PENGUIN BOOKS
The Pearl
Born in Salinas, California, in 1902, John Steinbeck grew up in a fertile agricultural valley about twenty-five miles from the Pacific Coast and both valley and coast would serve as settings for some of his best fiction. In 1919 he went to Stanford University, where he intermittently enrolled in literature and writing courses until he left in 1925 without taking a degree. During the next five years he supported himself as a labourer and journalist in New York City, all the time working on his first novel, Cup of Gold (1929). After marriage and a move to Pacific Grove, he published two Californian fictions, The Pastures of Heaven (1932) and To a God Unknown (1933), and worked on short stories later collected in The Long Valley (1938). Popular success and financial security came only with Tortilla Flat (1935), stories about Montereys paisanos. A ceaseless experimenter throughout his career, Steinbeck changed course regularly. Three powerful novels of the late 1930s focused on the Californian labouring class: In Dubious Battle (1936), Of Mice and Men (1937) and the book considered by many his finest, The Grapes of Wrath (1939). Early in the 1940s, Steinbeck became a film maker with The Forgotten Village (1941) and a serious student of marine biology with Sea of Cortez (1941). He devoted his services to the war, writing Bombs Away (1942) and the controversial playnovelette The Moon is Down (1942). Cannery Row (1945), The Wayward Bus (1947), The Pearl (1947), A Russian Journal (1948), another experimental drama, Burning Bright (1950), and The Log from the Sea of Cortez (1951) preceded publication of the monumental East of Eden (1952), an ambitious saga of the Salinas Valley and his own familys history. The last decades of his life were spent in New York City and Sag Harbor with his third wife, with whom he travelled widely. Later books include Sweet Thursday (1954), The Short Reign of Pippin IV: A Fabrication (1957), Once There Was a War (1958), The Winter of Our Discontent (1961), Travels with Charley in Search of America (1962), America and Americans (1966) and the posthumously published Journal of a Novel: The East of Eden Letters (1969), Viva Zapata! (1975), The Acts of King Arthur and His Noble Knights(1976) and Working Days: The Journals of The Grapes of Wrath (1989). He died in 1968, having won a Nobel Prize in 1962.
Linda WagnerMartin is Hanes Professor of English and Comparative Literature at the University of North Carolina, Chapel Hill, where she teaches modern and contemporary American literature, womens studies, and courses in biography and autobiography. Among her recent books are Telling Womens Lives: The New Biography (1994), The Modern American Novel (1989) and Sylvia Plath: A Biography (1987). She is co-editor of The Oxford Companion to Womens Writing in the United States and its companion anthology of womens writing.
JOHN STEINBECK
The Pearl
With an Introduction by Linda Wagner-Martin
Drawings by Jos Clemente Orozco
PENGUIN BOOKS
PENGUIN BOOKS
Published by the Penguin Group
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First published in the USA by The Viking Press, 1947
First published in Great Britain by William Heinemann Ltd 1948
Published with The Red Pony in a Viking Compass edition 1965
Published in Penguin Books 1976
The Pearl published in Penguin Books 1993
This edition published in the USA in Penguin Books 1994
Published in Great Britain in Penguin Classics 2000
1
Copyright 1945 by John Steinbeck
Copyright renewed Elaine Steinbeck, John Steinbeck IV and Thom Steinbeck, 1973
Introduction copyright Linda Wagner-Martin, 1994
All rights reserved
Introduction originally published in Womans Home Companion as The Pearl of the World
Drawings by Jos Clemente Orozco
The moral right of the author of the introduction and of the illustrator has been asserted
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser
Contents
Introduction
In 1939, John Steinbeckwho was considered a radical California writer, best known at the time for In Dubious Battle, his 1936 novel about unions and strike activity found himself on the cover of Time Magazine. His new novel, The Grapes of Wrath, was a runaway success, making him the target for hate mail and FBI scrutiny, as well as commercial fame. In this long narrative about the dispossessed Okies (farmers from Oklahoma, devastated by years of drought on land that was a part of the so-called Dust Bowl) who traveled to California in search of any kind of work on profitable farms, Steinbeck seemed again to sympathize with collective strategies, to hint that communist cooperation was the way to settle economic inequities in the United States. Besides being a best-seller,The Grapes of Wrath won the Pulitzer Prize for fiction in 1940. And it was quickly made into a film starring Henry Fonda as Tom Joad, a film that many viewers found objectionable (it was the first American-made movie to show a pregnant woman on camera, for example; and it was assuredly and consistently about poor people, those whose lifestyles were so primitive that Americans with enough money for movie tickets did not like to be reminded that fellow citizens lived this way).
Steinbeck would have enjoyed the fame and money that his fiction brought him, but the persecution that resulted from his writing about the poor, people marginalized by the changing industrial patterns of the times, frightened him. The modest and soft-spoken Steinbeck, who had spent years and considerable personal energy studying ocean ecology, had trouble defining himself as a subversive, an unpatriotic man who was a threat to the national interest. Seemingly at the top of his profession with the appearance of The Grapes of Wrath, Steinbeck instead found himself going through torturous self-assessment.
By 19441945, when he wrote his novella The Pearl, he had pretty much decided that his view of himself was more credible than the versions the media, or the FBI, had created. But these years of personal questioning, and personal quest, had caused Steinbeck to come to terms with what wealth meant, with what an obsession with wealth (and in his case, perhaps, fame) could do to a community, as well as to the identity of the person experiencing that wealth and fame. As he had done before, he drew his personal convictions into the frame of the story he was writing, and when he chose the title for