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Linda Fairstein - The Bone Vault

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Following the critically acclaimed and top ten Best Seller The Deadhouse, Linda Fairstein now takes us behind the scenes of some of New Yorks magnificent and mysterious institutions in her most electrifying Alexandra Cooper thriller yet. The Bone Vault begins in the glorious Temple of Dendur at the Metropolitan Museum of Art, where wealthy donors have gathered to hear plans for a controversial new exhibit. An uneasy mix of scholarship and showbiz. The exhibition has raised fierce opposition from some of the museums elite: IMAX time trips and Rembrandt refrigerator magnets have no place for them at the Met. Assistant DA Alex Cooper, off duty for the evening, observes the proceedings with bemused interest until the Met director suddenly pulls her aside: the body of a young researcher has been found in an ancient Egyptian sarcophagus. Teaming up with cops Mike Chapman and Mercer Wallace, Alex must penetrate the silent sentinels comprising New Yorks museum society, investigating not only at the Met but also at the Museum of Natural History and the Cloisters, to find a killer. Atmospheric, chilling, and shot through with procedural authenticity.

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Linda Fairstein The Bone Vault The fifth book in the Alex Cooper series For - photo 1

Linda Fairstein

The Bone Vault

The fifth book in the Alex Cooper series

For

SUSANNE KIRK

Brilliant editor, devoted friend,

crime fiction scholar

1

I spent a long afternoon at the morgue. I had left my desk at the Manhattan district attorneys office shortly after lunch to review autopsy results on a new case with the deputy chief medical examiner. A nineteen-year-old, dressed in an outfit she had bought just hours earlier, was killed outside a social club as she waited on a street corner for her friends.

Now I walked a quiet corridor, again surrounded by death. I did not want to be here. I paused at the entrance of an ancient tomb, its painted limestone facade concealing the false doorway to an underground burial chamber. The faded reliefs that decorated its walls showed offerings of food and drink that would nourish the spirit of the dead. I didnt harbor any hope that the young woman whose body I had seen today would ever be in need of the kind of good meal displayed before me.

I made my way past a granite lion and nodded at the uniformed guard, who slouched on a folding chair beside the elegantly carved beast, once the protector of a royal grave. Both were sleeping soundly. The outstretched arms of the neighboring alabaster monkeys held empty vessels that had no doubt been receptacles of the body parts of some mummified dignitary of the Old Kingdom.

Voices echoing from behind me suggested that I was not going to be the last arrival at this evenings festive dinner. I quickened my pace and swept by cases filled with goddesses stone heads, perched on shelves holding jeweled sandals and golden collars that had been buried with them for centuries. A sharp left turn brought me face-to-face with the enormous black sarcophagus of a Thirtieth Dynasty Egyptian queen, held open by two iron posts, so that passersby could see the image of her soul portrayed on the inside of the upper lid. The dark, heavy casket with a faint outline of the slender body it once housed chilled me, despite the unseasonal warmth of the late-spring night.

Then I turned the last corner, where the darkness of the funereal rooms gave way to the glorious open space that housed the Temple of Dendur. The northernmost end of the Metropolitan Museum of Art was a sloping, glass-paned wall soaring above the sandstone monuments, opening the vista into Central Park. It was almost nine oclock, and the streetlamps beyond the windows lightened the night sky, giving definition to the leafy green trees bordering the great institution.

I stood at the edge of the moat that surrounded the two raised buildings in this stunning wing, searching the crowd for my friends. Waiters in sleek black suits zigzagged back and forth among the guests, stopping to dispense smoked salmon on black bread and caviar blinis. They were trailed by others who carried silver trays filled with glasses of white wine, champagne, and sparkling water, dodging the elbows and arms of the assembled museum members and supporters.

Nina Baum saw me before I spotted her. You came just late enough to miss most of the speeches. Smart move.

She signaled to one of the servers, and handed me a flute of champagne. Hungry?

I shook my head.

