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Gyles Brandreth - Philip: The Final Portrait

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This is the story of Prince Philip, Duke of Edinburgh - the longest-serving consort to the longest-reigning sovereign in British history. It is an extraordinary story, told with unique insight and authority by an author who knew the prince for more than forty years.Philip - elusive, complex, controversial, challenging, often humorous, sometimes irascible - is the man Elizabeth II once described as her constant strength and guide. Who was he? What was he really like? What is the truth about those gaffes and the rumors of affairs? This is the final portrait of an unexpected and often much-misunderstood figure. It is also the portrait of a remarkable marriage that endured for more than seventy years.Philip and Elizabeth were both royal by birth, both great-great-grandchildren of Queen Victoria, but, in temperament and upbringing, they were two very different people. The Queens childhood was loving and secure, the Dukes was turbulent; his grandfather assassinated, his father arrested, his family exiled, his parents separated when he was only ten. Elizabeth and Philip met as cousins in the 1930s. They married in 1947, aged twenty-one and twenty-six.Philip: The Final Portrait tells the story of two contrasting lives, assesses the Duke of Edinburghs character and achievement, and explores the nature of his relationships with his wife, his children and their families - and with the press and public and those at court who were suspicious of him in the early days. This is a powerful, revealing and, ultimately, moving account of a long life and a remarkable royal partnership.

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Praise for Philip Elizabeth Gyles Brandreth The writer who got closest to - photo 1
Praise for Philip & Elizabeth
Gyles Brandreth:
The writer who got closest to the human truth about our long-serving senior royals.
Libby Purves, The Times
Philip & Elizabeth boldly goes where other royal biographers have previously feared to tread The book is exceptionally hard to put down.
Humphrey Carpenter, Sunday Times
Probably the most revealing portrait ever of the Queen.
Marian Finucane, RTE
The most insightful portrait of Prince Philip written to date.
Robert Lacey, Sunday Times
Wonderfully entertaining impressive compelling.
John-Paul Flintoff, Financial Times
Thoroughly entertaining Filled with insights He has had enviable access and he has used it well.
Penny Junor, Daily Telegraph
Cheeky, gossipy, often highly amusing A most engagingly intimate volume.
Peter Mackay, Evening Standard
A joy thoughtful outrageous sympathetic, wholly original, often hilarious, occasionally profound and unfailingly interesting I came away with the strong feeling that I had glimpsed the Queen and Prince Philip for the first time as they really are.
Craig Brown, Mail On Sunday
Philip & Elizabeth is a unique biography. It is a powerful and revealing portrait of a remarkable partnership, told with authority and insight, and illustrated with photographs from the couples collections.
Ingrid Seward, Majesty
Also by Gyles Brandreth
Biography
Dan Leno: The Funniest Man on Earth
John Gielgud: An Actors Life
Brief Encounters: Meetings with Remarkable People
Philip & Elizabeth: Portrait of a Marriage
Charles & Camilla: Portrait of a Love Affair
Autobiography
Under the Jumper
Breaking the Code: Westminster Diaries
Something Sensational to Read in the Train: The Diary of a Lifetime
Novels
Who Is Nick Saint?
Venice Midnight
Murder Mysteries
Oscar Wilde and the Candlelight Murders
Oscar Wilde and the Ring of Death
Oscar Wilde and the Dead Mans Smile
Oscar Wilde and the Nest of Vipers
Oscar Wilde and the Vatican Murders
Oscar Wilde and the Murders at Reading Gaol
Jack the Ripper: Case Closed
Selected Non-fiction
Created in Captivity
I Scream for Ice Cream: Pearls from the Pantomime
Yaroo! The World of Frank Richards
The 7 Secrets of Happiness
Word Play
Childrens fiction
The Ghost at Number Thirteen and sequels
The Slippers That Talked and sequels
Nattie & Nuffin
Max: The Boy Who Made a Million
Maisie: The Girl Who Lost Her Head
Theatre
Lewis Carroll Through the Looking-Glass
Dear Ladies (with Hinge & Bracket)
Now We Are Sixty (with Julian Slade)
Zipp! 100 Musicals for the Price of One
Wonderland (with Susannah Pearse)
PHILIP: THE FINAL PORTRAIT
Elizabeth, their Marriage and their Dynasty
Gyles Brandreth
wwwhoddercouk First published as Philip Elizabeth Portrait of a - photo 2
www.hodder.co.uk
First published as Philip & Elizabeth: Portrait of a Marriage
Copyright Gyles Brandreth 2004
Revised and updated edition
Copyright Gyles Brandreth 2021
The right of Gyles Brandreth to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
Cover image: Estate of Kenneth Hughes/National Portrait Gallery, London
All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.
