Jason Elliot - The Network

Acknowledgements

With special thanks to:

His Masters Voice

Lola Beaumont

RayF, J & B

Mephisto

DE &

C

A Note on the Author

Jason Elliot is a prize-winning British travel writer, whose works include An Unexpected Light: Travels in Afghanistan , a New York Times bestseller and winner of the Thomas Cook/ Daily Telegraph Travel Book Award, and Mirrors of the Unseen: Journeys in Iran . The Network is his first novel.

For a few moments the illusion is complete, as if my work is done and I am finally at rest after every threat and uncertainty has passed. My eyes are open but I am not awake, and my senses are suspended in a dream that ignores the ordinary rules of time and space. I feel neither cold nor pain. Above me stretches an expanse of sky, as featureless as you would expect for an April morning in England, onto which my eyes have opened. At the centre of this hypnotic whiteness a solitary hawk is hovering.

I see nothing else but his lonely silhouette, and my mind goes through none of its normal efforts to assign any scale or context to this vision. He hovers directly above me, like a captive of my own gaze, and seems to defy both gravity and the laws of motion. Even though his body is in constant motion, his head is as still as a snipers, held in a perfect equilibrium against the invisible stream in which he swims. As the wind flows over his wings, the trailing feathers tremble and flutter, and his wedge-shaped tail treads the air with incalculable speed and precision. The leading edges of his wings sweep back like those of a fighter plane, his head is streamlined like the point of a lance, and his beak resembles a scimitar poised high above its victim. Every line and movement of his body expresses the beauty and lethal prowess of the raptor. For a strange few moments it seems as though I enter into the spirit of the bird and feel what it feels. But all this takes shape in a different language, free of thinking itself, because Im spellbound by the silhouette overhead, and my mind has yet to intervene.

Then, too fast for the eye to follow, he swerves downwards a few feet, brakes to a sudden stop, beats his wings to compensate for the loss in speed, and hovers again. He repeats the movement in an upward direction, to get a better view of his prey on the floor of the forest. I watch this faultless airborne ballet, mesmerised all the while, until a cry comes from his mate, its sound carried unevenly on the wind. The shrill call repeats, then falls in pitch and fades to silence. It is this sound that breaks the spell.

I hear a sudden breath, which is my own, entering my body like the gasp of an infant at birth and bearing with it all the burden of the senses. I struggle up in a spasm of fear, and the world and its nightmare tumbles in. My hands are swollen from scratches and thorns and I feel the toxin of fatigue that makes every muscle ache. I get to my feet and throw off the bracken that I have used for my improvised bed, which is a muddy crater left by the torn-up roots of a giant beech, and I curse out loud. I have already broken the only rule: never stop .

I wonder how long Ive slept. Not long, going by the feeling of exhaustion. Under a half-moon I have run, walked, staggered, waded and crawled through the night. I am filthy and freezing but am grateful for the jacket that fends off the bite of the wind, which is more dangerous than the cold. Running my hands over my pockets Im reminded theyve been emptied, so there is no point returning to my car, even if I did know how to find my way back to it. The sudden recollection of my capture sends a shiver through my body. Its only yesterday but, separated by the long and hateful night, now seems like years ago.

Im returning home after a weekend session with H, most of it spent learning about improvised explosive devices and how to set them off. Useful skills, he tells me, even if we never have to call on them, though he says this about all our sessions together. He shows me how to make an anti-disturbance device from two U-shaped nails, how to use a clothes peg for a tripwire-activated circuit, and how to make a pressure pad, suitable for detonating the explosive of ones choice, from two bits of old drawer and a thin copper strip from a household draught excluder. He also demonstrates the more modern technique of using a mobile phone to fire one or multiple ignition circuits, an operation which can be accomplished with disturbing ease from anywhere in the world with a single phone call. Useful skills, as he says.

When I stop for petrol on the outskirts of Hereford, where H, between frequent trips to seldom-heard-of African republics, teaches these and related skills to his Regimental apprentices, I suspect nothing. Im tired after having spent the night on a freezing hillside in the Black Mountains, and not feeling at my sharpest. Even after all our sessions devoted to security, which is Hs business, it hasnt occurred to me to check whether Im being followed, which explains my surprise and anger when a black Range Rover parks neatly in front of my car just as Im getting out.

The driver stays in the vehicle but from the rear doors emerge two short-haired and mustachioed men in casual clothes, one of whom addresses me in a neutral accent by my own name and requests that I accompany him. Theyre not hostile but speak with the muted ambition of people whose agenda is fairly clear to themselves.

Are you arresting me? I ask.

Nothing like that, sir.

So its social, is it? Youre not behaving very socially.

If youd just like to come with us please, sir. They look fit and have the poised restraint of men who turn readily to physical exertion. I have no wish to tangle with them. They dont behave like men from the Regiment, who tend to have a better sense of humour. I wonder what the worst thing is that can happen. This is England. I cannot be held against my will. Perhaps Seethrough, with all his love of cloak-and-dagger, has arranged to have me escorted to a classified location. I wonder if its Pontrilas or some subterranean comms facility nearby.

To buy time, I protest indignantly that I cant leave my car on a garage forecourt, thinking that from the safety of the car Ill call Seethrough before going anywhere with these purposeful-looking strangers.

Well take care of that, sir, says one of them. I am not sure if the sir is an expression of genuine or artificial deference until my head is pushed down in the manner of a prisoner as we enter the Range Rover, and the two of them squeeze in on either side of me and request that I empty my pockets. It definitely doesnt feel very social, but perhaps its a security requirement like having to surrender your mobile phone inside the Firms headquarters at Vauxhall Cross. As Im complying the driver gets out, reverses my car, parks it at the edge of the forecourt and returns. My possessions, including my watch, are put in a ziplock freezer bag, to which my car keys are now added, and stowed in a seat pouch. Theres a squawk of static from a discreet two-way radio on the drivers belt, which he adjusts without looking down. We pull out from the garage.

If you wouldnt mind leaning forward, sir, says one of the men next to me. Im forced to fold my arms over my knees and cant keep my head up to keep track of the route. We drive for sixteen minutes, during which nobody speaks, and I count the minutes on my fingers, folding them into my palm in turn. Judging from the frequency of turns and stops, were sticking to country roads. Then a mobile phone rings from inside the bag in the seat pouch. Its mine, and theyve forgotten to turn it off. After a moments thought, the man to my left extracts it and looks at the screen.

Lili Marlene. Whos Lili Marlene? I feel his body turn slightly towards the other man, as if hes consulting him.

Its my girlfriend, I say, which is a calculated risk. Shes wondering why I havent called her back. I cant see his face, but I can sense that hes deciding whether he should pass me the phone or not. Im supposed to be meeting her later, I add.