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J. K. Rowling [Rowling - Fantastic Beasts: The Crimes of Grindelwald - the Original Screenplay

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J. K. Rowling [Rowling Fantastic Beasts: The Crimes of Grindelwald - the Original Screenplay

Fantastic Beasts: The Crimes of Grindelwald - the Original Screenplay: summary, description and annotation

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At the end of Fantastic Beasts and Where to Find Them, the powerful Dark wizard Gellert Grindelwald was captured in New York with the help of Newt Scamander. But, making good on his threat, Grindelwald escapes custody and sets about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.

In an effort to thwart Grindelwalds plans, Albus Dumbledore enlists Newt, his former Hogwarts student, who agrees to help once again, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided Wizarding World.

This second original screenplay from J.K. Rowling, illustrated with stunning line art from MinaLima, expands on earlier events that helped shaped the Wizarding World, with some surprising nods to the Harry Potter stories that will delight fans of both the books and films.

**

From the Back Cover

J.K. Rowlings five-film Fantastic Beasts adventure series continues with the original screenplay for Fantastic Beasts: The Crimes of Grindelwald

About the Author

J.K. Rowling is the author of the record-breaking, multi-award-winning Harry Potter novels. Loved by fans around the world, the series has sold over 500 million copies, been translated into over 80 languages, and made into eight blockbuster films. She has written three companion volumes in aid of charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them (in aid of Comic Relief UK and Lumos), and The Tales of Beedle the Bard (in aid of Lumos), as well as a screenplay inspired by Fantastic Beasts and Where to Find Them, which marked the start of a five-film series to be written by the author. She has also collaborated on a stage play, Harry Potter and the Cursed Child Parts One and Two, which opened in Londons West End in the summer of 2016 and on Broadway in the spring of 2018. In 2012 J.K. Rowlings digital company Pottermore was launched, where fans can enjoy news, features, and articles, as well as original content from J.K. Rowling. She is also the author of The Casual Vacancy, a novel for adult readers, and the Strike crime series, written under the pseudonym Robert Galbraith. She has received many awards and honors, including an OBE and Companion of Honour, Frances Lgion dhonneur, and the Hans Christian Andersen Award.

J. K. Rowling [Rowling: author's other books


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To Kenzie - photo 1
To Kenzie Foreword by David Yate - photo 2
To Kenzie Foreword by David Yates Fantastic Beasts The Crimes of - photo 3
To Kenzie Foreword by David Yates Fantastic Beasts The Crimes of - photo 4
To Kenzie
Foreword by David Yates Fantastic Beasts The Crimes of Grindelwald The - photo 5
Foreword
by David Yates Fantastic Beasts: The Crimes of Grindelwald
The Original Screenplay
Ive worked with many writers but no one quite as special as Jo She knows her - photo 6
Ive worked with many writers but no one quite as special as Jo She knows her - photo 7
Ive worked with many writers, but no one quite as special as Jo. She knows her characters and her universe inside out, shes one of the most dynamic thinkers Ive ever met, and for someone who has enjoyed so much success she is incredibly grounded. Her storytelling is singular, yet she approaches the filmmaking process as producer and screenwriter with a genuinely collaborative spirit. I first read Fantastic Beasts: The Crimes of Grindelwald in the spring of 2016, a full year and two months before we began shooting the film. The script felt layered, emotional, and that most precious of things: itself. For a filmmaker it offered many gifts and a huge sandpit in which to play.

Whether the thrill of recreating Paris in the late 1920s, wrangling a new collection of wonderful beasts, or exploring an emotional, multi-stranded story with compelling characters and themes, each day of prep and production was always exciting as well as fun. Above all, however, it was the characters that captured and beguiled me on that first read; they are timeless, enchanting, intriguing. All of them are being tested to their core, navigating a world that is becoming ever more complex and dangerousa world that, however heightened and magical, in some ways echoes our own across time. David Yates September 9, 2018

SCENE 1 EXT NEW YORK AMERICAN MINISTRY OF MAGIC1927NIGHT AERIAL SHOT of - photo 8
SCENE 1EXT. NEW YORK, AMERICAN MINISTRY OF MAGIC1927NIGHTAERIAL SHOT of New York and MACUSA building.
SCENE 2 INT MACUSA BASEMENT BARE BLACK-WALLED ROOMNIGHT The long-haired - photo 9
SCENE 2INT. MACUSA BASEMENT, BARE, BLACK-WALLED ROOMNIGHTThe long-haired, bearded GRINDELWALD sits motionless, magically fixed to a chair.