The morgue?

Not a very pleasant afternoon.

Was she-?

Ill tell you about it later. Chapman thought he had a lead on a case hes been handling thats reached a dead end, so I wanted to get a clear understanding about the pattern of injuries and how theyd been inflicted. That way, if he picked up a suspect and I got a chance to question the guy tonight, Id be ready for him. Turned out to be a bad tip, so theres no interrogation, no arrest. Its on the back burner for a while.

Nina looped her arm through mine and started to walk me toward the steps. Why didnt you bring Mike with you?

I tried. Once I told him it was black tie he sent me home to shower and change. No penguin suit for him, not even to see you. Hell catch you later in the week.

Mike Chapman was a homicide detective. Best one on the job, in my view. Nina Baum was my closest friend, and had been for exactly half my life. We were eighteen when we met, assigned to be roommates at Wellesley College when we arrived freshman year. She was married now, living in California with her husband and young son. She had met Mike many times during the decade that he and I had worked together on cases, and she looked forward to spending time with him whenever she was in town.

First well find Jake. She led me up the steps, past the lone palm tree that stood on the platform below the great temple. Then Ill introduce you to my boss and all the museum heavyweights.

Hows Jake behaving? You still have a job after tonight or is he hounding everybody here, looking for scoops?

Lets say weve raised a lot of eyebrows around town. I keep telling people that Ive only borrowed him for the evening, but when you read tomorrows gossip columns, you might begin to wonder. You must have a lot of friends here, cause they cant figure out why Im hanging on to him and why youre nowhere to be seen.

Who is that auburn-haired beauty who whisked in from the coast and stole NBC correspondent Jake Tyler right out from under the long arm of the law? Prosecutor Alexandra Cooper has a warrant out for her arrest. And also for the return of the terrifically sexy-and backless-navy blue sequined dress that this interloper slipped out of Alexandras closet when she wasnt looking. Thats what Im likely to see in the tabs?

I figured you loaned me the guy for the evening, how sore could you be about the sexy, backless gown?

Nina had arrived in New York a day earlier. She was a partner in a major L.A. law firm, where she had developed an expertise in packaging large entertainment projects for big-screen and television movies. Tonights event was staged to announce an historic occasion for two great New York institutions. The Metropolitan Museum of Art and the American Museum of Natural History, with some help from Hollywood, would hold the first cooperative exhibition in their histories.

The controversial mix of scholarship and show business had had a difficult birth, struggling to overcome resistance from trustees and curators, administrators and city officials. But blockbuster shows like the Mets Treasures of Tutankhamen and the Costume Institutes collection of Jacqueline Kennedys White House clothing filled the museum coffers and argued for the drama of a spectacular twenty-first-century display of the two museums collective greatest hits.

Ninas California client, UniQuest Productions, had successfully bid on all the media marketing rights to the new project. A Modern Bestiary, as the show had been titled, would feature all the fantastic animals of the world, as represented in both collections, from hieroglyphs, tapestries, and paintings to mounted specimens and stuffed mammals. There would be dazzling, high-tech creations and virtual dioramas, IMAX time trips to examine artists and artifacts in their natural habitats, and commercial tie-ins for souvenir sales in museum shops and on the web. There would be Rembrandt refrigerator magnets, triceratops lapel pins, plastic human-genome Slinkys to bounce down staircases across America, and snow globes with endangered species of the Amazon being doused by acid rain.

Nina steered me toward a short, dark-haired man with too much facial hair and a collarless tux shirt. Quentin Vallejo, Id like you to meet Alexandra Cooper. Shes-

I know, I know. The best friend. Quentin did the up-and-down thing. My five-ten frame towered over him, so his eyes just focused at the level of my breasts and worked their way south to my knees before lifting back up to meet my glance. The sex crimes prosecutor. Nina talked about you for the entire flight yesterday. Thats an interesting job youve got. We ought to have a chat sometime, just the two of us. Like to hear more about what you do.

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