Orson Scott Card - Lost Boys

This is what his father always called him whenever he'd done something bad: "Where were you when this happened, Boy? What did you think you were doing, Boy?"

He took that word inside himself and it became the name for all his bad desires. It was Boy who made him play pranks that weren't funny to anybody Boy who made him cheat on tests when he felt like it in school, even though he always knew the answers and didn't have to cheat. It was Boy who made him stand and watch from the closet when his parents thought he was in bed and he saw them do the dog thing, Father's belly so loose and jiggly, Mother so white and weak and dead while it happened, her breasts flopped out flat to either side like fish. It was the worst thing Boy had ever made him do, to watch that, and to his sur prise Boy didn't like it, no, Boy hated it even worse than he did, to see Father be so bad.

I will never do that, said Boy inside him. It's ugly to kill a woman like that and then make her still be alive afterward so you can do it all again.

From then on when he looked at big women with their breasts and their secrets and their faces that could turn dead looking at a man, Boy went away. Boy didn't want to be part of that game.

But that didn't mean that Boy was gone, no, nor silent neither. Boy was still there, and he got his way sometimes, yes; and he found new things to want. Only Boy wasn't careful. Boy only wanted what he wanted until he got it and then he went back into hiding and left him to take care of everything, to take all the blame for what Boy had done even though he hadn't wanted to do it in the first place.

Now none of his people would let him near their children because of the things Boy had decided he had to do. Damn you Boy! Die and damn you!

But they promised not to tell, says Boy. The children said they wouldn't tell but then they did.

What do you expect, you stupid ugly Boy? What do you expect, you evil Boy? Didn't you ever think maybe there's another Boy inside them that makes them lie to you and promise not to tell but then they break their word because their Boy made them? And now here you are, and that'll show you, Boy, because nobody will let you near their children anymore so you'll just have to chew on yourself whe n you get hungry and drink yourself when you get dry.

No I won't, says Boy. I'll make a place and I'll take them there and I won't ever believe them when they promise not to tell. I'll take them there and nobody will know where they are and they'll never come back and so they'll never tell.

You won't do anything like that, Boy, because I won't let you.

And Boy just laughed and laughed inside him, and he knew that he would do it all, he would prepare the hiding place and then he would go and find them for Boy and bring them back, and Boy would do what he wanted. Boy would not be afraid. Boy would do everything he thought of doing, because he knew that they would never leave and they would never tell.

That was why those little boys in Steuben started disappearing, and why not one of them was found till Christmas Eve in 1983.

This is the car they drove from Vigor, Indiana, to Steuben, North Carolina: a silvery-grey Renault 18i deluxe wagon, an '81 model with about forty thousand miles on it, twenty- five thousand of which they had put on it themselves. The paint was just beginning to get tiny rust-colored pockmarks in it, but the wiring had blown about fifteen fuses and they'd had to put three new drive axles in it because it was designed so that when a ball bearing wore out you had to replace the whole assembly. It couldn't climb a hill at fifty- five, but it could seat two adults in the leather bucket seats and three kids across the back. Step Fletcher was driving, had been driving since they finally got away from the house well after noon. Empty house. He was still hearing echoes all the way to Indianapolis. Somewhere along the way he must have passed the moving van, but he didn't notice it or didn't recognize it or maybe the driver had pulled into a McDonald's some where or a gas station as they drove on by.

The others all fell asleep soon after they crossed the Ohio River. After Step had talked so much about flatboats and Indian wars, the kids were disappointed in it. It was the bridge that impressed them. And then they fell asleep. DeAnne stayed awake a little longer, but then she squeezed his hand and nestled down into the pillow she had jammed into the corner between the seat back and the window.

Just how it always goes, thought Step. She stays awake the whole time I'm wide awake and then, just as I get sleepy and maybe need to have her spell me for a while at the wheel, she goes to sleep.

He pushed the tape the rest of the way into the player. It was the sweet junky sound of "The E Street Shuffle." He hadn't listened to that in a while. DeAnne must have had it playing while she ran the last-minute errands in Vigor. Step had played that album on their second date. It was kind of a test. DeAnne was so serious about religion, he had to know if she could put up with his slightly wild taste in music. A lot of Mormon girls would have missed the sexual innuendos entirely, of course, but DeAnne was probably smarter than Step was, and so she not only noticed the bit about girls promising to unsnap their jeans and the fairies in a real bitch fight, she also got the part about hooking onto the midnight train, but she didn't get upset, she just laughed, and he knew it was going to be OK, she was religious but not a prig and that meant that he wouldn't have to pretend to be perfect in order to be with her. Ten years ago, 1973. Now they had three kids in the back of the Renault

18i wagon, probably the worst car ever sold in America, and they were heading for Steuben, North Carolina, where Step had a job.

A good job. Thirty thousand a year, which wasn't bad for a brand new history Ph.D. in a recession year.

Except that he wasn't teaching history, he wasn't writing history, the job was putting together manuals for a computer software company. Not even programming- he couldn't even get hired for that, even though Hacker Snack was the best-selling game for the Atari back in '81. For a while there it had looked like his career was made as a game designer. They had so much money they figured they could afford for him to go back to school and finish his doctorate. Then the recession came, and the lousy Commodore 64 was killing the Atari in the stores, and suddenly his game was out of print and nobody wanted him except as a manual writer.

So Springsteen played along to his semi-depressed mood asStep wound the car up into the mountains, the sun setting in the west as the road angled them mostly east into the darkness. I should be happy, he told himself.

I got the degree, I got a good job, and nothing says I can't do another game in my spare time, even if I have to do it on the stupid 64. It could be worse. I could have got a job programming Apples.

Despite what he said to encourage himself, the words still tasted like failure in his mouth. Thirty-two years old, three kids, and I'm on the downhill slope. Used to work for myself, and now I have to work for somebody else. Just like my dad with his sign company that went bust. At least he had the scar on his back from the operation that took out a vertebra. Me, I got no visible wounds. I was riding high one day, and then the next day we found out that our royalties would be only $7,000 instead of $40,000 like the last time, and we scrambled around looking for work and we've got debts coming out of our ears and I'm going to be just as broke as my folks for the rest of my life and it's my own damned fault. Wage slave like my dad.