Patricia Cornwell - Book of the Dead

I am especially grateful to Dr. Staci Gruber, Assistant Professor of Psychiatry, Harvard Medical School, and Associate Director of the Cognitive Neuroimaging Laboratory, McLean Hospital.

Water splashing. A gray mosaic tile tub sunk deep into a terracotta floor.

Water pours slowly from an old brass spout, and darkness pours through a window. On the other side of old, wavy glass is the piazza, and the fountain, and the night.

She sits quietly in water, and the water is very cold, with melting ice cubes in it, and there is little in her eyes nothing much there anymore. At first, her eyes were like hands reaching out to him, begging him to save her. Now her eyes are the bruised blue of dusk. Whatever was in them has almost left. Soon she will sleep.

Here, he says, handing her a tumbler that was handblown in Murano and now is filled with vodka.

He is fascinated by parts of her that have never seen the sun. They are pale like limestone, and he turns the spigot almost off, and the water is a trickle now, and he watches her rapid breathing and hears the chattering of her teeth. Her white breasts float beneath the surface of the water, delicate like white flowers. Her nipples, hard from the cold, are tight pink buds. Then he thinks of pencils. Of chewing off nubby pink erasers when he was in school, and telling his father and sometimes his mother that he didnt need erasers because he didnt make mistakes. When in truth, he liked to chew. He couldnt help it, and that also was the truth.

Youll remember my name, he says to her.

I wont, she says. I can forget it. Chattering.

He knows why she says it: If she forgets his name, her destiny will be rethought like a bad battle plan.

What is it? he asks. Tell me my name.

I dont remember. Crying, shaking.

Say it, he says, looking at her tan arms, pebbly with goose bumps, the blond hair on them erect, her young breasts and the darkness between her legs underwater.

Will.

And the rest of it?

Rambo.

And you think thats amusing, he says, naked, sitting on the lid of the toilet.

She shakes her head vigorously.

Lying. She made fun of him when he told her his name. She laughed and said Rambo is make-believe, a movie name. He said its Swedish. She said he isnt Swedish. He said the name is Swedish. Where did she think it came from? Its a real name. Right, she said. Like Rocky, she said, laughing. Look it up on the Internet, he said. Its a real name, he said, and he didnt like that he had to explain his name. This was two days ago, and he didnt hold it against her, but he was aware of it. He forgave her because despite what the world says, she suffers unbearably.

Knowing my name will be an echo, he says. It makes no difference, not in the least. Just a sound already said.

I would never say it. Panic.

Her lips and nails are blue, and she shivers uncontrollably. She stares. He tells her to drink more, and she doesnt dare refuse him. The slightest act of insubordination, and she knows what happens. Even one small scream, and she knows what happens. He sits calmly on the lid of the toilet, his legs splayed so she can see his excitement, and fear it. She doesnt beg anymore or tell him to have his way with her, if thats the reason shes his hostage. She doesnt say this anymore because she knows what happens when she insults him and implies that if he had a way it would be with her. Meaning she wouldnt give it willingly and want it.

You realize I asked you nicely, he says.

I dont know. Teeth chattering.

You do know. I asked you to thank me. Thats all I asked, and I was nice to you. I asked you nicely, then you had to do this, he says. You had to make me do this. You seehe gets up and watches his nakedness in the mirror over the smooth marble sinkyour suffering makes me do this, his nakedness in the mirror says. And I dont want to do this. So youve hurt me. Do you understand youve critically hurt me by making me do this? his nakedness in the mirror says.

She says she understands, and her eyes scatter like flying shards of glass as he opens the toolbox, and her scattered gaze fixes on the box cutters and knives and fine-tooth saws. He lifts out a small bag of sand and sets it on the edge of the sink. He pulls out ampules of lavender glue and sets them down, too.

Ill do anything you want. Give you anything you want. She has said this repeatedly.

He has ordered her not to say it again. But she just did.

His hands dip into the water, and the coldness of the water bites him, and he grabs her ankles and lifts her up. He holds her up by her cold, tan legs with their cold, white feet and feels her terror in her panicking muscles as he holds her cold ankles tight. He holds her a little longer than last time, and she struggles and flails and thrashes violently, cold water splashing loudly. He lets go. She gasps and coughs and makes strangling cries. She doesnt complain. Shes learned not to complain it took a while, but shes learned it. Shes learned all of this is for her own good and is grateful for a sacrifice that will change his life not hers, but his in a way that isnt good. Wasnt good. Can never be good. She should be grateful for his gift.

He picks up the trash bag he filled with ice from the ice maker in the bar and pours the last of it in the tub and she looks at him, tears running down her face. Grief. The dark edges of it showing.

We used to hang them from the ceiling over there, he says. Kick them in the sides of their knees, over and over. Over there. All of us coming into the small room and kicking the sides of their knees. Its excruciatingly painful and, of course, crippling, and, of course, some of them died. Thats nothing compared to other things I saw over there. I didnt work in that prison, you see. But I didnt need to, because there was plenty of that type of behavior to go around. What people dont understand is it wasnt stupid to film any of it. To photograph it. It was inevitable. You have to. If you dont, its as if it never happened. So people take pictures. They show them to others. It only takes one. One person to see it. Then the whole world does.

She glances at the camera on the marble-top table against the stucco wall.

They deserved it anyway, didnt they? he says. They forced us to be something we werent, so whose fault was it? Not ours.

She nods. She shivers, and her teeth chatter.

I didnt always participate, he says. I did watch. At first it was difficult, perhaps traumatic. I was against it, but the things they did to us. And because of what they did, we were forced to do things back, so it was their fault that they forced us, and I know you see that.

She nods and cries and shakes.

The roadside bombs. Kidnapping. Much more than you hear about, he says. You get used to it. Just like youre getting used to the cold water, arent you?

She isnt used to it, only numb and on her way to hypothermia. By now her head pounds and her heart feels as if it will explode. He hands her the vodka, and she drinks.

Im going to open the window, he says. So you can hear Berninis fountain. Ive heard it much of my life. The nights perfect. You should see the stars. He opens the window and looks at the night, the stars, the fountain of four rivers, and the piazza. Empty at this hour. You wont scream, he says.

She shakes her head and her chest heaves and she shivers uncontrollably.

Youre thinking about your friends. I know that. Certainly theyre thinking about you. Thats too bad. And they arent here. They arent anywhere to be seen. He looks at the deserted piazza again and shrugs. Why would they be here now? Theyve left. Long ago.