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Colson Whitehead - Sag Harbor: A Novel

Here you can read online Colson Whitehead - Sag Harbor: A Novel full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2009, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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The warm, funny, and supremely original new novel from one of the most acclaimed writers in America The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high schoolwhen Benji reveals his deep enthusiasm for the horror movie magazine Fangoriahis social doom is sealed for the next four years. But every summer, Benji escapes to the Hamptons, to Sag Harbor, where a small community of African American professionals have built a world of their own. Because their parents come out only on weekends, he and his friends are left to their own devices for three glorious months. And although hes just as confused about this all-black refuge as he is about the white world he negotiates the rest of the year, he thinks that maybe this summer things will be different. If all goes according to plan, that is. There will be trials and tribulations, of course. There will be complicated new handshakes to fumble through, and state-of-the-art profanity to master. He will be tested by contests big and small, by his misshapen haircut (which seems to have a will of its own), by the New Coke Tragedy of 85, and by his secret Lite FM addiction. But maybe, with a little luck, things will turn out differently this summer.In this deeply affectionate and fiercely funny coming-of-age novel, Whiteheadusing the perpetual mortification of teenage existence and the desperate quest for reinventionlithely probes the elusive nature of identity, both personal and communal.

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ALSO BY COLSON WHITEHEAD The Intuitionist John Henry Days The Colossus - photo 1

ALSO BY COLSON WHITEHEAD

The Intuitionist

John Henry Days

The Colossus of New York

Apex Hides the Hurt

For Maddie Contents FIRST YOU HAD TO SETTLE THE QUESTION OF OUT When - photo 2

For Maddie

Contents
FIRST YOU HAD TO SETTLE THE QUESTION OF OUT When did you get out Asking this - photo 3

FIRST YOU HAD TO SETTLE THE QUESTION OF OUT . When did you get out? Asking this was showing off, even though anyone you could brag to had received the same gift and had come by it the same way you did. Same sun wrapped in shiny paper, same soft benevolent sky, same gravel road that sooner or later skinned you. It was hard not to believe it belonged to you more than anyone else, made for you and waiting all these years for you to come along. Everyone felt that way. We were grateful just to be standing there in that heat after such a long bleak year in the city. When did you get out? was the sound of our trap biting shut; we took the bait year after year, pure pinned joy in the town of Sag Harbor.

Then there was the next out: How long are you out for?and the competition had begun. The magic answer was Through Labor Day or The Whole Summer. Anything less was to signal misfortune. Out for a weekend at the start of the season, to open up the house, sweep cracks, that was okay. But only coming out for a month? A week? What was wrong, were you having financial difficulties? Everyone had financial difficulties, sure, but to let it interfere with Sag, your shit was seriously amiss. Out for a week, a month, and you were allowing yourself to be cheated by life. Ask, How long are you out for? and a cloud wiped the sun. The question trailed a whiff of autumn. All answers contemplated the end, the death of summer at its very beginning. Still waiting for the bay to warm up so you could go for a swim and already picturing it frozen over. Labor Day suddenly not so far off at all.

The final out was one-half information-gathering and one-half prayer: Who else is out? The season had begun, we were proof of it, instrument of it, but things couldn't really get started until all the players took their marks, bounding down driveways, all gimme-fives. The others were necessary, and we needed word. The person standing before you in pleated salmon shorts might say, I talked to him on Wednesday and he said they were coming out. They were always the first ones out, never missed June like their lives depended on it. (This was true.) Someone might offer, Their lawn was cut. A cut lawn was an undeniable omen of impending habitation, today or tomorrow. Saw a car in their driveway. Even better. There was no greater truth than a car in a driveway. A car in the driveway was an invitation to knock on the door and get down to the business of summer. Knock on that door and watch it relent under your knucklesonce you were out, the door stayed unlocked until you closed up the house.

Once we're all out, we can begin.

