John Sandford - Mortal Prey
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Rules of Prey
Shadow Prey
Eyes of Prey
Silent Prey
Winter Prey
Night Prey
Mind Prey
Sudden Prey
The Night Crew
Secret Prey
Certain Prey
Easy Prey
Chosen Prey
The Fools Run
The Empress File
The Devils Code
G. P. PUTNAMS SONS
NEW YORK
This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
G. P. Putnams Sons
Publishers Since 1838
a member of
Penguin Putnam Inc.
375 Hudson Street
New York, NY 10014
Copyright 2002 by John Sandford
All rights reserved. This book, or parts thereof, may not be reproduced in any form without permission. Published simultaneously in Canada
Library of Congress Cataloging-in-Publication Data
Sandford, John, date.
Mortal prey / by John Sandford.
p. cm.
ISBN : 978-0-7865-6788-1
1. Davenport, Lucas (Fictitious character)Fiction.
2. Private investigatorsMinnesotaMinneapolisFiction.
3. Minneapolis (Minn.)Fiction. I. Title
PS3569.A516 M67 2002 2002019051
813'.54dc21
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For Neil Nyren
THE THOUGHT POPPED INTO HER HEAD as she lay in the soft-washed yellowed sheets in the hospital bed. The thought popped in between the gas pains and muscle spasms, through the pungent odor of alcohol swabs, and if shed read the thought in a book, she might have smiled at it.
She wasnt smiling at anything now.
She stared past the IV drip bag at the whitewashed plaster ceiling and tried not to groan when the pains came, knowing that they would end; tried not to look at the hard-eyed Mexicano at the end of the bed, his hand never far from the pistol that lay under the newspaper on the arm of his chair. Tried not to think about Paulo.
Tried not to think about anything, but sometimes the thoughts popped up: tall, wiry Paulo in his ruffled tuxedo shirt, his jacket on the chair, a glass of red wine in one hand, his other hand, balled in a fist, on his hip, looking at himself in the full-length mirror on the back of his bedroom door, pretending to be a matador. Paulo with the childrens book Father Christmas, sitting naked at her kitchen table with a glass of milk and a milk mustache, delighted by the grumpy Santa Claus. Paulo asleep next to her, his face pale and trusting in the days first light, the soft light that came in over the gulf just before sunrise.
But the thought that might have made her smile, if it was in a book, was:
Just like the fuckin Godfather.
LIKE THIS: AN Italian restaurant called Ginos, with the full Italian-clich stage settingsienna orange walls, bottles of Chianti with straw wrappers, red-and-white checked tablecloths, baskets of hot crusty bread as soon as you sat down, the room smelling of sugar and wheat, olives and peppers, and black oily coffee. A few rickety tables outside faced the Plaza de Arboles and the fifties tourist-coordinated stucco church across the way, San Fernando de Something-or-Other. The church belfry contained a loudspeaker that played a full, slow bell version of the Singing Nuns Dominique, more or less at noon, depending on whose turn it was to drop the needle on the aging vinyl bell-record.
Paulo took her to lunch almost every day, picking her up at the hotel where she worked as a bookkeeper. Theyd eat Mexican one day, California or French the next, Italian twice a week. He picked her up about noon, so on most days she could hear, near or far, the recorded bells of San Fernandos.
Ginos was the favored spot. Despite the clichd Italian stage-setting, there was an actual Gino cooking at Ginos, and the food was terrific. Paulo would pick her up in a black BMW 740iL, his business car, with his smooth-faced business driver. Theyd hook up with friends, eat a long Caribbean lunch and laugh and argue and talk politics and cars and boats and sex, and at two oclock or so, theyd all head back to work.
A pattern: not predictable to the minute, but predictable enough.
ISRAEL COEN SAT up in the choir loft at the back of the church with his rifle, a scoped Remington Model 700 in .30-06. Hed sighted it in along a dirt track west of town, zeroed at exactly sixty yards, the distance hed be shooting across the Plaza de Arboles. There was no problem making the shot. If all you wanted was that Izzy Coen make a sixty-yard shot with a scoped Remington 700, you could specify which shirt button you wanted the slug to punch through.
Not that everything was perfect. The moron whod bought the gun apparently thought that bigger was better, so Izzy would be shooting at sixty yards through an eight-power scope, and about all he could see was a shirt button. He would have preferred no magnification at all, or an adjustable two-to six-power scope, to give him a little room around the crosshairs. But he didnt have that, and would have to make do.
The problem with the scope was exacerbated by the humidity in the loft. Not only was the temperature somewhere in the 120s, he thought, but the humidity must have been 95 percent. Hed sweated through his shirt at his armpits and across his chest, and the sweat beaded on his cheeks and forehead and arms. When he put the rifle to his cheek, the scope fogged over in a matter of seconds. He had a bottle of springwater with him, and that helped keep his body cool enough to function, but there was nothing he could do about the fogging eyepiece. The shot would have to be a quick one.
No matter. Hed scouted the play for three days, he knew what the conditions would be, and he was ready, up high with a rifle, yellow vinyl kitchen gloves protecting against the inadvertent fingerprint, the jeans and thin long-sleeved shirt meant to guard against DNA traces. Izzy was good.
Hed been in the loft for an hour and ten minutes when he saw the 740iL ease around the corner. He had two identical Motorola walkietalkies sitting next to his feet. Izzy believed in redundancy. He picked up the first walkie-talkie, pushed the transmit button, and asked, Hear me?
Yes.
Come now.
One minute.
TEN OF THEM had been sitting in the back of Ginos, the talk running down, a friend leaving and then another, with his new girlfriend, whod been brought around for approval. Then Paulo looked at his watch and said to Rinker, We better get back.
Just a minute, she said. Turn this way. She turned his chin in her hand, dipped a napkin into a glass of water, and used the wet cloth to wipe a nearly invisible smear of red sauce from his lower lip.
I was saving that for later, he protested.
I couldnt send you back that way, she said. Your mother would kill me.
My mother, he said, rolling his black eyes.
THEY WALKED OUT of the Italian restaurant Just like the fuckin Godfatherand the black BMW stopped beyond the balustrade that separated the restaurants patio from the Plaza. They walked past an American who sat at a circular table in his Hawaiian shirt and wide-brimmed flat hat, peering into a guidebookall the details as clear and sharp three days later, in the hospital, as the moment when it happenedand the driver started to get out and Paulo called, I got it, I got it, and Rinker reached for the door handle, but Paulo beat her to it, stepping in front of her in that last little quarter-second of life.
The shot sounded like a firecracker, but the driver knew it wasnt. The driver was in his pocket as Rinker, suddenly feeling illnot in pain, yet, but just ill, and for some inexplicable reason, fallingwent to the ground, Paulo on top of her. She didnt understand, even as a roaring, ripping sound enveloped her, and she rolled and Paulo looked down at her, but his eyes were already out of control and he opened his mouth and his blood gushed onto her face and into her mouth. She began screaming as the roaring sound resumed.
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