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Cleo Coyle - On What Grounds (Coffeehouse Mysteries, No. 1)

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Cleo Coyle On What Grounds (Coffeehouse Mysteries, No. 1)
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On What Grounds (Coffeehouse Mysteries, No. 1): summary, description and annotation

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The perfect cup of coffee is a mystifying thing. To many of my customers, the entire process seems like some sort of alchemy they dare not try at home.... Ten years ago, Clare Cosi left an unhappy marriage along with a job she loved: managing the historic Village Blend coffeehouse in New Yorks Greenwich Village. For a decade, she was happy raising her daughter in the quiet suburbs of New Jersey; but now that Joy is grown and gone, life has gotten way too quiet for Clare. With a little cajoling from Madame, the Blends flamboyant, elderly owner, Clare agrees to return to her old job, and right from the start she gets one heck of a jolt. On her first morning back as Village Blend manager, Clare unlocks the front door to find her beautiful, young assistant manager unconscious in the back of the store, coffee grounds strewn everywhere. As Anabelle is rushed to the hospital, police arrive to investigate, but Detective Mike Quinn finds no sign of forced entry or foul play, and he deems it an accident. Clare disagrees; and after Quinn leaves, there are a few questions she just cant get out of her mind, like why was the trash bin in the wrong place? If this wasnt an accident, are her other baristas in danger? And are all NYPD detectives this attractive?

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THE WRONG BAD GUY

Are you sure you saw someone here, Ms. Cosi? asked Quinn.

Heard someone. Upstairs. I pointed to the short flight of carpeted wooden stairs tucked beside a large closet next to the kitchen. All three of us stilled and listened. The creek of floorboards was unmistakable. Someone was up there walking around.

Stand back, Ms. Cosi, whispered Quinn.

His hand dipped into the leather holster strapped beneath his shoulder. I swallowed a gasp when he pulled the weapon free. He pointed the barrel, which looked to me like a small cannon, at the floor and moved to the base of the staircase.

Langley followed, his gunjust as bigdrawn, too.

Is that necessary? I whispered.

I hope not, he said softly.

Quinn and Langley climbed the stairs, and there was a hideous few seconds of absolute silence. Then a muted voice of surprisemale. The intruder was male.

POLICE. Hands on your head. NOW.

MOVE.

Langley appeared at the top of the staircase. He moved down, the intruder behind him, hands behind his back. Theyd cuffed him, Id realized. Good. Another few steps and Langley would be out of the way, and Id finally get a look at this nervy bastards face.

Oh, no, I thought.

Matt?

Carolyn?

You know this guy? asked Quinn.

Berkley Prime Crime Books by Cleo Coyle

ON WHAT GROUNDS

THROUGH THE GRINDER

LATTE TROUBLE
ON WHAT GROUNDS
CLEO COYLE

BERKLEY PRIME CRIME, NEW YORK

THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc.
375 Hudson Street, New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Group Ireland, 25 St. Stephens Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)
Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi110 017, India
Penguin Group (NZ), Cnr. Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd.)
Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

This is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

ON WHAT GROUNDS

A Berkley Prime Crime Book / published by arrangement with the author

Copyright 2003 by The Berkley Publishing Group.
Cover art by Cathy Gendron.
Cover design by Rita Frangie.
Interior text design by Kristen del Rosario.

All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the authors rights. Purchase only authorized editions.
For information, address: The Berkley Publishing Group, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014.

ISBN: 1-4295-1079-X

Visit our website at www.penguin.com

BERKLEY PRIME CRIME
PRIME CRIME Books are published by The Berkley Publishing Group, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014.
The name BERKLEY PRIME CRIME and the BERKLEY PRIME CRIME design are trademarks belonging to Penguin Group (USA) Inc.

Contents

ACKNOWLEDGMENTS

PROLOGUE

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

Acknowledgments

The author wishes to convey sincerest thanks to her excellent editor, Martha Bushko, and her exemplary agent, John Talbot, for having faith in this brew.

I have measured out my life with coffee spoons.

T. S. E LIOT ,
The Love Song of J. Alfred Prufrock

P ROLOGUE

S HE was a dancer. Young, slender, pretty, but not particularly beautiful. And not special.

From the corner of Hudson Street, the stalker watched her prancing about behind the tall French doors, sweeping, mopping, wipingthe gleaming wood floor, the marble-topped tables, and the silver espresso machine.

The hour was late. The place was closed, but the coffeehouse lights beyond the tall clear windows shone with a disturbing intensity, harsh beacons that burned through the thin layer of fog rolling in off the cold, dismal river just a few blocks away.

With tentative movements, the stalker followed those beacons, descending the curb into the empty street. Wisps of pale mist flowed in waves across the gray cobblestones, sweeping the stalker along in its ethereal current like some passenger on a ferryboat bound for the underworld.

Reaching the other side, the stalker moved onto the wide, clean sidewalk. From above, a faux gaslamp buzzed and sputtered. How appropriate, thought the stalker, and how typical. The vile little streetlight had the faade of class, but inside it was fakethe forced flickering of a cheap electric light, an inferior imitation of the real thing

Just like Anabelle.

Nothing special.

The four-story red brick townhouse that held the coffeehouse was no different, the stalker decided. Just one of many in this historic area. Common. Ordinary.

Below the arched front window, an antique wrought-iron bench sat bolted to the sidewalk. Seeing it, the stalker sank to its cold, hard surface.

Breathing became difficult. No longer unconscious but an intentional thing. Purposeful, planned, and premeditated

IN THEN OUT.

OUT THEN IN.

Deliberate counts. Deliberate breaths. Wave after wave until finally the stalker rose and once again made an approach.

The Village Blends door loomed large. Beveled glass in an oak wood frame. Pulsing music leaked through. The intense aroma of roasting coffee.

The stalkers knuckles rapped: One knock. Two.

Inside, Anabelle spun. A dancers turn. The long, blond ponytail swung around the slender neck. Blue eyes widened in the oval face. The pert nose wrinkled; delicate eyebrows drew together, forcing unflattering folds into the high smooth forehead.

When she aged, thats what shed look like, thought the stalker. Shriveled and wrinkled and used up

It was only a matter of years.

Surprise registered on Anabelles face as she stared at the figure beyond the glass. Slight suspicion was evident, but not alarm, and not panic.

Good, thought the stalker. Very good.

It took a week for Anabelle to cross the wood-plank floor. A day for her to click-clock the dead bolt. Finally, the framed beveled glass cracked, and the stalker stiffened, swallowing down the upsurge of bile.

THIS GIRL HAS IT COMING.

SHES BROUGHT IT ON HERSELF.

For days these thoughts had been repeated and repeated on breath after breath, in wave after wave. An unrelenting force, they became the current that carried away any last surge of sentiment, of creeping conscience, of warning whisper that one day there might be regret.

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