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Laura Lippman - Hardly Knew Her

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New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories and reveals another level of mastery. Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood. Each of these ingenious tales is a gem sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of one of todays most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations, (San Diego Union-Tribune), who has invigorated the crime fiction arena with smart, innovative, and exciting work (George Pelecanos). As for longtime devotees of her multiple award-winning novels, youll discover that you hardly know her.

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Laura Lippman Hardly Knew Her INTRODUCTION By anyones estimation Laura - photo 1

Laura Lippman

Hardly Knew Her

INTRODUCTION

By anyones estimation, Laura Lippman is doing all right. Shes a New York Times bestselling author, is highly respected by her peers and the critical establishment, and has carved out a nice life for herself in Baltimore, a city she loves and represents. Which begs the question: why a short story collection?

Its not like she needs to feed the pipeline with product. This isnt a stopgap measure to appease the public while she struggles with her next book. Shes certainly not delinquent in the delivery of a novel to her publisher. Shoot, Laura has consistently published quality, challenging novels every year since shes been at this. Plus, shes found a large audience.

So now, time to cash in. Right?

Thats what youd assume. Readers should be wary, having been burned in the past by writers who have exploited their success by publishing tossed-off collections of odds and ends and never-should-have-been short stories. But once you begin to read this anthology, youll find that Lauras stories stand apart from her novels in revelatory and satisfying ways. Plus, theyre beautifully written and contain the kind of offbeat observations and insights that someday, no doubt, will come to be known as Lippman moments. Finally, these stories tell actual stories. Laura, thankfully, is not afraid of plot. (Can you hear me, writing school graduates? Lord, have mercy.)

Do not expect the obvious. There are two Tess Monaghan stories included here, for the Monaghan faithful. One is the crowd-pleasing The Shoeshine Mans Regrets, in which Tess gets an old shoeshine man off (not like that, and you ought to wash your mind out with soap for thinking it). As a bonus, there is a clever, revealing interview with Tess, The Accidental Detective (all respect to Baltimore s own Anne Tyler), as well.

The centerpiece of this book is a novella, Scratch a Woman, that was written for this collection. To say that it is about a suburban prostitute and her twisted sister does not do it justice. It has so much going on in it, in terms of ideas, that it could easily be expanded into a novel (and a very interesting film). It is one of the finest pieces of writing that Laura has done.

The rest of the collection includes tales told from a variety of viewpoints. I count five first-person stories, and many others from the perspective of women ranging from teens to aged, two from men who have been less than faithful to their wives (spousal betrayal being somewhat of a recurring theme in these stories, and if youre thinking of pulling the trigger yourself, rest uneasy that, in Lauras world, cheating never ends well), and two from the POV of young black men. In all of them, I was completely convinced of the voices. And, in case anyone got the impression that Laura only knows Baltimore, there is an entire section devoted to stories set in places like Dublin (Honor Bar), Washington, D.C. (ARM and the Woman), and New Orleans (the harrowing Pony Girl, a mythic ode to the dark side of the party).

There are many high moments, points when you stop reading and say, Damn, shes good, but let me mention just a few. Easy as A-B-C, concerning a working-class contractor and his psychosexual relationship with one of the new breed of moneyed Locust Point residents, says more about the changing modern city, in its economical way, than most novelists manage in their latest door-stopper. The Crack Cocaine Diet hits like a bat to the temple, a wacky tour de force from Laura that is as funny as it is surprising. Hardly Knew Her, describing a Beth Steel family in 1975 Dundalk -a girl, Sofia, and her degenerate gambler father is stunning in its emotional nuance and period detail. In Femme Fatale, a woman of sixty-eight gets involved in senior citizen porn, with unexpected results. Dear Penthouse Forum (A First Draft), whose plot I will not describe, is inventive and somewhat twisted. Actually, its kinda sick (get help, Laura, but dont stop writing).

With each year, and each book, Laura Lippmans work has gotten deeper, more intricate, and more ambitious. This collection makes a strong case for her range and talent. She got both, in spades.

George Pelecanos

SILVER SPRING, MARYLAND

PART I. GIRLS GONE WILD

THE CRACK COCAINE DIET

I had just broken up with Brandon and Molly had just broken up with Keith, so we needed new dresses to go to this party where we knew they were both going to be. But before we could buy the dresses, we needed to lose weight because we had to look fabulous, kiss-my-ass-fuck-you fabulous. Kiss-my-ass-fuck-you-and-your-dick-is-really-tiny fabulous. Because, after all, Brandon and Keith were going to be at this party, and if we couldnt get new boyfriends in less than eight days, we could at least go down a dress size and look so good that Brandon and Keith and everybody else in the immediate vicinity would wonder how they ever let us go. I mean, yes, technically, they broke up with us, but we had been thinking about it, weighing the pros and cons. (Pro: they spent money on us. Con: they were childish. Pro: we had them. Con: tiny dicks, see above.) See, we were being methodical and they were just all impulsive, the way guys are. That would be another con-poor impulse control. Me, I never do anything without thinking it through very carefully. Anyway, Im not sure what went down with Molly and Keith, but Brandon said if he wanted to be nagged all the time, hed move back in with his mother, and I said, Well, given that she still does your laundry and makes you food, its not as if you really moved out, and that was that. No big loss.

Still, we had to look so great that other guys would be punching our exes in the arms and saying, What, are you crazy? Everything is about spin, even dating. Its always better to be the dumper instead of the dumpee, and if you have to be the loser, then you need to find a way of being superior. And that was going to take about seven pounds for me, as many as ten for Molly, who doesnt have my discipline and had been doing some serious breakup eating for the past three weeks. She went facedown in the Ding Dongs, danced with the Devil Dogs, became a Ho Ho ho. As for myself, Im a salty girl, and I admit I had the Pringles Light can upended in my mouth for a couple of days.

So, anyway, Molly said Atkins, and I said not fast enough, and then I said a fast-fast, and Molly said she saw little lights in front of her eyes the last time she tried to go no food, and she said cabbage soup and I said it gives me gas, and then she said pills, and I said all the doctors we knew were too tight with their scrips, even her dentist boss since she stopped blowing him. And, finally, Molly had a good idea and said: Cocaine!

This merited consideration. Molly and I had never done more than a little recreational coke, always provided by boyfriends who were trying to impress us, but even my short-term experience indicated it would probably do the trick. The tiniest bit revved you up for hours and you raced around and around, and it wasnt that you werent hungry, more like you had never even heard of food, it was just some quaint custom from the olden days, like square dancing. I mean, you could do it in theory, but why would you?

Okay, I said. Only where do we get it? After all, were girls, girly girls. I had been drinking and smoking pot since I was sixteen, but I certainly didnt buy it. Thats what boyfriends were for. Pro: Brandon bought my drinks, and if you dont have to lay out cash for alcohol, you can buy a lot more shoes.

Molly thought hard, and Molly thinking was like a fat guy running-there was a lot of visible effort.

Well, like, the city.

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