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Lionel Shriver - Property: Stories Between Two Novellas

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Lionel Shriver Property: Stories Between Two Novellas

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A striking new collection of ten short stories and two novellas that explores the idea of property in every meaning of the word, from the acclaimedNew York Timesbestselling author of the National Book Award finalistSo Much for Thatand the international bestsellerWe Need to Talk About Kevin.
Intermingling settings in America and Britain, Lionel Shrivers first collection explores property in both senses of the word: real estate and stuff. These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shrivers world, we may possess people and objects and places, but in turn they possess us.
In the stunning novella The Standing Chandelier, a woman with a history of attracting other womens antagonism creates a deeply personal wedding present for her best friend and his fianceonly to discover that the jealous fiance wants to cut her out of their lives. In Domestic Terrorism, a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause clbre. In The ChapStick, a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In Vermin, an artistic Brooklyn couples purchase of a ramshackle house destroys their once-passionate relationship. In The Subletter, two women, both foreign conflict junkies, fight over a claim to a territory that doesnt belong to either.
Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

Lionel Shriver: author's other books


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Contents

To Berger: one of the three people who make my life worth living.

I bought a wood [... ]. It is not a large woodit contains scarcely any trees, and it is intersected, blast it, by a public footpath. Still, it is the first property that I have owned, so it is right that other people should participate in my shame, and should ask themselves, in accents that will vary in horror, this very important question: What is the effect of property upon the character? [... ]

If you own things, whats their effect on you? Whats the effect on me of my wood?

In the first place, it makes me feel heavy. [... ]

In the second place, it makes me feel it ought to be larger.

E. M. Forster, My Wood

The Standing Chandelier
A Novella

In bottomless gratitude, to Jeff and Sue. This is not about you.

Jillian Frisk found the experience of being disliked bewildering. Or not bewildering enough, come to think of it, since the temptation was always to see her detractors point of view. Newly aware of a womans aversionit was always another woman, and perhaps that meant something, something in itself not very niceshe would feel awkward, at a loss, mystified, even a little frightened. Paralyzed. In a traducers presence, shed yearn to refute whatever about herself was purportedly so detestable. Yet no matter what she said, or what she did, she would involuntarily verify the very qualities that the faultfinder couldnt bear. Vanity? Flakiness? Staginess?

For an intrinsic facet of being disliked was racking your brain for whatever it was that rubbed other people so radically the wrong way. They rarely told you to your face, so you were left with a burgeoning list of obnoxious characteristics that you compiled for them. So Jillian would demote her garb from festive to garish or even vulgar, and suddenly see how her offbeat thrift shop ensembles, replete with velvet vests, broad belts, tiered skirts, and enough scarves to kill Isadora Duncan three times over, could seem to demonstrate attention-seeking behavior. A clear, forceful voice was to the leery merely loud, and whenever she suppressed the volume the better to give no offense, she simply became inaudible, which was maddening, too. Besides, she didnt seem capable of maintaining a mousy, head-down demeanor for more than half an hour, during which the sensation was tantamount to a Chinese foot binding of the soul. Wide gesticulation when she grew exuberant was doubtless histrionic. Smitten by another smoldering black look from across a table, she would sometimes trap her hands in her lap, where they would flap like captured birds. But in a moment of inattention, the dratted extremities always escaped, flinging her napkin to the floor. Her full-throated guffaw would echo in her own ears as an annoying laugh. (Whatever did you do about an annoying laugh? Stop finding anything funny?) Then on top of all the ghastly attributes she embodied, merely being in the presence of someone who she knew couldnt stand her slathered on an additionally off-putting surface of nervousness, contrition, and cant-beat-them-join-them self-suspicion.

