The Martians
Have Landed!
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The Martians
Have Landed!
A History of Media-Driven
Panics and Hoaxes
ROBERT E. BARTHOLOMEW
AND BENJAMIN RADFORD
McFarland & Company, Inc., Publishers
Jefferson, North Carolina, and London
A companion title by Robert E. Bartholomew: Little Green Men, Meowing Nuns and Head-Hunting Panics: A Study of Mass Psychogenic Illness and Social Delusion (McFarland, 2001) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Bartholomew, Robert E.
The Martians have landed! : a history of media-driven panics and hoaxes / Robert E. Bartholomew and Benjamin Radford.
p. cm.
Includes bibliographical references and index.
ISBN 978-0-7864-6498-2
softcover : 50# alkaline paper
1. Mass media Psychological aspects. 2. Hoaxes in mass media. 3. Mass media Influence. I. Radford, Benjamin, 1970
II. Title.
P96.P75B37 2012
302.23 dc23
2011037370
BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE
2012 Robert E. Bartholomew and Benjamin Radford.
All rights reserved
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher.
On the cover: (foreground) Orson Welles (CBS Radio/Photofest); background 2012 Shutterstock
Manufactured in the United States of America
McFarland & Company, Inc., Publishers
Box 611, Jefferson, North Carolina 28640
www.mcfarlandpub.com
Table of Contents
Preface
Section One : It Came from the Airwaves Radio 1. The London Riot Hoax
2. Radio Daze The Martian Invasion Broadcast 16
3. The Martians Return
4. Infamous Disc Jockey Hoaxes
5. Playing with Fire: Nuclear Scares
Section Two : It Came from the Small Screen Television 6. This Just In... NBC Frightens Viewers
7. Look! Up in the Sky! Asteroid Panic
8. Pokmon Panics and Creepy Crawley Scares
9. The Documentary That Fooled England
10. Hurricane Katrina Mythmaking
11. Chicken Little and the Bird Flu Panic
12. The Russians Are Coming!
13. The Video Nasties Scare (Peter Hassall)
Section Three : It Came from Ink Newspapers 14. The Batmen on the Moon Hoax
15. The Central Park Zoo Panic
16. The Halleys Comet Scare of 1910
17. How the Press Created an Imaginary Terrorist 92
v
vi
TABLE OF CONTENTS
18. The Hook Hoax
19. The Ghost Slasher of Taiwan
20. The Phantom Clown Panic
Section Four : It Came from Cyberspace The Internet 21. Chemtrails and Conspiracies
22. Morgellons: The First Internet Disease?
23. Katrina Evacuee Myths
24. The E-mail Virus Panic (Bill Ellis)
Section Five : It Came from a Friend of a Friend
Media-Spread Urban Legends
25. Urban Legends and the Media
26. The Curse of the Crying Boy (David Clarke)
27. Photos of the Gods (David Clarke)
Section Six : It Came from Everywhere
28. The Satanic Cult Scare
29. Halloween Panics
30. Stranger Danger and the Predator Next Door 170
31. The School Safety Panic
32. Out of the Water! Media Shark Frenzy
33. The Great Puerto Rican Chupacabra Panic
34. YouTube, Popcorn and the Killer Cell Phones 187
35. Someone Stole My Kidney! Organ Theft Scares 192
36. Killer Vaccines (Felicity Goodyear-Smith and Helen Petousis-Harris)
Notes
Bibliography
Index
Preface
The mass media shape public opinion like no other force in society.
Radio, television and newspapers have a long history of causing undue alarm.
The newcomer on the block the Internet is rapidly gaining a similar reputation. From the 1835 batmen on the Moon hoax to recent bird flu scares and Hurricane Katrina myths, this book presents a number of colorful case studies that highlight the impact of the media on our lives and its tendency to sensationalize. Most accounts are from the United States, while others are from Europe, Asia, Africa, South America, Australia and New Zea -
land. Some are global in scope. A single shark attack on a popular beach may generate headlines for weeks, yet each day over 40,000 people mostly women and children die of starvation and poverty-related diseases and it rarely makes the news. Such is the nature of the media with its focus on the unusual and the sensational, that it often paints a distorted picture of the world.
At the dawn of the twenty-first century, unprecedented amounts of information cross international boundaries of our global village in the blink of an eye. As we grow more reliant on the media in our everyday lives, we must also be wary of its potential be it intentional or unconscious to transmit erroneous images of the world we live in. George Santayana once wrote: Those who do not heed the mistakes of the past are condemned to repeat them.
The cases in this book are a good starting point from which to understand the nature of the media, which is ultimately a business aimed at selling a pro -
duct, and the many instances where it has created public fear and unrest, either inadvertently or by design. Make no mistake: no matter how educated or experienced, we are all potential victims.
Chapter 1 looks at the events of January 1926, when the British Broadcasting Corporation stunned listeners by reporting on a worker revolt in London. It was said that an angry mob of unemployed workers were running riot 1
PREFACE
through the city, lynching, burning and looting everything in sight. In reality, they were hearing a radio play. In the opening segment, Ronald Knox announced that the upcoming stories were fictional, but many listeners in England and Ireland missed the disclaimer and took the show at face value.
In Chapter 2, the infamous Martian invasion is examined. On October 30, 1938, over a million Americans became frightened after listening to a live radio drama about a Martian invasion in the New Jersey marshlands. In Trenton, twenty families fled their homes, covering their faces with wet handkerchiefs to protect themselves from the poison gas. At St. Michaels Hospital in Newark, fifteen people were treated for stress. Phone lines jammed as police and newspaper offices were swamped by callers desperate for information on the Martian gas raids. The New York Times alone logged 875 phone inquir -
ies. In Indiana, a woman burst into a church service, shouting: New York destroyed; its the end of the world. You might as well go home and die. I just heard it on the radio. Years later, the shows producer, Orson Welles, said he did it on purpose to boost his ratings, but was surprised by the scale of the response. How did the 23-year-old actor pull off what is arguably the greatest hoax of the 20th century, and why are we vulnerable to similar hoaxes today?
Since the infamous Welles broadcast, other radio dramas have sparked simi lar scares. Chapter 3 looks at two of episodes from South America. On the night of November 12, 1944, pandemonium erupted in Chile after a nation wide broadcast of the War of the Worlds . Some people barricaded themselves in their homes; others fled to the hills. One provincial governor mobilized artil lery units to repel the Martians. Five years later there was an even greater uproar in Quito, Ecuador, after a radio drama about invading space aliens. Upon realizing it was a play, angry residents began rioting. A mob marched on the radio station and burned it to the ground, killing fifteen, including the dramas mastermind.
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