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Tess Gerritsen - The Silent Girl

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Tess Gerritsen The Silent Girl

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ALSO BY TESS GERRITSEN Harvest Life Support Bloodstream Gravity The Surgeon The Apprentice The Sinner Body Double Vanish The Mephisto Club The Bone Garden The Keepsake Ice Cold

The Silent Girl is a work of fiction Names characters places and incidents - photo 1


The Silent Girl is a work of fiction. Names, characters, places, and incidents are the products of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Copyright 2011 by Tess Gerritsen

All rights reserved.

Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

B ALLANTINE and colophon are registered trademarks of Random House, Inc.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Gerritsen, Tess.
The silent girl: a Rizzoli & Isles novel / Tess Gerritsen.
p. cm.
eISBN: 978-0-345-52660-1
1. Rizzoli, Jane, Detective (Fictitious character)Fiction. 2. Isles, Maura (Fictitious character)Fiction. 3. PolicewomenFiction.
4. Women forensic scientistsFiction. I. Title.
PS3557.E687S55 2011 813.54dc22 2011010445

www.ballantinebooks.com

Jacket design: Jae Song
Jacket images: Shutterstock/Mayer George Vladimirovich
Author photograph: Jessica Hills

v3.1

To Bill Haber and Janet Tamaro , for believing in my girls
What you must do, said Monkey, is lure the monster from its hiding place ,
but be certain it is a fight you can survive. Wu Chengen,
The Monkey King: Journey to the West , c. 15001582

Contents

Picture 2

SAN FRANCISCO

A LL DAY, I HAVE BEEN WATCHING THE GIRL .

She gives no indication that shes aware of me, although my rental car is within view of the street corner where she and the other teenagers have gathered this afternoon, doing whatever bored kids do to pass the time. She looks younger than the others, but perhaps its because shes Asian and petite at seventeen, just a wisp of a girl. Her black hair is cropped as short as a boys, and her blue jeans are ragged and torn. Not a fashion statement, I think, but a result of hard use and life on the streets. She puffs on a cigarette and exhales a cloud of smoke with the nonchalance of a street thug, an attitude that doesnt match her pale face and delicate Chinese features. She is pretty enough to attract the hungry stares of two men who pass by. The girl notices their looks and glares straight back at them, unafraid, but its easy to be fearless when danger is merely an abstract concept. Faced with a real threat, how would this girl react, I wonder. Would she put up a fight or would she crumble? I want to know what shes made of, but I have not seen her put to the test.

As evening falls, the teenagers on the corner begin to disband. First one and then another wanders away. In San Francisco, even summer nights are chilly, and those who remain huddle together in their sweaters and jackets, lighting one anothers cigarettes, savoring the ephemeral heat of the flame. But cold and hunger eventually disperse the last of them, leaving only the girl, who has nowhere to go. She waves to her departing friends and for a while lingers alone, as though waiting for someone. At last, with a shrug, she leaves the corner and walks in my direction, her hands thrust in her pockets. As she passes my car, she doesnt even glance at me, but looks straight ahead, her gaze focused and fierce, as if shes mentally churning over some dilemma. Perhaps shes thinking about where shes going to scavenge dinner tonight. Or perhaps its something more consequential. Her future. Her survival.

Shes probably unaware that two men are following her.

Seconds after she walks past my car, I spot the men emerging from an alley. I recognize them; its the same pair who had stared at her earlier. As they move past my car, trailing her, one of the men looks at me through the windshield. Its just a quick glance to assess whether I am a threat. What he sees does not concern him in the least, and he and his companion keep walking. They move like the confident predators they are, stalking weaker prey who cannot possibly fight them off.

I step out of my car and follow them. Just as they are following the girl.

She heads into a neighborhood where too many buildings stand abandoned, where the sidewalk seems paved with broken bottles. The girl betrays no fear, no hesitation, as if this is familiar territory. Not once does she glance back, which tells me she is either foolhardy or clueless about the world and what it can do to girls like her. The men following her dont glance back, either. Even if they were to spot me, which I do not allow to happen, they would see nothing to be afraid of. No one ever does.

A block ahead, the girl turns right, vanishing through a doorway.

I retreat into the shadows and watch what happens next. The two men pause outside the building that the girl has entered, conferring over strategy. Then they, too, step inside.

From the sidewalk, I look up at the boarded-over windows. It is a vacant warehouse posted with a NO TRESPASSING notice. The door hangs ajar. I slip inside, into gloom so thick that I pause to let my eyes adjust as I rely on my other senses to take in what I cannot yet see. I hear the floor creaking. I smell burning candle wax. I see the faint glow of the doorway to my left. Pausing outside it, I peer into the room beyond.

The girl kneels before a makeshift table, her face lit by one flickering candle. Around her are signs of temporary habitation: a sleeping bag, tins of food, and a small camp stove. She is struggling with a balky can opener and is unaware of the two men closing in from behind.

Just as I draw in a breath to shout a warning, the girl whirls around to face the trespassers. All she has in her hand is the can opener, a meager weapon against two larger men.

This is my home, she says. Get out.

I had been prepared to intervene. Instead I pause where I am to watch what happens next. To see what the girl is made of.

One of the men laughs. Were just visiting, honey.

Did I invite you?

You look like you could use the company.

You look like you could use a brain.

Not a wise way to handle the situation, I think. Now their lust is mingled with anger, a dangerous combination. Yet the girl stands perfectly still, perfectly calm, brandishing that pitiful kitchen utensil. As the men lunge, I am already on the balls of my feet, ready to spring.

She springs first. One leap and her foot thuds straight into the first mans sternum. Its an inelegant but effective blow and he staggers, gripping his chest as if he cannot breathe. Before the second man can react, she is already spinning toward him, and she slams the can opener against the side of his head. He howls and backs away.

This has gotten interesting.

The first man has recovered and rushes at her, slamming her so hard that they both go sprawling onto the floor. She kicks and punches, and her fist cracks into his jaw. But fury has inured him to pain and with a roar he rolls on top of her, immobilizing her with his weight.

Now the second man jumps back in. Grabbing her wrists, he pins them against the floor. Youth and inexperience have landed her in a calamity that she cannot possibly escape. As fierce as she is, the girl is green and untrained, and the inevitable is about to happen. The first man has unzipped her jeans and he yanks them down past her skinny hips. His arousal is evident, his trousers bulging. Never is a man more vulnerable to attack.

He doesnt hear me coming. One moment hes unzipping his fly. The next, hes on the floor, his jaw shattered, loose teeth spilling from his mouth.

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