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Harlan Coben - Promise Me (Myron Bolitar, No. 8)

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Harlan Coben Promise Me (Myron Bolitar, No. 8)

Promise Me (Myron Bolitar, No. 8): summary, description and annotation

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Whether you discovered him with his New York Times bestselling stand-alone novels or you fell in love with the award-winning books that preceded themor youve never read him at allanyone who loves a thriller will love international literary superstar Harlan Cobens latest, Promise Me. It has been six years since entertainment agent Myron Bolitar last played superhero. In six years he hasnt thrown a punch. He hasnt held, much less fired, a gun. He hasnt threatened or been threatened. He hasnt called his friend Win, still the scariest man he knows, to back him up or get him out of trouble. In the past six years, none of his clients have been murdereda real positive for his business. But all that is about to change. Because of the simple urge to protect two neighborhood high-school girls from the all-too-dangerous and all-too-common mistake of getting in a car with a drunk driver, Myron has them make him a promise: If they are ever in a bind but are afraid to call their parents, they should call him rather than get in a car with someone whos been drinking. Several nights later, the call comes at 2:00 am, and true to his word, Myron picks up one of the girls in midtown Manhattan and drives her to a quiet cul-de-sac in New Jersey where she says her friend lives. The next day, the girls parents discover that their daughter is missing. And that Myron was the last person to see her. Now, in a desperate attempt to fulfill a well-intentioned promise gone nightmarishly wrong, Myron must become a hero again to save a young girls life. BACKCOVER: Every time you think Harlan Coben couldnt get any better at uncoiling a whipsnake of a page-turner, he comes along with a new novel that somehow surpasses its predecessor. San Francisco Chronicle Just as Alfred Hitchcock carved out a niche with films about a seemingly innocent person caught in machinations beyond comprehension, Harlan Coben is earning the literary equivalent. . . . Hitchcock would be envious. Sun-Sentinel (Florida) Very few writers can induce in their readers the kind of trancelike state, punctuated by frequent wows, that most of us associate with much-loved books from childhood. Coben can. Booklist Coben chisels his characters quickly, convincingly, unforgettably . . . non- stereotypically. Forbes Swift pacing, strong lead characters. . . . Coben can write thrillers that lift readers off their seats. Publishers Weekly The maestro of mystery. Life

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Promise Me

Harlan Coben

*

Chapter

The missing girl there had been unceasing news reports, always flashing to that achingly ordinary school portrait of the vanished teen, you know the one, with the rainbow-swirl background, the girl's hair too straight, her smile too self-conscious, then a quick cut to the worried parents on the front lawn, microphones surrounding them, Mom silently tearful, Dad reading a statement with quivering lip that girl, that missing girl, had just walked past Edna Skylar.

Edna froze.

Stanley, her husband, took two more steps before realizing that his wife was no longer at his side. He turned around. Edna?

They stood near the corner of Twenty-first Street and Eighth Avenue in New York City. Street traffic was light this Saturday morning. Foot traffic was heavy. The missing girl had been headed uptown.

Stanley gave a world-weary sigh. What now?

Shh.

She needed to think. That high school portrait of the girl, the one with the rainbow-swirl background... Edna closed her eyes. She needed to conjure up the image in her head. Compare and contrast.

In the photograph, the missing girl had long, mousy-brown hair. The woman who'd just walked by woman, not girl, because the one who'd just walked by seemed older, but maybe the picture was old too was a redhead with a shorter, wavy cut. The girl in the photograph did not wear glasses. The one who was heading north up Eighth Avenue had on a fashionable pair with dark, rectangular frames. Her clothes and makeup were both more for a lack of a better word adult.

Studying faces was more than a hobby with Edna. She was sixtythree years old, one of the few female physicians in her age group who specialized in the field of genetics. Faces were her life. Part of her brain was always working, even when far away from her office. She couldn't help it Dr. Edna Skylar studied faces. Her friends and family were used to the probing stare, but strangers and new acquaintances found it disconcerting.

So that was what Edna had been doing. Strolling down the street. Ignoring, as she often did, the sights and sounds. Lost in her own personal bliss of studying the faces of passersby. Noting cheek structure and mandibular depth, inter-eye distance and ear height, jaw contours and orbital spacing. And that was why, despite the new hair color and style, despite the fashionable glasses and adult makeup and clothing, Edna had recognized the missing girl.

She was walking with a man.

What?

Edna hadn't realized that she'd spoken out loud.

The girl.

Stanley frowned. What are you talking about, Edna?

