Book 12 in the Harry Bosch series
This is for Jane Wood-who keeps Harry Bosch well fed and close to the heart. Many, many thanks.
1993
I T WAS THE CAR they had been looking for. The license plate was gone but Harry Bosch could tell. A 1987 Honda Accord, its maroon paint long faded by the sun. It had been updated in 92 with the green Clinton bumper sticker and now even that was faded. The sticker had been made with cheap ink, not meant to last. Back when the election was a long shot. The car was parked in a single-car garage so narrow it made Bosch wonder how the driver had been able to get out. He knew he would have to tell the Forensics people to be extra diligent while checking for prints on the outside of the car and the garages inner wall. The Forensics people would bristle at being told this but he would become anxious if he didnt.
The garage had a pull-down door with an aluminum handle. Not good for prints but Bosch would point that out to Forensics as well.
Who found it? he asked the patrol officers.
They had just strung the yellow tape across the mouth of the cul-de-sac which was made by the two rows of individual garages on either side of the street and the entrance of the High Tower apartment complex.
The landlord, the senior officer replied. The garage goes with an apartment hes got vacant, so its supposed to be empty. A couple days ago he opens it up because hes got to store some furniture and stuff and he sees the car. Thinks maybe its somebody visiting one of the other tenants so he lets it go a few days, but then the car stays put and so he starts asking his tenants about it. Nobody knows the car. Nobody knows whose it is. So then he calls us because he starts thinking it might be stolen because of the missing plates. Me and my partner have got the Gesto bulletin on the visor. Once we got here we put it together pretty fast.
Bosch nodded and stepped closer to the garage. He breathed in deeply through his nose. Marie Gesto had been missing ten days now. If she was in the trunk he would smell it. His partner, Jerry Edgar, joined him.
Anything? he asked.
I dont think so.
Good.
Good?
I dont like trunk cases.
At least wed have the victim to work with.
It was just banter as Boschs eyes roamed over the car, looking for anything that would help them. Seeing nothing, he took a pair of latex gloves out of his coat pocket, blew them up like balloons to stretch the rubber and then pulled them onto his hands. He held his arms up like a surgeon coming into the operating room and turned sideways so that he could try to slide into the garage and get to the drivers door without touching or disturbing anything.
He slid into darkness as he moved into the garage. He batted spider threads away from his face. He moved back out and asked the patrol officer if he could use the Maglite on his equipment belt. Once he was back in the garage he turned the light on and put its beam through the windows of the Honda. He saw the backseat first. The riding boots and helmet were on the seat. There was a small plastic grocery bag next to the boots with the Mayfair Supermarket insignia on it. He couldnt tell what was in the bag but knew that it opened an angle on the investigation they hadnt thought of before.
He moved forward. On the front passenger seat he noticed a small stack of neatly folded clothing on top of a pair of running shoes. He recognized the blue jeans and the long-sleeved T-shirt, the outfit Marie Gesto was wearing when last seen by witnesses as she was heading to Beachwood Canyon to ride. On top of the shirt were carefully folded socks, panties and bra. Bosch felt the dull thud of dread in his chest. Not because he took the clothing as confirmation that Marie Gesto was dead. In his gut he already knew that. Everybody knew it, even the parents who appeared on TV and pleaded for their daughters safe return. It was the reason why the case had been taken from Missing Persons and reassigned to Hollywood Homicide.
It was her clothes that got to Bosch. The way they were folded so neatly. Did she do that? Or had it been the one who took her from this world? It was the little questions that always bothered him, filled the hollow inside with dread.
After surveying the rest of the car through the glass, Bosch carefully worked his way out of the garage.
Anything? Edgar asked again.
Her clothes. The riding equipment. Maybe some groceries. Theres a Mayfair at the bottom of Beachwood. She couldve stopped on her way up to the stables.
Edgar nodded. A new lead to check out, a place to look for witnesses.
Bosch stepped out from beneath the overhead door and looked up at the High Tower Apartments. It was a place unique to Hollywood. A conglomeration of apartments built into the extruded granite of the hills behind the Hollywood Bowl. They were of Streamline Moderne design and all linked at the center by the slim structure that housed the elevator-the high tower from which the street and complex took its name. Bosch had lived in this neighborhood for a time while growing up. From his home on nearby Camrose he could hear the orchestras practicing in the bowl on summer days. If he stood on the roof he could see the fireworks on the Fourth and at the close of the season.
At night he had seen the windows on the High Tower glowing with light. Hed see the elevator pass in front of them on its way up, delivering another person home. He had thought as a boy that living in a place where you took an elevator home had to be the height of luxury.
Wheres the manager? he asked the patrol officer with two stripes on his sleeves.
He went back up. He said take the elevator to the top and his place is the first one across the walkway.
Okay, were going up. You wait here for SID and the OPG. Dont let the tow guys touch the car until Forensics takes a look.
You got it.
The elevator in the tower was a small cube that bounced with their weight as Edgar slid the door open and they stepped in. The door then automatically closed and they had to slide an interior safety door closed as well. There were only two buttons, 1 and 2. Bosch pushed 2 and the car lurched upward. It was a small space, with enough room for four people at the most before everybody would start tasting each others breath.
Tell you what, Edgar said, nobody in this place has a piano, thats for sure.
Brilliant deduction, Watson, Bosch said.
On the top level they pulled the doors open and stepped out onto a concrete runway that was suspended between the tower and the separate apartments built into the hillside. Bosch turned and looked past the tower to a view that took in almost all of Hollywood and had the mountain breeze to go with it. He looked up and saw a red-tailed hawk floating above the tower, as if watching them.
Here we go, Edgar said.
Bosch turned to see his partner pointing to a short set of stairs that led to one of the apartment doors. There was a sign that said MANAGER below a doorbell. The door was opened before they got to it by a thin man with a white beard. He introduced himself as Milano Kay, the manager of the apartment complex. After they badged him Bosch and Edgar asked if they could see the vacant apartment to which the garage with the Honda in it was assigned. Kay led the way.
They walked back past the tower to another runway that led to an apartment door. Kay started working a key into the door lock.
I know this place, Edgar said. This complex and the elevator, its been in the movies, right?
Thats right, Kay said. Over the years.
It stood to reason, Bosch thought. A place as unique as this could not escape the eye of the local industry.
Next page