exuded a heavy, cheap odor, the unmistakable smell of crass, despotic danger, the kind of scent that warned us, look out for this guy, because he could order your execution at any moment, if youre wearing a displeasing shirt, for example, or if he wants to sleep with your wife. The next eight years, the years of the forty-fourth president, were also the years of the increasingly erratic and alarming reign over us of the man who called himself Nero Golden, who wasnt really a king, and at the end of whose time there was a largeand, metaphorically speaking, apocalypticfire.

The old man was short, one might even say squat, and wore his hair, which was still mostly dark in spite of his advanced years, slicked back to accentuate his devils peak. His eyes were black and piercing, but what people noticed firsthe often rolled his shirtsleeves up to make sure they did noticewere his forearms, as thick and strong as a wrestlers, ending in large, dangerous hands bearing chunky gold rings studded with emeralds. Few people ever heard him raise his voice, yet we were in no doubt that there lurked in him a great vocal force which one would do well not to provoke. He dressed expensively but there was a loud, animal quality to him which made one think of the Beast of folktale, uneasy in human finery. All of us who were his neighbors were more than a little scared of him, though he made huge, clumsy efforts to be sociable and neighborly, waving his cane at us wildly, and insisting at inconvenient times that people come over for cocktails. He leaned forward when standing or walking, as if struggling constantly against a strong wind only he could feel, bent a little from the waist, but not too much. This was a powerful man; no, more than thata man deeply in love with the idea of himself as powerful. The purpose of the cane seemed more decorative and expressive than functional. When he walked in the Gardens he gave every impression of trying to be our friend. Frequently he stretched out a hand to pat our dogs or ruffle our childrens hair. But children and dogs recoiled from his touch. Sometimes, watching him, I thought of Dr. Frankensteins monster, a simulacrum of the human that entirely failed to express any true humanity. His skin was brown leather and his smile glittered with golden fillings. His was a raucous and not entirely civil presence, but he was immensely rich and so, of course, he was accepted; but, in our downtown community of artists, musicians and writers, not, on the whole, popular.

We should have guessed that a man who took the name of the last of the Julio-Claudian monarchs of Rome and then installed himself in a domus aurea was publicly acknowledging his own madness, wrongdoing, megalomania, and forthcoming doom, and also laughing in the face of all that; that such a man was flinging down a glove at the feet of destiny and snapping his fingers under Deaths approaching nose, crying, Yes! Compare me, if you will, to that monster who doused Christians in oil and set them alight to provide illumination in his garden at night! Who played the lyre while Rome burned (there actually werent any fiddles back then)! Yes: I christen myself Nero, of Caesars house, last of that bloody line, and make of it what you will. Me, I just like the name. He was dangling his wickedness under our noses, reveling in it, challenging us to see it, contemptuous of our powers of comprehension, convinced of his ability easily to defeat anyone who rose against him.

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