But then, Jillian should have known better by now, having enough times withstood the gamut from distaste to loathing (yet rarely indifference). When people didnt like you, if this doesnt seem too obvious, they didnt like you. That is, the problem wasnt an identifiable set of habits, beliefs, and traitssay, a propensity for leaning against a counter with a jauntily jutted hip as if you thought you were hot stuff, overusage of the word fabulous, a misguided conviction that refusing to vote is making a political statement, a tendency to mug the more premeditative with a sudden impulse to go camping this very afternoon and to make them feel like spoilsports when they didnt want to go. No, it was the sum total that rankled, the whole package, the essence from which all of these evidences sprang. Jillian could remain perfectly still with her mouth zipped, and Estelle Pettiforda fellow crafts counselor at the Maryland summer camp where Jillian worked for a couple of seasons, whose idea of compelling recreation for fifteen-year-olds was making Christmas trees out of phone books in Julywould still have hated her, and the girl would have kept hating her even if this object of odium didnt move a muscle or utter a syllable through to the end of time. That was what slew Jillian about being disliked: There was no remedy, no chance of tempering an antipathy into, say, forbearance or healthy apathy. It was simply your being in the world that drove these people insane, and even if you killed yourself, your suicide would annoy them, too. More attention seeking.

Glib, standard advice would be not to care. Right. Except that shrugging off the fact that someone despised you was impossible. The expectation was inhuman, so that, on top of having someone hate you, you cared that someone hated you and apparently you shouldnt. Caring made you even more hateable. Your inability to dismiss anothers animus was one more thing that was wrong with you. Because that was the thing: these sneering, disgusted perceptions always seemed to have more clout than the affections of all the other people who thought you were delightful. Your friends had been duped. The naysayers had your number.

There was Linda Warburton, her coworker during a stint leading tours at the Stonewall Jackson House, who grew insensibly enraged every time Jillian brewed strong coffee in the staff kitchenJillian made strong everythingas the girl preferred her java weak. After Jillian began going to the extra trouble of boiling a kettle so that Linda could dilute her own mug to her hearts content, the accommodation to everyones tastes seemed only to drive the lumpy, prematurely middle-aged twenty-five-year-old to more ferocious abhorrence: Linda actually submitted a formal complaint to the Virginia Tourist Board that Jillian Frisk wore the bonnet of her costume at an historically inaccurate cocky slant. There was Tatum OHagan, the clingy, misbegotten roommate of 1998, whod seemed to want to become bosom buddies when Jillian first moved inin fact, the brownie-baking sharing of confidences became a bit muchbut who, once Jillian inserted a merciful crack of daylight between the two, came to find her presence so unendurable that she posted a roster of which evenings one or the other could occupy the living room and which hoursdifferent hoursthey could cook. There was the officious Olivia Auerbach only two years ago, another unpaid organizer of the annual Maury River Fiddlers Convention, who accused her of distracting the musicians from their practice and overstepping the necessarily humble role of a volunteer. (And how. Jillian had a sizzling affair with a participant from Tennessee, who knew how to fiddle with more than his bow.)

Tall and slender, with a thick thatch of kinked henna hair that tumbled to her elbows, Jillian had trouble being inconspicuous, and that wasnt her fault. She supposed she was pretty, though that adjective seemed to have a statute of limitations attached. At forty-three, shed probably been downgraded to attractivein preparation, since postmenopausal flattery went unisex, for handsome; gosh, she could hardly wait for well preserved. So she might plausibly dismiss this bafflingly consistent incidence of female animosity as bitchy takedown in a catwalk competition. But when she glanced around Lexington, which flushed every fall with an influx of fetching freshmen from Washington and Leewhose appearance of getting younger each year helped track her own decayJillian was often awed by the profusion of beautiful women in the world, not all of whom could have been unrelenting targets of antagonism. To the contrary, in her high school days in Pittsburgh, when Jillian was gawky and still uncomfortable with her height, students flocked to sunny blond bombshells, who often benefited from a reputation for kindness and generosity purely for bestowing the occasional smile. Her problem wasnt looks, or looks alone, even if the hair in particular seemed to make a declaration that she didnt intend. Jillian had hair that you had to live up to.

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