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Iain Banks - The Crow Road

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Iain Banks The Crow Road

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Table of Contents Praise for The Crow Road Brilliantly done Daily Mail - photo 1

Table of Contents


Praise for The Crow Road:

Brilliantly done Daily Mail


Tight with detail and close observation and creates a strong sense of a particular period of growing up Independent


Banks has woven a warm and funny story, rich with characters and adventures ... an utterly enchanting piece of fiction New Woman


Magnificent... a poignant, very funny study of life growing up in Bankss native Scotland. At times as wonderfully light and colourful as its setting on the west coast of Scotland, and as darkly comic as The Wasp Factory ... For Him


This substantial novel indicates a restless author very firmly in the drivers seat, back on what appears to be a Scottish route with intriguing potential destinations The Scotsman


What makes Banks a significant novelist is the love and effort that go into his works, and his acute sense of the ways in which people can suffer ... this is Bankss finest novel yet Independent on Sunday


Prentice is a most engaging narrator, self-deprecating, funny and hopelessly self-deceiving Daily Telegraph

Iain Banks sprang to widespread and controversial public notice with the publication of his first novel, The Wasp Factory , in 1984. Since then he has gained enormous and popular critical acclaim with further works of both fiction and science fiction, all of which are available in either Abacus or Orbit paperbacks. In 1993 he was acknowledged as one of the Best of Young British Writers. In 1996 his number one bestseller, The Crow Road was adapted for television. The Times has acclaimed Iain Banks the most imaginative British novelist of his generation.

Iain Banks lives in Fife, Scotland.

Also by lain Banks


THE WASP FACTORY
WALKING ON GLASS
THE BRIDGE
ESPEDAIR STREET
CANAL DREAMS
THE CROW ROAD
COMPLICITY
WHIT
A SONG OF STONE
THE BUSINESS
DEAD AIR
THE STEEP APPROACH TO GARBADALE
And as Iain M. Banks
CONSIDER PHLEBAS
THE PLAYER OF GAMES
USE OF WEAPONS
THE STATE OF THE ART
AGAINST A DARK BACKGROUND
FEERSUM ENDJINN
EXCESSION
INVERSIONS
LOOK TO WINDWARD
THE ALGEBRAIST
MATTER


The Crow Road


IAIN BANKS


Hachette Digital

www.littlebrown.co.uk


Published by Hachette Digital 2008


Copyright lain Banks 1992


The right of lain Banks to be identified as author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.


All characters in this publication are fictitious
and any resemblance to real persons, living or dead,
is purely coincidental.
All rights reserved.
No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any
form or by any means, without the prior
permission in writing of the publisher, nor be
otherwise circulated in any form of binding or
cover other than that in which it is published and
without a similar condition including this
condition being imposed on the subsequent purchaser.
A CIP catalogue record for this book
is available from the British Library.


ISBN 978 0 7481 0993 7


This ebook produced by JOUVE, FRANCE


Hachette Digital
An imprint of
Little, Brown Book Group
100 Victoria Embankment
London EC4Y 0DY


An Hachette Livre UK Company

Again, for Ann,
And with thanks to:
James Hale,
Mic Cheetham,
Andy Watson
and Steve Hatton

CHAPTER 1

It was the day my grandmother exploded I sat in the crematorium listening to - photo 2

It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bachs Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.

I looked at my father, sitting two rows away in the front line of seats in the cold, echoing chapel. His broad, greying-brown head was massive above his tweed jacket (a black arm-band was his concession to the solemnity of the occasion). His ears were moving in a slow, oscillatory manner, rather in the way John Waynes shoulders moved when he walked; my father was grinding his teeth. Probably he was annoyed that my grandmother had chosen religious music for her funeral ceremony. I didnt think she had done it to upset him; doubtless she had simply liked the tune, and had not anticipated the effect its non-secular nature might have on her eldest son.

My younger brother, James, sat to my fathers left. It was the first time in years Id seen him without his Walkman, and he looked distinctly uncomfortable, fiddling with his single earring. To my fathers right my mother sat, upright and trim, neatly filling a black coat and sporting a dramatic black hat shaped like a flying saucer. The UFO dipped briefly to one side as she whispered something to my father. In that movement and that moment, I felt a pang of loss that did not entirely belong to my recently departed grandmother, yet was connected with her memory. How her moles would be itching today if she was somehow suddenly reborn!

Prentice! My Aunt Antonia, sitting next to me, with Uncle Hamish snoring mellifluously on her other side, tapped my sleeve and pointed at my feet as she murmured my name. I looked down.

I had dressed in black that morning, in the cold high room of my aunt and uncles house. The floorboards had creaked and my breath had smoked. There had been ice inside the small dormer window, obscuring the view over Gallanach in a crystalline mist. Id pulled on a pair of black underpants Id brought especially from Glasgow, a white shirt (fresh from Marks and Sparks, the pack-lines still ridging the cold crisp cotton) and my black 501s. Id shivered, and sat on the bed, looking at two pairs of socks; one black, one white. Id intended to wear the black pair under my nine-eye Docs with the twin ankle buckles, but suddenly I had felt that the boots were wrong. Maybe it was because they were matt finish ...

The last funeral Id been to here - also the first funeral Id ever been to - this gear had all seemed pretty appropriate, but now I was pondering the propriety of the Docs, the 501s and the black bikers jacket. Id hauled my white trainers out of the bag, tried one Nike on and one boot (unlaced); Id stood in front of the tilted full-length mirror, shivering, my breath going out in clouds, while the floorboards creaked and a smell of cooking bacon and burned toast insinuated its way up from the kitchen.

The trainers, Id decided.

So I peered down at them in the crematorium; they looked crumpled and tea-stained on the severe black granite of the chapel floor. Oh-oh; one black sock, one white. I wriggled in my seat, pulled my jeans down to cover my oddly-packaged ankles. Hells teeth, I whispered. Sorry, Aunt Tone.

My Aunt Antonia - a ball of pink-rinse hair above the bulk of her black coat, like candy floss stuck upon a hearse - patted my leather jacket. Never mind, dear, she sighed. I doubt old Margot would have minded.

No, I nodded. My gaze fell back to the trainers. It struck me that on the toe of the right one there was still discernible the tyre mark from Grandma Margots wheelchair. I lifted the left trainer onto the right, and rubbed without enthusiasm at the black herring-bone pattern the oily wheel had left. I remembered the day, six months earlier, when I had pushed old Margot out of the house and through the courtyard, past the outhouses and down the drive under the trees towards the loch and the sea.


Prentice, what is going on between you and Kenneth?

The courtyard was cobbled; her wheelchair wobbled and jerked under my hands as I pushed her. Weve fallen out, gran, I told her.

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