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Richard A Swingle [Swingle - Harmion

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Richard A Swingle [Swingle Harmion

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Harmion
Richard A. Swingle

Copyright 2019 Richard A. Swingle

The right of Richard A. Swingle to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

First published in Great Britain 2019

All rights reserved.

No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.

All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

Cataloguing in Publication Data is available from the British Library

ISBN 978-1-916117-00-6 (B-format)

ISBN 978-1-916117-01-3 (Kindle eBook)

Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A.

www.richardaswingle.com

Bill Hiatt - A Major Harmion Contributor

As far back as he can remember, Bill Hiatt had a love for reading so intense that he eventually ended up owning over eight thousand books--not counting e-books! He has also loved to write for almost that long. As an English teacher, he had little time to write, though he always felt there were stories within him that longed to get out, and he did manage to publish a few books near the end of his teaching career. Now that he is retired from teaching, the stories are even more anxious to get out into the world, and they will not be denied.

https://www.billhiatt.com/my-books-2/

https://www.amazon.com/Bill-Hiatt/e/B009CWEWD8

https://www.facebook.com/writerbillhiatt/

https://twitter.com/BillHiatt2

Richard Pinches and Liz Howard - Major Harmion contributors

Richard Pinches was born in 1965 on his parents farm in Henley-on-Thames. It is here that he still works in a converted barn as a videographer and photographer. Richard started his photography career after graduating from art college in 1985. Quickly progressing to setting up his own studio on his parents farm in 1988, he converted some barns and began shooting commercial and advertising briefs for many global brands from 3M to Xerox.

Richard first started shooting commercial videos in the mid nineties but it is the digital era that has seen him expand considerably in the realm of the moving image. This has been helped by his extensive studio that includes his own in-house digital team, drive-in car infinity cove and sound proofed green screen stages. Richard collaborates with a wide range of creatives in his production company, which he owns with his producer/director partner, Liz Howard. Richard and Liz started working on short films in 2011. They have now worked up to feature films and continue to work in this creative field.

http://www.meadowsfarmstudios.co.uk/

KEY CONTRIBUTORS

Julian and Helen Pletts - Helen Riley Photography

www.helenrileyphotography.com

Sharon Mansfield and Lisa Grima - Her Last Bow

www.herlastbow.co.uk

Ilaria Ceccarello

Neil Wallace - 1st Assistant Director

https://www.imdb.com/name/nm0908801/

Declan ODwyer - Film and TV Writer, Director

https://www.imdb.com/name/nm1398781

Christopher Anderson - Fireglass Studios

www.fireglassstudios.com

Anonymous - Great Ormond Street Hospital

https://www.gosh.org/

For my Family,

for always believing in my dreams and helping me to follow them

Contents
Prologue

B ranches creaked and swayed in a cool evening breeze as the purple sun cast beams of light upon the ground. A light autumn mist cowered amidst an aged and scarred forest, recording ancient stories now lost in time.

Digging its claws into thick bark, a squirrel clambered to the top of the highest tree, jumping from branch to branch. Beneath it, footsteps drew closer until a partly clothed man, painted in tribal markings, passed beneath.

The man was old, weathered like the forest, with a face ridden with creases and folded skin like the hump of an exotic beast. He dressed in leather skins that matched the complexion of his own thick and twisted body. The old man invited the air in through deep breaths. Despite his appearance, this was no shaman. He was covered head to toe with tattoos and markings that had stretched or faded with age. The markings had been burnt into his skin with red-hot knives and spearheads, the pain afforded by each scar now reduced only by the conditioning of time. A series of black lines upon his brow produced an unchanging expression of fear and only lent to age him more.

He held a simple spear to balance his stride, the blood-stained handle was beautifully carved out of a robust wood; many sharp tools would have been ruined against its hind. The spear gave the old man an appearance of authority. He held his head with pride and the creatures of the forest parted in his presence. His eyes, dark and narrow, peeked at the clearing around him, full of movement from the animals rushing around the bushes, fleeing from where he stood to rest. Breathing caused him to wheeze and he coughed. Tears filled his eyes though the tears were more filled with sadness than pain. Dissatisfied he crouched closer to the ground, leaning on his spear and listened to the distant echoes through the earth.

Standing to reconsider his direction, the tribe leader managed a step towards a series of rocks with green moss growing thickly through the cracks and earth. Tasting the bright green moisture and rubbing his fingers together, a colourful paste formed in his palms. He smeared it across his bare thigh to dry his hand and considered the path forwards.

The light began to dwindle in the forest as dusk set in. The squirrel continued to leap from tree to tree, following the man as he carried on through the old forest, curious and afraid. Thunder struck but neither lightning nor rain followed. Suddenly a herd of wild deer tore through the undergrowth escaping some hidden threat. The squirrel clinging onto the branch trembled as the tree shook from the roots upward.

The tribe leader took refuge behind a stump and watched as the herd ran past him. He scratched his nose, the bone piercing that protruded his nostrils causing him some discomfort as it rattled like a buzzing fly.

The freshness of the air lessened and the painted old man struggled to breathe. The humidity was now so fierce that he appeared to be suffering from some fever as sweat trickled down his face, stinging his eyes. He bent down to grab a weed by the side of a tree. Pinching up a handful, he rubbed the plant beneath his mouth. He inhaled the vapor sending a cascade of relief through his enclosed lungs. The next stride he took through the diminishing landscape brought on a suffering he could not have anticipated. His eyes flickered shut unwillingly and he barely breathed another breath as he stumbled forward, the ground beneath his feet a black and dusty charcoal. The air filled with a thick ash that stretched up into the skies where the great old trees now looked like a vision of lifeless ghost giants. A plague of mist spread through the forest like a shadow of a cloud sweeping across a field beneath a setting sun. The squirrel climbed higher, searching for air to breathe. It sputtered blindly and fell from its branch, disappearing into the foggy abyss.

No life could exist here, no animal could feed off the grass and weeds, no man could hunt for prey. The air would sustain no life as it filled the painted mans lungs with ash and death.

The last sight he saw before his eyes filled with the searing black dust, was an expanse of desolation. A cadaver of a great old tree stood reaching its limbs towards a dried-up lake where water had once flowed. It was as though the earth itself was a corpse, rotting and hopeless. Dread descended upon him.

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