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James Patterson - The 6th Target

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Copyright 2007 by James Patterson All rights reserved Except as permitted - photo 1

Copyright 2007 by James Patterson

All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Little Brown and Company

Hachette Book Group

237 Park Avenue, New York, NY 10017

Visit our website at www.HachetteBookGroup.com

The Little Brown and Company name and logo are trademarks of Hachette Book Group, Inc.

First eBook Edition: May 2007

ISBN: 978-0-316-00516-6

The Novels of James Patterson

FEATURING ALEX CROSS

CrossRoses Are Red
Mary, MaryPop Goes the Weasel
London BridgesCat & Mouse
The Big Bad WolfJack & Jill
Four Blind MiceKiss the Girls
Violets Are BlueAlong Came a Spider

THE WOMENS MURDER CLUB

The 6th Target(and Maxine Paetro)

The 5th Horseman (and Maxine Paetro)

4th of July (and Maxine Paetro)

3rd Degree (and Andrew Gross)

2nd Chance (and Andrew Gross)

1st to Die

OTHER BOOKS

The Quickie (and Michael Ledwidge)

Step on a Crack (and Michael Ledwidge)

Judge & Jury (and Andrew Gross)

Maximum Ride: Schools Out Forever

Beach Road (and Peter de Jonge)

Lifeguard (and Andrew Gross)

Maximum Ride

Honeymoon (and Howard Roughan)

SantaKid

Sams Letters to Jennifer

The Lake House

The Jester (and Andrew Gross)

The Beach House (and Peter de Jonge)

Suzannes Diary for Nicholas

Cradle and All

Black Friday

When the Wind Blows

See How They Run

Miracle on the 17th Green (and Peter de Jonge)

Hide & Seek

The Midnight Club

Season of the Machete

The Thomas Berryman Number

For more information about James Pattersons novels, visit www.jamespatterson.com.

Our thanks and gratitude to these top professionals, who were so generous with their time and expertise: author and psychiatrist Dr. Maria Paige; Dr. Humphrey Germaniuk, forensic pathologist and ME of Trumbull County, Ohio; top cop Captain Richard Conklin, Stamford, Connecticut, PD; Allen Ross, MD, Montague, Massachusetts; and legal experts Philip Hoffman, New York City; Melody Fujimori, San Francisco; and criminal defense attorney extraordinaire Mickey Sherman, Stamford, Connecticut.

And special thanks to our excellent researchers, Don MacBain, Ellie Shurtleff, and Lynn Colomello.

DAY-TRIPPER

A KILLER IN WAITING, Fred Brinkley slumps in the blue-upholstered banquette on the top deck of the ferry. The November sun glares down like a big white eye as the catamaran plows the San Francisco Bay, and Fred Brinkley glares right back at the sun.

A shadow falls across him, a kids voice asking, Mister, could you take our picture?

Fred shakes his head no, no, no anger winding him up like a watch spring, like a wire tightening around his head.

He wants to smash the kid like a bug.

Fred averts his eyes, sings inside his head, Ay, ay, ay, ay, Sau-sa-lito-lindo, trying to shut down the voices. He puts his hand on Bucky to comfort himself, feeling him through his blue nylon Windbreaker, but still the voices pound in his brain like a jackhammer.

Loser. Dog shit.

Gulls call out, screaming like children. Overhead, the sun burns through the overcast sky and turns him as transparent as glass. They know what hes done.

Passengers in shorts and visors line the rails, taking pictures of Angel Island, of Alcatraz, of the Golden Gate Bridge.

A sailboat flies by, mainsail double-reefed, foam flecking the rails, and Fred doubles over as the bad thing whips into his mind. He sees the boom swing. Hears the loud crack. Oh, God! The sailboat!

Someone has to pay for this!

Startling him, the ferrys engines grind into reverse and the deck vibrates as the ferry comes into dock.

Fred stands, works his way through the crowd, passing eight white tables, lines of scuffed blue chairs, his fellow ferry riders giving him the eye.

He enters the open compartment at the bow, sees a mother berating her son, a boy of nine or ten with light-brown hair. Youre driving me crazy! the woman shouts.

Fred feels the wire snap. Someone has to pay.

His right hand slips into his jacket pocket finds Bucky.

He slips his finger into the trigger loop.

The ferry lurches as it bumps the mooring. People grab on to one another, laughing. Lines snake out from the boat, bow and aft.

Freds eyes shoot to the woman who is still belittling her son. Shes small, wearing tan clam diggers, her breasts outlined in the soft skin of her white blouse, nipples pointing straight out.

Whats wrong with you, anyway? she yells over the engines roar. You really piss me off, buster.

Bucky is in Freds hand, the Smith & Wesson Model 10, pulsing with a life of its own.

The voice booms, Kill her. Kill her. Shes out of control!

Bucky points between the womans breasts.

BLAM.

Fred feels the jolt of the guns recoil, sees the woman jump back with a little hurt yelp, a red stain blooming on her white blouse.

Good!

The little boy follows his mothers fall to the deck with his big round eyes, strawberry ice cream plopping out of his cone, pee spreading across the front of his pants.

The boy did a bad thing, too.

BLAM.

BLINDING WHITE SAILS fill Freds mind as blood spills onto the deck. Trusty Bucky is hot in his hand. Freds eyes pan across the deck.

The voice in his head roars, Run. Get away. You didnt mean to do it.

Out of the corner of his eye, Fred sees a big man charge him, rage on his face, hell in his eyes. Fred straightens his arm.

BLAM.

Another man, Asian, hard black eyes, a white line for a mouth, makes a grab for Bucky.

BLAM.

A black woman stands nearby, locked in place by the crowd. She turns toward him, round cheeked, wide-eyed. Stares into his face and... reads his mind.

Okay, son, she says, reaching out a trembling hand, thats enough, now. Give me the gun.

She knows what he did. How does she know?

BLAM.

Fred feels relief flood through him as the mind-reading woman goes down. People in the small forward compartment move in waves, cowering, shifting left, then right as Fred swings his head.

They are afraid of him. Afraid of him.

At his feet, the black woman holds a cell phone in her bloody hands. Breath rasping, she presses numbers with her thumb. No, you dont! Fred steps on the womans wrist. Then he bends low to look into her eyes.

You should have stopped me, he says through clenched teeth. That was your job. Bucky screws his muzzle into her temple.

Dont! she begs. Please.

Someone yells, Mom!

A skinny black kid, maybe seventeen, eighteen, comes toward him with a length of pipe over his shoulder. Hes holding it like a bat.

Fred pulls the trigger as the ship lurches BLAM.

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