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Tom Cox - 21st-Century Yokel

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Tom Cox 21st-Century Yokel

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CONTENTS Tom Cox lives in Devon He is the author of among others the Sunday - photo 1

CONTENTS

Tom Cox lives in Devon. He is the author of, among others, the Sunday Times bestselling The Good, The Bad and The Furry and the William Hill Sports Book longlisted Bring Me the Head of Sergio Garcia .

BY THE SAME AUTHOR

Nice Jumper

Bring Me the Head of Sergio Garcia

Under the Paw

Talk to the Tail

The Good, The Bad and The Furry

Close Encounters of the Furred Kind

For The Bear (19952016) and Shipley (20012017).

RIP, little magicians.

Take the scorn and wear the horn

it was the crest when you were born

your fathers father wore it

and your father wore it too.

Hal-An-Tow (traditional)

Dear Reader,

The book you are holding came about in a rather different way to most others. It was funded directly by readers through a new website: Unbound. Unbound is the creation of three writers. We started the company because we believed there had to be a better deal for both writers and readers. On the Unbound website, authors share the ideas for the books they want to write directly with readers. If enough of you support the book by pledging for it in advance, we produce a beautifully bound special subscribers edition and distribute a regular edition and e-book wherever books are sold, in shops and online.

This new way of publishing is actually a very old idea (Samuel Johnson funded his dictionary this way). Were just using the Internet to build each writer a network of patrons. At the back of this book youll find the names of all the people who made it happen.

Publishing in this way means readers are no longer just passive consumers of the books they buy, and authors are free to write the books they really want. They get a much fairer return too half the profits their books generate, rather than a tiny percentage of the cover price.

If youre not yet a subscriber, we hope that youll want to join our publishing revolution and have your name listed in one of our books in the future. To get you started, here is a 5 discount on your first pledge. Just visit unbound.com , make your pledge and type badger5 in the promo code box when you check out.

Thank you for your support,

Dan Justin and John Founders Unbound 1 WITCHES KNICKERS January Haldon - photo 2

Dan, Justin and John

Founders, Unbound

1
WITCHES KNICKERS

January Haldon Hill the border hill Such a long high wall in the sky as you - photo 3

January. Haldon Hill, the border hill. Such a long, high wall in the sky as you approach it from the north-east, so thick with trees, always a tiny bit surprising that a few minutes later you can be on top of it in a car. Also surprising, perhaps, to my car itself, which lets out a harassed groan as I change gear for the final ascent. My ears pop hard as I reach the brow. It happens every time. When Ive told hardy natives of the South West Peninsula the same thing, they have sometimes claimed Im being overdramatic but Im honestly not. Maybe its because my sensitive eustachian tubes spent too many years living closer to sea level, in a more recumbent landscape, but the altitude is too much for them. Ppppop! they go, as always, maybe even a bit louder than usual today. What that noise signifies to me is that I have entered the unofficial country that I call home, comprising Cornwall and the western two thirds of Devon.

Haldon rises, dividing the land, around six miles south-west of Exeter, which has always struck me as the most sarcastically named of small cities: a place that, when youre attempting to get out of it at rush hour, appears to have no exit at all. If you look at it another way, though, the name is apt. When you reside on the west side of Haldon Hill, as I do, Exeter feels like your exit to the rest of Britain: the beginning of that place which, when youve lived down here for any time at all, you start to think of as Everywhere Else. Draw a line directly south from Haldons summit and you reach the exact point where the cliffs change colour soft sandy red giving way to gnashing dark grey. Haldon seems like a barrier and must have seemed an even bigger one before it was tarmacked over with dual carriageway. Evidence of several sunken medieval lanes ascending the hill has been found on its east side, but almost none on its western slopes. Weary fourteenth-century travellers from the east would arrive at Lidwell Chapel near the eastern base of Haldon and receive offers of hot food and a bed for the night from Robert de Middlecote, the monk who lived there. Middlecote would then drug them, cut their throats and dump their bodies in the well in the chapels garden allegedly bottomless, like so much still water in folklore. Ooh, bloody hell, Im not going over that, you can imagine similarly weary Romans exclaiming, thirteen hundred years or so earlier, as Haldon came into view. Weve done enough conquering, anyway. Lets just leave whoever lives over there to carry on cuddling boulders and worshipping trees, or whatever it is they do. The Deep South West was its own country then and remains so now. Making a home in it is still a commitment to a certain kind of life, with more potential to be a self-contained part of its own immediate surroundings. Pass over that long brow and the land begins to steepen and get more intimate with itself, employment becomes more scarce, communities become more scattered and the idea of a day trip to the middle of the country becomes more fatigue-inducing.

As often as not, you drive up to the top of Haldon in one kind of weather and descend in another. In Exeter today theres been squally showers and the lingering grey of a collective tetchy mood, but as I come down the opposite side, the sun switches on its spotlight function and illuminates the valley. Dartmoor streaks away in front of me on the right, unearthly and moody and promising and electric. They say in Devon that if you cant see the moor, it means its raining, and if you can see it, it means its about to rain. Thats a comic exaggeration, of course, but not a huge one. Today the moor looks like a giant outdoor factory where witches make weather. There are countless small bright gaps in the sky, like holes stabbed in a tent roof to let the light in, then longer, bigger, more jagged gaps, as if the person in the tent has lost patience and gone at it with a bread knife. Some hills are enigmatically yellow in a way that doesnt seem to correspond with the cloud above them, others a dark green verging on black thats no less confusing. I cant get nonchalant about this view, and its become even more fascinating to me as Ive become more intimate with the moor. I will glance across and try to work out which shape or shade might denote a patch where Ive walked. Is that where the farm is that I walked past that time with the huge ball of wire outside with the variety of animal skulls placed in it? I will think. No. Perhaps thats a couple of miles further north. Maybe its the wildflower meadow I was pursued across last April by a small, determined pig.

I press on past Heaven and Hell Junction, Heaven being the moor and Hell staring it down from across the tarmac in the form of Trago Mills, the vast, grotesque shopping and leisure park whose toxic-waste-dumping, UKIP-supporting, wildlife-shooting owners the Robertson family once printed adverts calling for the castration of gay men. Up another big hill, past Ashburton Junction One and Ashburton Junction Two the one which looks like my junction, that I take by mistake when Im tired and Im home, or as good as, heading seawards on the smaller road where home begins in the most graspable sense: a zigzagging one, full of roller-coaster dips and climbs. To the right of the road is the River Dart and, because the road attempts to use the river as its guide, it is at the constant mercy of its indecision. All the Dartmoor rivers are capricious, but none that race down from the moor prevaricate about their route more often than the Dart. The hills here are not like those in Somerset or east Devon, which have wide valleys and plains between them; they are a community, bunching together as if nervously fearing solitude. The Dart finds the tight rare spaces between them and curls around them at flamboyant length, making its scenic way to the ocean.

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