Diana Gabaldon - The Scottish Prisoner

The Scottish Prisoner is a work of fiction. Names, characters, places, and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.

Copyright 2011 by Diana Gabaldon

All rights reserved.

Published in the United States by Delacorte Press, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

D ELACORTE P RESS is a registered trademark of Random House, Inc., and the colophon is a trademark of Random House, Inc.

Library of Congress Cataloging-in-Publication Data

Gabaldon, Diana.
The Scottish prisoner: a novel/Diana Gabaldon.
p. cm.
eISBN: 978-0-345-53349-4
1. Seven Years War, 17561763Fiction. I. Title.
PS3557.A22S36 2011
813.54dc23 2011034429

Jacket design and photograph: Henry Steadman

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Chronology of the Novels: When to Read What?

The Lord John novellas and novels are sequential, but are built to stand alone; you dont need to read them in order.

In terms of their relationship to the larger Outlander novels: These books are part of the overall series, but are focused for the most part on those times in Lord Johns life when hes not onstage in the main novels. This particular book focuses also on a part of Jamie Frasers life not covered in the main novels.

All of the Lord John novels take place between 1756 and 1766this one is set in 1760and in terms of the overall Outlander novels/timeline, they thus occur more or less in the middle of Voyager. So you can read any of them, in any order, once youve read Voyager, without getting lost.

There are also a couple of short storiesand will eventually be moredealing with minor events, minor characters, and/or lacunae in the main books. These are presently published in various anthologies, but will eventually be collected in book form.

A Leaf on the Wind of All Hallows appears in the anthology Songs of Love and Death (edited by George R.R. Martin and Gardner Dozois). This is a short story set in WWII that tells the story of what really happened to Roger MacKenzies parents, Jerry and Dolly.

The Space Between is a novella that will appear in an anthology titled The Mad Scientists Guide to World Domination (edited by John Joseph Adams), which will likely appear sometime in 2012. This story is set mostly in Paris and involves Joan McKimmie (Marsalis younger sister), Michael Murray (Young Ians older brother), the Comte St. Germain (no, of course hes not dead, dont be silly), and Mother Hildegarde.

If you deal in death routinely, there are two paths. Either it becomes routine, in which case ye risk killing for nothing and thus lose your soulfor if the lives ye take are worth nothing, neither is yours.

Or you become that much more aware of the value of a life and that much more reluctant to take one without the direst necessity. That way you risk losing your own lifethere are the quick and there are the dead, and I do not mean what St. Paul meant about thatbut not your soul.

Soldiers manage by dividing themselves. Theyre one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi the man who crushed his enemys throat with his boot. So he tells himself, sometimes successfully.

But it marks you, killing. No matter why its done.

Its a brand upon your heart, and while it may heal, the mark canna be removed, save by a blade. All ye can hope for is a cleaner scar.

SECTION I

The Fate of Fuses

April Fool

IT WAS SO COLD OUT, HE THOUGHT HIS COCK MIGHT BREAK off in his handif he could find it. The thought passed through his sleep-mazed mind like one of the small, icy drafts that darted through the loft, making him open his eyes.

He could find it now; had waked with his fist wrapped round it and desire shuddering and twitching over his skin like a cloud of midges. The dream was wrapped just as tightly round his mind, but he knew it would fray in seconds, shredded by the snores and farts of the other grooms. He needed her, needed to spill himself with the feel of her touch still on him.

Hanks stirred in his sleep, chuckled loudly, said something incoherent, and fell back into the void, murmuring, Bugger, bugger, bugger

Jamie said something similar under his breath in the Gaelic and flung back his blanket. Damn the cold.

He made his way down the ladder into the half-warm, horse-smelling fug of the barn, nearly falling in his haste, ignoring a splinter in his bare foot. He hesitated in the dark, still urgent. The horses wouldnt care, but if they noticed him, theyd make enough noise, perhaps, to wake the others.

Wind struck the barn and went booming round the roof. A strong chilly draft with a scent of snow stirred the somnolence, and two or three of the horses shifted, grunting and whickering. Overhead, a murmured ugger drifted down, accompanied by the sound of someone turning over and pulling the blanket up round his ears, defying reality.

Claire was still with him, vivid in his mind, solid in his hands. He could imagine that he smelled her hair in the scent of fresh hay. The memory of her mouth, those sharp white teeth He rubbed his nipple, hard and itching beneath his shirt, and swallowed.

His eyes were long accustomed to the dark; he found the vacant loose box at the end of the row and leaned against its boards, cock already in his fist, body and mind yearning for his lost wife.

Hed have made it last if he could, but he was fearful lest the dream go altogether, and he surged into the memory, groaning. His knees gave way in the aftermath and he slid slowly down the boards of the box into the loose piled hay, shirt rucked round his thighs and his heart pounding like a kettledrum.

Lord, that she might be safe was his last conscious thought. She and the child.

HE PLUNGED at once into a sleep so deep and luxurious that when a hand shook him by the shoulder, he didnt spring to his feet but merely stirred sluggishly, momentarily befuddled by the prickle of hay on his bare legs. His instincts came back to life in sudden alarm and he flung himself over, getting his feet under him in the same motion that put his back against the wall of the loose box.

There was a gasp from the small form in the shadows before him, and he classified it as feminine just in time to restrain himself from reflexive violence.