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Kelley Armstrong - No Humans Involved

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From Publishers Weekly In Armstrongs assured seventh Otherworld paranormal romance, her first in hardcover (after Broken), pretty Jaime Vegas, a 44-year-old necromancer who can reanimate the dead, faces her biggest career challenge yet-freeing the trapped ghosts of six murdered children. Thankfully, Jeremy Danvers, Jaimes hunky and very Alpha werewolf boyfriend, tags along for this hair-raising ride. Jaime, who has made a living onstage and off by her ghost-whispering skills, is in L.A. as one of three celebrity mediums participating in Death of Innocence, a TV special that hopes to raise the ghost of Marilyn Monroe, but instead uncovers a serial-killing cult intent on man-made black magic. Seeking justice for the lost children and punishing the dark arts practitioners dont prevent Jaime and Jeremy from finding time for love. Armstrong deftly juggles such creatures as werewolves, witches, demons and ghosts with real-life issues. The only disappointment? Marilyns ghost never shows. From Booklist Fortysomething Jaime Vegas is a sexy, redheaded celebrity medium on the threshold of a spiritualists dream: her own TV show. She is one of three professional psychics brought to a haunted site for a reality TV show and charged with raising the ghost of Marilyn Monroe. Obviously, this is Jaimes shot at stardom. Her costars are drawling, up-and-coming starlet medium Angelique and UK satanic specialist Bradford Grady, and watching the three one-up each other as they jockey for prime position, even during a warm-up seance, is good show-biz comedy. Jaime knows and uses a psychics two primary tools, knowledge (prior facts) and statistical probability, but everything depends on her authentic, natural necromantic gifts. But when she finds spirits in the sites garden with whom she cannot commune despite her superpowerful silver ring, she fears shes out of her league (shes not wrong) and flies to Portland for help. Paranormal and show-business power struggles make for hard-to-put-down entertainment.

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Kelley Armstrong No Humans Involved Women of the Otherworld Book 7 To my - photo 1

Kelley Armstrong

No Humans Involved

Women of the Otherworld, Book 7

To my grandmother, Florence Taylor-MacGowan, who taught me that you don't need to be tough to be strong.

ACKNOWLEDGMENTS

Many thanks to the usual suspects: my agent, Helen Heller, and my editors, Anne Groell of Bantam Spectra, Anne Collins of Random House Canada, and Antonia Hodgson of Warner Orbit. Your help is, as always, much appreciated.

Thanks, too, to my readers this time around: Danielle and Alison.

And a special thanks to my copyeditor, Faren Bachelis, who has been with me for a few books and never properly thanked. Someday, thanks to her gentle corrections, I may overcome my fondness for gender-indeterminate antecedents and learn the rules of collective noun-verb agreement. Until then, a big thank-you to her for fixing my mistakes!

PART I

Brendan struggled to stay awake. A tough battle-far tougher than it should have been under the circumstances.

They'd approached him behind a bank, its parking lot empty as evening turned to night. He'd been cutting through to the shelter, hoping it would still have meals. Hot meals would be too much to hope for at that hour, but he'd settle for free.

The bank had erected a fence between itself and the shelter to stem the flow of kids taking the shortcut from the bus stop. Brendan had been halfway up when the woman had hailed him. Fearing trouble, he'd only climbed faster, until she'd laid a hand on his calf and he'd turned to see not cops, but a middle-aged couple-well-dressed professional types.

They'd told him some story about losing their son to the streets and devoting their lives to helping other kids. Bullshit, of course. In real life, everyone wanted something. Despite their sincere smiles and concerned eyes, he'd decided that what they wanted was sex. And, as long as they were willing to pay for it, that was okay with him.

It wouldn't be the first trick he'd turned. He'd briefly teamed up with a kid from the shelter, until Ricky had found a better-looking partner. Brendan should have taken this as a sign. If he wasn't good-looking enough to be a whore in L.A. he sure as hell wasn't going to make it as a movie star. But it was too late to go home now. Too late to admit he didn't have what it took. Too hard to face everyone who'd told him so.

He did have talent. Won the top role in every school play. Got a job at the summer theater three years running. Did two TV commercials for local businesses. So, at sixteen, tired of his parents telling him to go to college first, he'd taken his savings and come to L.A.