A CIP catalogue record for this title is available from the British Library
eBook ISBN 978 1 444 76960 9
Hardback ISBN 978 1 444 76957 9
Hodder & Stoughton Ltd
Carmelite House
50 Victoria Embankment
London EC4Y 0DZ
www.hodder.co.uk
Contents
Harold: You agree that a successful marriage is the greatest of human benefits?
Vita: Yes.
Harold: And that it must be based on love guided by intelligence?
Vita: Yes.
Harold: That an essential condition is a common sense of values?
Vita: Yes.
Harold: That the only things that will stave off marital nerves are modesty, good humour and, above all, occupation?
Vita: Yes.
Harold: And give and take?
Vita: And give and take.
Harold: And mutual esteem. I do not believe in the permanence of any love which is based on pity, or the protective or maternal instincts. It must be based on respect.
Vita: Yes, I agree. The caveman plus sweet-little-thing theory is long past. It was a theory insulting to the best qualities of both.
Harold Nicolson and Vita Sackville-West discussing marriage on BBC radio in 1929, quoted in Portrait of a Marriage by their son Nigel Nicolson, 1973
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Introduction
People who write books ought to be shut up, said King George V.
This is Gyles Brandreth, said the Duke of Edinburgh, introducing me to Queen Elizabeth II.
Her Majesty proffered me a tightly gloved hand and murmured an almost inaudible, How do you do? Her consort continued cheerily, Apparently, hes writing about you. The Duke paused and leant towards his wifes ear: Be warned. Hes going to cut you into pieces.
The Queen looked startled. The Duke chuckled. I smiled.
I knew the Duke of Edinburgh over a period of more than forty years. I was accustomed to his sense of humour. I liked it. I liked him. I admired him as much as any man I have known. It was knowing him as I did that led me to write this book about him, and his wife, and their remarkable marriage the longest-lasting marriage of any sovereign and consort in history.
I first met Prince Philip in the 1970s, when he was in his fifties and I was in my twenties, and I became involved in the work of the National Playing Fields Association. The Association is the National Trust of recreational space: it protects playing fields and playgrounds, and aims to enhance opportunities for competitive sport and creative play, especially for young people and those with disabilities. It is a good cause, if a touch unglamorous. The charity, now known as Fields in Trust, was founded in the 1920s, with Elizabeth IIs father, then a young Duke of York, as its first president. Prince Philip, as a young Duke of Edinburgh, took on the presidency in 1948, soon after he married Princess Elizabeth. It was the first national charity in which he became involved. He remained its president until the week of his ninety-second birthday in June 2013, when he handed over the reins to his grandson, Prince William.
As the President of the NPFA Prince Philip was impressive: informed, committed, personally involved. He took the responsibilities of his office seriously. He was an effective fund-raiser. The fund-raising never stops! he used to sigh. He was an intelligent and persuasive leader, with an unnerving eye for detail (and for flannel and flimflam), who was at his best when given a problem to solve, a difficult meeting to chair, an internal row requiring resolution. He liked to be given something specific to do. He welcomed detail. I accompanied him to the opening of a youth centre on Merseyside. His debriefing note to me was devoted to how best to relocate the lavatories and showers so as to maximise the space available for the sports facilities. Yes, he said, I am practical. I like to help make things work. He wanted to make a difference where others, often, only make a noise. He wasnt one for honeyed words and empty gestures. He did not give his wife bunches of flowers or cards inscribed with sentimental messages: he gave her pieces of jewelry he had designed and made himself.
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