Ted Dekker - The Bride Collector

This book is a work of fiction. Names, characters, places, and incidents are the product of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

Copyright 2010 by Ted Dekker

All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

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First eBook Edition: April 2010

ISBN: 978-1-59995-309-0

THANK YOU, DETECTIVE. Well take it from here.

FBI Special Agent Brad Raines stood in the small barns wide doorway and scanned the dimly lit interior. Dusk fell on an ancient wood floor covered in dust disturbed by numerous footprints. Shafts of light streamed from cracks in a sagging roof.

Long abandoned. A natural choice.

With all due respect, Agent Raines, my team is here, the detective replied. They can work the scene.

But they wont, Detective Lambert.

Raines turned his head slowly, taking it all in.

One rectangular room roughly fifteen by forty, covered by a tin roof. Interior walls formed by six-inch graying wooden planks. Ten, twenty, thirty, thirty-two on the narrow side. Fifteen feet, as estimated. Two shovels and a pitchfork on the floor to his right. A single window with dirty, tinted panes, crowded by empty cobwebs.

A dust-covered wooden bucket rested in the corner, its rusted handle covered with filth. Several old rusted tin cansGIANT brand peas with the label mostly missing, HEINZ canned hot dogsscattered on the floor, left by campers long gone. An old plow blade lay against the near wall. An even older worktable sat to the left, near the far wall.

All unsurprising. All but what had brought Brad.

The womans body was glued to the wall to his left, arms wide, wrists limp. Like the other three.

Chief Lorenzo for clearance. The detectives voice edged in on his thoughts. Lambert was still here.

Brad looked over his left shoulder where Nikki Holden, a leading forensic psychologist, stood staring at the womans body with those wide blue eyes of hers. She caught his get-rid-of-the-cop glance and turned to face Detective Lambert. Brad returned his gaze to the sheds interior as she spoke.

Im sorry, Detective, she said in her most reasonable tone of voice, but Im sure you can appreciate our position here. Give my team a few hours. If this isnt our guy, youll be the first to know. The police departments been more than helpful.

Brad looked up to mask his knowing grin. One of the rafters was cracked, and its gray husk revealed a lighter, tan core. Freshly broken.

I dont like it, Lambert said. For the record.

Brad pulled his eyes from the crime scene and smiled at the detective. Thank you, Detective. Noted. Theres quite a bit about this job not to like. If your men could secure the perimeter, that would be helpful. Our forensics team will be here any minute.

Lambert held his gaze for a moment, then turned away and addressed a man behind him. Okay, Larry, cancel the forensics, this is now an FBI investigation. Tell Bill to secure and hold the perimeter.

Larry muttered a curse and flicked away a bit of straw hed taken from a pile of old bales. A white unmarked van rolled over the yellow perimeter tape and slowly crunched over the gravel driveway. It had taken the forensics team an hour to reach the scene, just south of West Dillon Road, from the Stout Street field office in downtown Denver. A farm had evidently once occupied this empty field in Louisville, twenty-plus miles northwest from Denver up the Denver-Boulder Turnpike.

Brad glanced at Nikki. Tell them to start on the outside, he said flatly. Give us a minute. Bring Kim in when she arrives.

Kim Peterson, the forensic pathologist, would determine what the body could tell them postmortem. Nikki headed for the van without comment.

Brad turned his attention back to the small barn. The shack. The farm shed. The killers nest. The rest of the story was here, in the dark corners. The walls had watched the killer as hed methodically ended a womans life. The worktable had heard his words as he confessed his passions and fears in a world turned inside out by his compulsions. It had witnessed her pleas for mercy. Her dying moans.

Careful not to step on the exposed markings in the dust, Brad entered the room and approached the wall on which the woman was affixed. He stood still, filtering out the sounds of voices from a dozen law enforcement personnel outside. The hum of rubber on asphalt from the main road two hundred yards down the driveway settled in with the sound of his breathing. Both faded entirely as he brought his senses in line with the scene before him.

Her nude torso rose pale in the glow of a single light shaft. As though by magic, her body seemed perched on the wooden wall behind her, both arms stretched out on either side. Two round dowels that supported much of her weight protruded from the wall under her armpits. Her heels were together, each foot angled away from the other to form a V.

A white veil of translucent lace had been carefully arranged to cover her face, like a bride.

The outthrust posture sent a collage of art-history remnants cascading through his mindthe Venus de Milo, a thousand renditions of the Crucifixion, the Louvres Winged Victory statue, her marble bosom jutting forward as if it belonged on the prow of an ancient ship plowing through a Mediterranean surf.

But this was no museum. It was a crime scene, and the mixture of cruelty and ostentation pouring from the garish exhibit filled him with a sudden wave of nausea.

Slowly, his analytical faculties began to reassert themselves.

She was naked except for thin cotton panties and the veil. Blond. White. Everything about the placement was symmetrical. Each hand was set in identical form, with thumb and forefinger touching, each shoulder, each hip had been carefully manipulated into perfect balance. All but her head.

Her head slumped gently to the left so that her long blond hair cascaded over her left shoulder before curling under her armpits. Through the veil he could see that her eyes were closed. No blemish, no sign of pain or suffering, no blood.

Only blessed peace and beauty. She could as easily be an angel painted by da Vinci or Michelangelo. The perfect bride.

Brian Jacobs, seventeen, had brought his girlfriend here after school for reasons unrevealed and found the Bride Collectors fourth victim. Brad preferred to think of them as angels.

He peered closer and felt strange words of empathy well up inside of him.

I cry with you, Angel. I weep for you. For every strand of hair that will never again blow in the wind, for every smile that will never brighten someone elses day, for every look of desire that will never quicken another mans pulse. I am so sorry.

Shes beautiful, Nikki said behind him.

He felt a momentary stab of regret for having been pulled away from his connection with the woman on the wall. Nikki walked past him, eyes fixed on the woman, touching his arm gently with her fingers as she passed. Her breathing was steady, slightly thicker than usual. He knew the cause: the dark waters of the killers mind, which she now probed by staring at his handiwork.