Joe Haldeman - The Coming

January 1

He had slept through the early evening, and dropped by Lisa Marie's party long enough to have one glass of champagne and watch the ball drop over Times Square. He had kissed her good-bye and gone to the office.

He snapped on the lights and was going through his top drawer, looking for the stimulants that would keep him sharp for the next couple of days, when there was a light knock on the open door.

He looked up. "Aurora?"

She nodded and sat down in a chair by the door.

"Where have you been? We've"

"Cabo de Cristobal. Cojmar, Holgun, Havana."

"Y?"

"I want to know who you are."

He didn't blink. "I am who I am."

"Who you are, who you work for, and how you managed to wind up in charge of this enterprise, whatever it actually is. You might explain the spaceship part, too."

"Or what? What will you do?"

"What we used to say was 'I'll blow the whistle on you.' Expose you."

"But you say you don't know what I am."

"What you aren't is Pepe Parker. There is no such animal. Birth records stolen from Cabo de Cristobal. Grade school burned to the ground. High school records destroyed in the Outage of thirty-nine"

"Everybody's were."

"Most of them were restored. There's no actual record of your existence until you began graduate work at the University of Havana. After your doctorate, you got a blue card and came here."

Pepe realized he was sweating. He wiped his face with a handkerchief. This couldn't be happening.

"So tell me what's going on. Or I'll blow the whole thing up."

"You can't do that."

"I can indeed. And if something happens to me, Norman"

"No, no. I wasn't threatening you. What I mean is you mustn't."

"I'm willing to be convinced. You could start by telling me who you work for."

"Humanity. I work for all humanity."

"That's no answer."

The phone buzzed and he pushed the button. A dim gray picture of a man in NASA fatigues who spoke over the low thrum of a helicopter. "Dr. Parker? We're closing on Gainesville. Be on your roof in four or five minutes?"

"Gracias. I'll be waiting."

They signed off. "So you're going to the Cape," Rory said.

"As you would have. I'm sorry I can't invite you along."

"I'm still a wanted woman?"

"They call about once a week, the FBI. They've never explained anything." He found the pills and popped one, crunching down on its bitterness. "All-nighter, I'm afraid."

"I guess I could go to the FBI. Tell them what I know, what I don't know."

"No! Please!" He snapped open his attach case and checked its contents. "Let's make a deal."

"I'm listening."

"Just watch what happens today. Afterward, we can talk forever about it. If you want to blow your whistle then, I won't stop you." He closed the case. "Right now I have to catch that helicopter and go join the festivities." He reached in his pocket and pulled out a key ring. "Herestay at my place. You know where it is?"

"Still over at Creekside?"

"Yes, 203. Your place might not be safe."

"Okay. You've got a deal. But tell me this do you know who they are? The aliens?"

"I I really can't say."

"But they aren't actually aliens, are they?"

He looked at her silently for a second. "As alien as me."

They both heard the whisper of the helicopter approaching, the pitch of the blades deepening as it landed. He kissed her on the cheek and ran out the door.

As the helicopter faded, she crossed the hall to her old office. It was locked, but her old key worked. She said, "Lights."

Nothing had changed. Neater than possible, but she had straightened up for the expected interview. A layer of dust.

Would she ever work here again? She'd know in a few days.

Her shelves of old books seemed untouched. On impulse, she took the latest acquisition, the volume of century-old photographs from Life magazine, turned off the lights, and locked the door behind her.

It was about a mile down to Creekside. She was tired, but didn't dare use a cab; most of them weren't set up to take cash, and the ones that did took pictures of their suspicious customers. But at least the sidewalks wouldn't be deserted, not with revelers rolling from party to party.

How many people, though, were sitting at home, terrified, waiting to die? On her way downhill, she passed two churches and a mosque, and they were all doing a brisk business.

A block from Creekside, she stopped at a convenience store and bought an overpriced bottle of domestic champagne.

It came out of a barrel of ice water. The clerk dried it off for her and put it in a bag. "I hope we have something to celebrate tomorrow," he said. "I hope we're here tomorrow."

"I wouldn't worry about that," she said. "If they wanted to destroy us, they would have done it by now."

He nodded and took her cash, and clumsily counted out change. "Do I know you from somewhere, ma'am?"

"No. Just passing through."

She crossed the bridge over Hogtown Creek and hurried into the apartment building. There were a lot of people sitting, partying, on the grassy banks of the creek, and she didn't want to be recognized.

She tried four entrances before she found the one with P. PARKER , . Whatever his real name was.

She'd expected a spare bachelor flop, appropriate for a man with no history. But it was an eclectic, even baroque, collection of furniture and decorations from all over the world.

Japanese screen, coffee table from Bali or someplace, Mexican bullfight poster, a cuckoo clock from Germany or Switzerland. A pile of cushions in front of the cube, imported from exotic Taiwan. There was something odd about the collection, which suddenly struck her: everything was the same age. As if he'd gone into Pier Three and said, "I'll take this, this, and this."

No champagne flutes in the kitchen, but she did find two wineglasses of Waterford crystal. So it wasn't all Pier Three. She popped the cork on the champagne and poured herself a glass, and put the bottle in the refrigerator.

It was empty, and spotless.

She checked the cupboards and there was no food, not a can of sardines or a box of cereal. Just matching plastic salt and pepper shakers.

Nothing sinister about that. A lot of bachelors ate in restaurants all the time, or brought takeout home.

She took the champagne back to the living room and turned on the cube. It didn't respond to the clicker, but the manual controls were clear enough. She put it on CNN and turned the sound down to a whisper. She set her glass on the Balinese table and curled up on the Taiwanese pillows and opened the musty old book.

That was also a world-changing time, World War II. The stridently upbeat tone of the magazine probably meant people were as worried as the young man who sold her the champagne. But that was protractedshe checked the dates, six yearsand the enemies were just people, beatable. Not aliens who could destroy your planet on a whim. Or said they were.

She put her book down, finished off the glass in a couple of gulps, and went to refill it. From the kitchen she could hear a commotion going on outside. She filled the glass and took it out onto Pepe's balcony.

A circle of young people was dancing in the creek, laughing and singing. About half were naked, in spite of the cold water. Crowds on both banks were clapping and shouting. "Take it off, take it off."

Well, they were expecting a message of peace and hope in a few hours. What would they actually get?