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James Patterson - The Last Days of John Lennon

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James Patterson The Last Days of John Lennon

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Copyright 2020 by James Patterson Hachette Book Group supports the right to - photo 1

Copyright 2020 by James Patterson

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

Little, Brown and Company
Hachette Book Group
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First ebook edition: December 2020

Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

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ISBN 978-0-316-42907-8
Library of Congress Control Number: 2020945289

E3-111020-DA-ORI

On June 1, 1969, John Lennon gathered with some friends at a hotel in Toronto to record a song called Give Peace a Chance.

Sing along, he told the members of the chorus as he launched into the opening line, Everybodys talking about

To this day, people are still talkingand singingabout John.

Thank you for your words

Harry Benson

David Bowie

Bob Dylan

Dr. David Halleran

Mick Jagger

Billy Joel

Elton John

Ken Mansfield

Paul McCartney

Keith Richards

Geraldo Rivera

December 6, 1980

H e sits in the airplane, inside a cloud of cigarette smoke. He opens his wallet and looks at the permit for his handgun. He was going to buy a .22 when the salesman steered him toward a .38.

Well, if you get a .22 and a burglar comes in, hes just going to laugh at you, the salesman said. But if you have a .38 nobodys going to laugh at you. Just one shot with a .38 and youre going to bring him down.

The safest way to transport the weapon, the Federal Aviation Administration told him over the phone, was to pack it, along with the ammo, inside a suitcasewhich he did. The gun was purchased legallypersonal protection, he told the salesmanin Hawaii.

The ammo is another matter. Hollow-points are illegal in New York. If security decides to search his bag, he could be arrested.

Itll be fine, he keeps telling himself as he exits the plane. The biggest threat these days is skyjacking. He doesnt look like a terrorist.

He stands at the carousel inside LaGuardia, keeping an eye out for his bag while covertly watching the security people from behind the reddish-brown tinted lenses of his aviator-style eyeglasses.

No one is paying attention to hima good sign. He picks up his suitcase.

No one comes running for him.

He heads for the exit.

No one comes looking for him.

The people he passesbusiness travelers and those who have come to the Big Apple to enjoy a few days of Christmas shoppingdont even acknowledge his presence. No eye contact, not a nod hello, nothing.

Its like Im invisible.

And in a way, he is. Hes been invisible his whole life. Hes not remarkable in any way, which gives him a distinct tactical advantage. He can blend in anywhere, and he doesnt look threatening.

And I have to stay that way. I have to appear normal at all times.

Which means staying out of his head as much as possible.

His mind is a dangerous neighborhood.

He steps outside the airport, into the bright sunshine. The air is unseasonably warm. He drops his suitcase at the curb and, sweating and out of breath, hails a cab, his thoughts turning to the five bullets packed next to his gun. The FAA also told him that changes in air pressure could damage them.

He only needs one of them to work.

The five hollow-point Smith & Wesson +P cartridges are designed for maximum stopping powerand maximum damage. When one hits soft tissue, the tip mushrooms into a lethal miniature buzz saw that spins and bounces its way through the body, shredding tissue and organs.

One shot is more than enough to ensure John Lennons death.

A yellow cab slides up next to him. He puts his suitcase in the trunk, then gets into the back seat. He gives the driver the address for the West Side YMCA, off Central Park West. Its only nine blocks away from his true destination.

He puts on his best smile and tells the cabbie, Im a recording engineer.

The taxi pulls away from the curb.

Im working with John Lennon and Paul McCartney.

The cabbie ignores him.

He glares at the back of the mans head. If you only knew what Im about to do, you would be paying attention to me. You wouldnt be treating me like some nowhere man.

Nowhere Man is a song by his favorite group of all time, the Beatles. Well, they used to be his favorite, until they broke up. And he still hasnt forgiven John Lennon for saying that the Beatles were more popular than Jesus.

That was blasphemy.

The taxi gets in line with the bumper-to-bumper traffic heading into Manhattan. Everyone is rushing to Rockefeller Center. A sixty-five-foot Norway spruce has just been delivered, and electricians are working feverishly to prepare for the annual Christmas tree-lighting ceremony, which is only a few days away.

He takes out a bag of coke. Snorts a line off his fist.

The cabbie is now watching him in the rearview mirror.

Want some?

The driver shakes his head and returns his attention to the road.

The coke isnt working its magic. Instead of feeling a wave of intense pleasure, hes sweating and working himself into a rage, all of it aimed at Lennon.

But Id plug him anyway, he mutters. Six shots through his fat, hairy belly.

He arrives at his destination. He pays his fare, and as he steps out of the cab, he imagines police swarming him, their weapons drawn, ready to arrest him. He sees himself locked inside a jail cell for the rest of his life.

The thought brings him comfort.

Peace.

He turns back to the driver. Im Mark Chapman. Remember my name if you hear it again.

Isnt he a bit like you and me?

Nowhere Man

Y oull like John, Paul McCartneys friend Ivan Vaughan says. Hes a great fellow.

Paul knows John Lennon, but only by sight, really. John is olderalmost seventeenand the two have never spoken, even though they ride the same Allerton-to-Woolton bus to school.

Today Johns singing with his band, the Quarry Men, at the St. Petes Church fete, and fifteen-year-old Paul and Ivy have bicycled over to check them out. Well, Ivys interestedPaul wants to check out the girls.

Its Saturday, July 6, 1957, and already hot when the Quarry Men take the outside stage.

Johns wearing a shortiea knee-length coatover a checkered red-and-white shirt and black drainpipe jeans. He starts to cover the Del-Vikings doo-wop tune Come Go with Me. Paul has heard the American song only a handful of times, on the Decca Records show on Radio Luxembourg and playing in one of the record-shop booths.

Paul half listens and goes back to scouting the crowd. Hes thinking about which girl to approach first when he hears John change the lyrics without skipping a beat. Paul knows a lot about the guitar, and he cant figure out what style John is playing as he breaks into a rockabilly cover of Gene Vincents Be-Bop-a-Lula. John dominates the stage. Owns it.

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