That picture. That achingly ordinary school portrait. You've seen it a million times. You see it in a yearbook and the emotions start to churn. In one fell swoop, you see her past, you see her future. You feel the joy of youth, you feel the pain of growing up. You can see her potential there. You feel the pang of nostalgia. You see her years rush by, college maybe, marriage, kids, all that.

But when that same photograph is flashed on your evening news, it skewers your heart with terror. You look at that face, at that tentative smile, at the droopy hair and slumped shoulders, and your mind goes to dark places it shouldn't.

How long had Katie that was the name, Katie how long had she been missing?

Edna tried to remember. A month probably. Maybe six weeks. The story had only played locally and not for all that long. There were those who believed that she was a runaway. Katie Rochester had turned eighteen a few days before the disappearance that made her an adult and thus lowered the priority a great deal. There was supposed trouble at h ome, especially with her strict albeit quivering-lipped father.

Maybe Edna had been mistaken. Maybe it wasn't her.

One way to find out.

Hurry, Edna said to Stanley.

What? Where are we going?

There was no time to reply. The girl was probably a block ahead by now. Stanley would follow. Stanley Rickenback, an ob-gyn, was Edna's second husband. Her first had been a whirlwind, a larger-than-life figure too handsome and too passionate and, oh yeah, an absolute ass. That probably wasn't fair, but so what? The idea of marrying a doctor this was forty years ago had been a fun novelty for Husband One. The reality, however, had not sat as well with him. He had figured that Edna would outgrow the doc phase once they had children. Edna didn't just the opposite, in fact. The truth was a truth that had not escaped her children Edna loved doctoring more than motherhood.

She rushed ahead. The sidewalks were crowded. She moved into the street, staying close to the curb, and sped up. Stanley tried to follow. Edna?

Just stay with me.

He caught up. What are we doing?

Edna's eyes searched for the red hair.

There. Up ahead on the left.

She needed to get a closer look. Edna broke into a full-fledged sprint now, a strange sight in most places, a nicely dressed woman in her mid-sixties sprinting down the street, but this was Manhattan. It barely registered a second glance.

She circled in front of the woman, trying not to be too obvious, ducking behind taller people, and when she was in the right place, Edna spun around. The possible-Katie was walking toward her. Their eyes met for the briefest of moments, and Edna knew.

It was her.

Katie Rochester was with a dark-haired man, probably in his early thirties. They were holding hands. She did not seem too distressed. She seemed, in fact, up until the point where their eyes met anyway, pretty content. Of course that might not mean anything. Elizabeth Smart, that young girl who'd been kidnapped out in Utah, had been out in the open with her kidnapper and never tried to signal for help. Maybe something similar was playing here.

Edna wasn't buying it.

The redheaded possible-Katie whispered something to the darkhaired man. They picked up their pace. Edna saw them veer right and down the subway stairs. The sign read c and e trains. Stanley caught up to Edna. He was about to say something, but he saw the look on her face and kept still.

Come on, she said.

They hurried around the front and started down the stairs. The missing woman and the dark-haired man were already through the turnstile. Edna started toward it.

Damn it.

What?

I don't have a MetroCard.

I do, Stanley said.

Let me have it. Hurry.

Stanley plucked the card from his wallet and handed it to her. She scanned it, moved through the turnstile, handed it back to him. She didn't wait. They'd gone down the stairs to the right. She started that way. She heard the roar of an incoming train and hurried her steps.

The brakes were squeaking to a halt. The subway doors slid open. Edna's heart beat wildly in her chest. She looked left and right, searching for the red hair.

Nothing.

Where was that girl?

Edna? It was Stanley. He had caught up to her.

Edna said nothing. She stood on the platform, but there was no sign of Katie Rochester. And even if there was, what then? What should Edna do here? Does she hop on the train and follow them? To where? And then what? Find the apartment or house and then call the police....

Someone tapped her shoulder.

Edna turned. It was the missing girl.

For a long time after this, Edna would wonder what she saw in the girl's expression. Was there a pleading look? A desperation? A calmness? Joy, even? Resolution? All of them.

They just stood and stared at each other for a moment. The bustling crowd, the indecipherable static on the speaker, the swoosh of the train it all disappeared, leaving just the two of them.

Please, the missing girl said, her voice a whisper. You can't tell anybody you saw me.

The girl stepped onto the train then. Edna felt a chill. The doors slid closed. Edna wanted to do something, do anything, but she couldn't move. Her gaze remained locked on the girl's.

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