The air shimmers, charged with spells.ABERNATHY peers in at GRINDELWALD from the corridor.A baby Chupacabrapart lizard, part homunculus, a blood-sucking creature of the Americasis chained to GRINDELWALDS chair.

SCENE 3 INT MACUSA CORRIDOR BETWEEN CELLSSHORTLY AFTERNIGHT PRESIDENT - photo 10
SCENE 3INT. MACUSA, CORRIDOR BETWEEN CELLSSHORTLY AFTERNIGHTPRESIDENT SERAPHINA PICQUERY and RUDOLPH SPIELMAN walk at pace toward an ominous-looking door past endless pairs of guards. SPIELMAN (Germanic) ... youll be glad to be rid of him, I expect. PICQUERY Wed be more than happy to keep him here in custody. SPIELMAN Six months are enough. As they reach the door, ABERNATHY turns and acknowledges them. ABERNATHY President Picquery, Mr. As they reach the door, ABERNATHY turns and acknowledges them. ABERNATHY President Picquery, Mr.

Spielman, sir. Prisoner is secured and ready to travel. SPIELMAN and PICQUERY peer into the cell at GRINDELWALD. SPIELMAN Youve thrown everything at him, I see. PICQUERY It was necessary. Hes extremely powerful. persuasive. persuasive.

So we removed his tongue.

SCENE 4 INT MACUSA CELLSNIGHT Cells resembling cages rise in tiers - photo 11
SCENE 4INT. MACUSA CELLSNIGHTCells resembling cages rise in tiers. Prisoners chant and bang against the bars as the bound GRINDELWALD is transported upstairs, suspended magically in midair. PRISONERS Grindelwald! Grindelwald!
SCENE 5 EXT MACUSA ROOFTOPMINUTES LATERNIGHT A hearse-like black carriage - photo 12
SCENE 5EXT. MACUSA ROOFTOPMINUTES LATERNIGHTA hearse-like black carriage, drawn by eight Thestrals, waits. AURORS 1 & 2 climb into the drivers seat, the rest force GRINDELWALD inside. SPIELMAN The wizarding community worldwide owes you a great debt, Madam President.

PICQUERY Do not underestimate him. ABERNATHY approaches them. ABERNATHY Mr. Spielman, we found his wand hidden away. He hands over a black rectangular box. PICQUERY Abernathy? ABERNATHY And we found this. He holds a vial of some glowing gold substance in the palm of his hand. SPIELMAN reaches for the vial, which hangs on a chain, and after a moment of hesitation, ABERNATHY releases it.Inside the carriage, GRINDELWALD raises his eyes to the roof as the vial is passed to SPIELMAN.SPIELMAN climbs into the carriage.

AUROR 1 driving, AUROR 2 beside him. The door closes. A series of padlocks emerges from the carriage doors. An ominous drumroll of clicks as padlocks fasten themselves in place. AUROR 1 Yah! The Thestrals take off.The carriage plummets, then soars away through torrential rain. More AURORS follow on broomsticks.A beat.ABERNATHY steps forward, holding the Elder Wand. He looks up at the carriage, growing ever smaller.

He Disapparates. CUT TO:

SCENE 6 EXT THESTRAL-DRAWN CARRIAGENIGHT The underside of the carriage - photo 13
SCENE 6EXT. THESTRAL-DRAWN CARRIAGENIGHTThe underside of the carriage. ABERNATHY Apparates, clinging to the wheel shaft.
SCENE 7 INT THESTRAL-DRAWN CARRIAGENIGHT SPIELMAN and GRINDELWALD sit - photo 14
SCENE 7INT. THESTRAL-DRAWN CARRIAGENIGHTSPIELMAN and GRINDELWALD sit, eyes locked, flanked by AURORS, all pointing their wands at GRINDELWALD. GRINDELWALDS wand box lies on SPIELMANS lap.SPIELMAN holds up the vial, dangling from its chain. SPIELMAN No more silver tongue, eh? But GRINDELWALD is transforming...
SCENE 8 EXT THESTRAL-DRAWN CARRIAGENIGHT ABERNATHY adjusts his grip - photo 15
SCENE 8EXT. THESTRAL-DRAWN CARRIAGENIGHTABERNATHY adjusts his grip underneath the carriage.

His face too is changing. His hair is turning blond and lengthening... he is GRINDELWALD. He raises the Elder Wand.

SCENE 9 INT THESTRAL-DRAWN CARRIAGENIGHT GRINDELWALDS rapid transformation - photo 16
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