Now the money was gone and he'd found no decent way to earn more, and if this couple wanted what he figured they wanted, that was fine by him. They had kind faces. Maybe in Hollywood that didn't count for shit, but where he'd come from it meant something.

They'd driven him to their home in Brentwood. He'd recognized the neighborhood from a "Star Tours" bus trip he'd taken when he first arrived. He'd sat in the back of their SUV, peering out the tinted windows into the night, watching the fabled neighborhood pass. They'd pulled into the garage of a modest-looking house, then led him inside. They'd offered food, but he'd claimed he wasn't hungry, despite his rumbling stomach. He might be naive, but he knew better than to accept food or drink.

When they'd taken him downstairs, through a TV room into a guest bedroom, he'd been certain this was where the situation would change. But they'd only turned on the lights, pointed out the adjoining washroom and said they'd see him in the morning. They hadn't even closed the door, but left it ajar, so he wouldn't feel locked in.

Now, as he fought the urge to sleep, footsteps sounded on the stairs. The woman's voice, sharp with an accent. Then the man's. Then another man's. And another

Oh, shit.

Heart hammering, he tried to rouse himself. Why was he so tired? Goddamn it, he had to make a break for it, before he found himself in the middle of a gang bang or-

Outside, in the TV room, the woman offered refreshments. Two of the men asked for wine, the third accepted water. Then their voices settled into one place, as if they were sitting.

Wine and conversation as a prelude to sex games with a teenage boy?

Brendan strained to make out their words. They were talking about books. "Texts" as they called them, tossing around words like belief and ritual, debating the different translated meanings of Hebrew and Latin versions.

Latin. That's what the woman had been speaking earlier. As he'd been getting into their car, she said been saying something to the man in another language, and with her accent, Brendan had figured she was reverting to her mother tongue to relay a private message. The language, though, had sounded familiar. Now he knew why. As a Christmas and Easter Catholic, he'd heard enough Latin.

Now these people were discussing religious texts, and that couldn't be a coincidence. The couple had said they wanted to help, as penance for their mistakes with their son. Good Samaritans.

"-too old," one man was saying, his voice rising enough for Brendan to hear him easily. "All of our success has been with kids much younger, and I don't understand why we need to change that now."

"We aren't changing," another man said. "We're expanding and experimenting. There's a limited supply of younger children out there and it's difficult getting access to them. If we can adjust the procedure to work successfully with teens, we open the door to limitless possibilities."

"Don's right." The woman again. "One or two a year isn't enough, not for the scale we"

Her voice dropped soothingly until, once again, Brendan could only catch the odd word.

He couldn't blame them for setting their sights on children. By his age, most street kids had no interest in "rescue." They were too immersed in the life to accept help. But he would. Drugs weren't a problem-he'd never been able to afford them. They could spout all the Bible verses they wanted and he'd smile and agree if it meant getting on a bus home. He could tell his parents he'd hadn't failed; he'd just had a religious experience and had changed his mind.

He closed his eyes and pictured himself walking up his drive, imagined his mother's face, his little sister's squeals, his father's expression-stern but relieved.

The conversation outside his door seemed to have turned to a heated debate on the nature of suffering. Yeah, he thought with a chuckle, definitely Catholic. From what he could make out, it sounded a hell of a lot like a conversation between two Goths he'd overheard last week.

Morbid. The word popped into his head and he turned it over in his mind. A cool word. Described Goths and some religious types alike-that fixation with death and suffering.

In the room beyond, a male voice had picked up volume again.

"-Romans used crucifixion not only because it was publicly humiliating, but for the degree of suffering inflicted. With the weight of the body pulling down, breathing becomes difficult, and the condemned could hang for days, slowly suffocating."

"True, but according to accounts of the witch trials, burning was the worst way to die. If you keep the person from dying from smoke inhalation, they can live a surprisingly long time, and suffer unimaginable pain."

Brendan shivered. Okay, that went beyond morbid. Maybe these weren't mainstream religious do-gooders, but some kind of fanatical sect. Like the Scientologists or something. Most religious people he knew were good folks, but there were wackos. As much as he wanted to go home, he wouldn't put up with any kind of sick shit. He should get up, go in there, maybe tell them he'd changed his mind. But he was so tired.

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