MY NAME IS BEN . In the summer of 1985 I was fifteen years old. My brother, Reggie, was fourteen. As for when we got out, we got out that morning, hour and a half flat, having beat the traffic. Over the course of a summer, you heard a lot of different strategies of how to beat the traffic, or at least slap it around a little. There were those who ditched the office early on Friday afternoon, casually letting their co-workers know the reason for their departure in order to enjoy a little low-pressure envy. Others headed back to the city late Sunday evening, choking every last pulse of joy from the weekend with cocoa-buttered hands. They stopped to grab a bite and watched the slow red surge outside the restaurant window while dragging clam strips through tartar saucesoon, soon, not yetuntil the coast was clear.

My father's method was easy and brutalhit the road at five in the morning so that we were the only living souls on the Long Island Expressway, making a break for it in the haunted dark. Every so often my mother said, There's no traffic, as if it were a miracle. Well, it wasn't really dark, June sunrises are up and at 'em, but I always remember those drives that waymemory has a palette and broad brush. Perhaps I remember it that way because my eyes were closed most of the time. The trick of those early-morning jaunts was to wake up just enough to haul a bag of clothes down to the car, nestle in, and then retreat back into sleep. Any unnecessary movement might exile you from the realm of half asleep and into the bleary half awake, so my brother and I did a zombie march slow and mute until we hit the backseat, where we turned into our separate nooks, sniffing upholstery, butt to butt, more or less looking like a Rorschach test. What do you see in this picture? Two brothers going off in different directions.

We had recently ceased to be twins. We were born ten months apart and until I went to high school we came as a matched set, more Siamese than fraternal or identical, defined by an uncanny inseparability. Joined not at the hip or spleen or nervous system but at that more important placethat spot on your self where you meet the world.

There was something in the human DNA that compelled people to say Benji 'n' Reggie, Benji 'n' Reggie in a singsong way, as if we were cartoon characters or mascots of some twenty-five-cent candy.

On the rare occasions we were caught alone, the first thing people asked was Where's Benji? or Where's Reggie?, whereupon we delivered a thorough account of our other's whereabouts, quickly including context as if embarrassed to be caught out in the sunlight with only half a shadow: He rode into town. He lost his CAT Diesel Power cap at the beach and went to get a new one at the five-and-ten. And the questioner nodded solemnly: Reggie's love for his CAT Diesel Power cap, fostered by '70s trucker movies, was well-known.

There was summer, and then there was the rest of the time. During the rest of the time, before we were separated, you could find us modeling gear from the Brooks Brothers Young Men's Departmentsmart white Oxford shirts, for example, tucked in during school hours, flapping in soft rebellion when we were home. The elementary school we went to required us to wear jackets and ties, so we did. Our wrists inevitably outran our jacket sleeves despite our mother's attempts at timely hem-jobs. The ties as a species were clip-on, but we had a few that our father tied for us at the beginning of the school year, which we then slid loose and slid tight for the next nine months, knots getting greasier and grubbier as our kiddie fingers oozed into them. We had one blue blazer and one beige corduroy jacket apiece, rotated over gray slacks and khaki pants. I was a little taller, which helped us sort out whose was whose, but not always.

What did we look like, walking down Lexington, across Sixty-second Street, side by side on our way to and from school? I remember one day in the seventh grade when an old white man stopped us on a corner and asked us if we were the sons of a diplomat. Little princes of an African country. The U.N. being half a mile away. Becausewhy else would black people dress like that? Looking up into his mossy teeth, I croaked a tiny No and tugged Reggie into the crosswalk, as my don't-talk-to-strangers/everyone-is-a-child-molester training kicked in. The TV was our babysitter, sure, so finger-wagging movies of the week were our manual on how to deal with strangers. We eagerly riffled through the literature, tsk-tsking and chuckling over tales of neglected white kids gone awry, the sad procession of zaftig and susceptible teenage hitchhikers, the pillpopping honor students turned wildcat over the pressure to succeed. When strangers stopped us on the street asking questions, we knew what to do. Keep walking, brother. What did he look like? Senior partner in the law firm of Cracker, Cracker & Cracker. What did we look like? I don't know, but his question wasn't something we'd ever be asked in Sag Harbor. We fit in there.

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