I
t is a truth universally acknowledged that when Netflix invest in a big-budget
drama, the results can be truly remarkable. And guided by the skilful hands
of Chris Van Dusen and Shonda Rhimes,
Bridgerton
has set a new standard
for dramas shot on location. Apart from the beguiling scripts, some inspired
casting, a vast wardrobe of 7,500 costumes with a vivid colour palette, there
are some jaw-dropping Regency locations to savour. And to these, gentle reader,
we will take you.
For the first series of
Bridgerton
over 40 locations were used, dotted around
England, from Leigh Court in the south-west to Castle Howard in North
Yorkshire and to Chatham Dockyard on the Kent coast. Some of the great
stately homes used in the series have been in the same family for years. Wilton
House, near Salisbury, is the home of William Herbert, 18th Earl of Pembroke.
His ancestor, William Herbert, 1st Earl of Pembroke, was given the estate by
Henry VIII over 400 years ago.
Bridgerton
fans will instantly recognise the rear
entrance to Wilton as the establishing shot for Simon Basset, Duke of Hastings
London residence, while one peep inside the Double Cube Room will get the
heart palpitations going. It is where Queen Charlotte installed in front of an
enormous painting of the 4th Earl Pembroke and her ladies in waiting viewed
the young ladies being presented to court.
And you can visit them both. Almost all of the grand houses, parks and
landscape gardens in the series are open to the public at some point in the
year; while a few are open all year round. One exception is Lancaster House, a
building so opulent it made Queen Victoria envious. In
Bridgerton
it stands in
for a variety of rooms in Buckingham Palace and is run by the British Foreign
and Commonwealth Development Office. You cannot stroll in with a day ticket
to Lancaster House, but you
can
hire it for a wedding. For those nurturing
the fantasy of a
Bridgerton
-themed ceremony,
there is the opportunity to hire event spaces at
virtually every grand location you see on screen.
Our small book is the opportunity to indulge
in yet another watch of this dramatic gem.
Because now you can relive the drama and spot
the real-life locations where it was filmed. It
will give you a true appreciation of the skill and
craft of the film directors, editors and the often
unsung heroes, the continuity department and
location managers, who have put together this
remarkable series.
Introduction
We filmed just off the Mall, near
Buckingham Palace (Lancaster House).
For Hampton Court Palace we were there
for an afternoon. It was just amazing. I felt
like a
Blue Peter
winner. I dont think thats
something thats ever going to be matched,
really. I think that comes from being
supported by Netflix. And also Shondalands
massive scope for wanting to put everything
they can on screen.
Jonathan Bailey, Lord Bridgerton
LEFT
Daphne Bridgerton
(Phoebe Dynevor) and
Lady Danbury (Adjoa
Andoh) are primped
up for a scene in
Windsor Great Park.
BELOW LEFT
Lord Bridgerton
(Jonathan Bailey)
shows intolerable
regard to his posture
at Whites Club.
a look round the back of the Royal
Crescent and you can see a variety
of higgledy-piggledy roof heights
and window alignments that came
with this approach, a system quaintly
referred to as Queen Anne fronts and
Mary Anne backs.
Of the crescents 30 townhouses,
10 are still full-size Georgian
townhouses; 18 have been split into
apartments and the large central
house at number 16 is the Royal
Crescent Hotel & Spa. There was
outrage in the 1970s when one
resident painted their front door
yellow instead of the traditional
white, but despite the furore planning
authorities allowed the change on
appeal.
LOCATION ROLES
Street scenes,
exterior of the Featherington home.
Baths celebrated Crescent was built
between 1767 and 1775 by John
Wood. His father, John Wood the
Elder, had built the nearby Circus,
an impressive circular parade of
elegant townhouses, but his son went
one better with a 500-foot row of
30 terraced houses accompanied by
114 Ionic columns. And when Prince
Frederick, Duke of York and Albany,
moved into No.1 it became the Royal
Crescent.
By modern standards it was an
unusual building scheme. Wood
designed the neoclassical faade and
purchasers bought a certain length of
it. They then hired their own architect
to design a house to their specification
behind the classical frontage
occasionally buyers would buy a
double length and so what appeared
as two houses was actually one. Take
Royal Crescent
Bath
The Featheringtons live at No.1 in Englands
most famous Crescent