Donna Leon - Anonymous Venetian aka Dressed for Death

The third book in the Guido Brunetti series, 1994

The shoe was red, the red of London phone booths, New York fire engines, although these were not images that came to the man who first saw the shoe. He thought of the red of the Ferrari Testarossa on the calendar in the butchers showers, the one with the naked blonde draped across it, seeming to make fevered love to the left headlight. He saw the shoe lying drunkenly on its side, its toe barely touching the edge of one of the pools of oil that lay like a spotted curse upon the land beyond the abattoir. He saw it there and, of course, he also thought of blood.

Somehow, years before, permission had been given to put the slaughterhouse there, long before Marghera had blossomed, though that is perhaps an inopportune choice of verb, into one of the leading industrial centres of Italy, before the petroleum refineries and the chemical plants had spread themselves across the acres of swampy land that lay on the other side of the laguna from Venice, pearl of the Adriatic. The cement building lay, low and feral, within the enclosure of a high mesh fence. Had the fence been built in the early days, when sheep and cattle could still be herded down dusty roads towards the building? Was its original purpose to keep them from escaping before they were led, pushed, beaten up the ramp towards their fate? The animals arrived in trucks now, trucks which backed directly to the high-sided ramps, and so there was no chance that they could escape. And surely no one would want to come near that building; hence the fence was hardly necessary to keep them away. Perhaps because of this, the long gaps in it went unmended, and stray dogs, drawn by the stench of what went on inside, sometimes came through the fence at night and howled with longing for what they knew was there.

The fields around the slaughterhouse stood empty; as if obeying a taboo as deep as blood itself, the factories stood far off from the low cement building. The buildings maintained their distance, but their ooze and their runoff and those deadly fluids that were piped into the ground knew nothing of taboo and seeped each year closer to the slaughterhouse. Black slime bubbled up around the stems of marsh grass, and a peacock-bright sheen of oil floated on the surface of the puddles that never disappeared, however dry the season. Nature had been poisoned here, outside, yet it was the work that went on inside that filled people with horror.

The shoe, the red shoe, lay on its side about a hundred metres to the rear of the slaughterhouse, just outside the fence, just to the left of a large clump of tall seagrass that seemed to thrive on the poisons that percolated around its roots. At eleven-thirty on a hot Monday morning in August, a thickset man in a blood-soaked leather apron flung back the metal door at the rear of the slaughterhouse and emerged into the pounding sun. From behind him swept waves of heat, stench, and howls. The sun made it difficult to feel that it was cooler here, but at least the stench of offal was less foul, and the sounds came from the hum of traffic, a kilometre away, as the tourists poured into Venice for Ferragosto, not from the shrieks and squeals that filled the air behind him.

He wiped a bloody hand on his apron, stooping to find a dry spot down by the hem, then reached into his shirt pocket and pulled out a package of Nazionale. With a plastic lighter, he lit the cigarette and pulled at it greedily, glad of the smell and acrid taste of the cheap tobacco. A deep-throated howl came from the door behind him, pushing him away from the building, over towards the fence and the shade that was to be found under the stunted leaves of an acacia that had managed to grow to a height of four metres.

Standing there, he turned his back on the building and looked out across the forest of smokestacks and industrial chimneys that swept off towards Mestre. Flames spurted up from some of them; grey, greenish clouds spilled out of others. A light breeze, too weak to be felt on his skin, brought the clouds back towards him. He pulled at his cigarette and looked down at his feet, always careful, here in the fields, where he stepped. He looked down and saw the shoe, lying on its side beyond the fence.

It was made out of some sort of cloth, that shoe, not out of leather. Silk? Satin? Bettino Cola didnt know that sort of thing, but he did know that his wife had a pair made out of the same sort of stuff, and she had spent more than a hundred thousand lire on them. Hed have to kill fifty sheep or twenty calves to earn that much money, yet shed spend it on a pair of shoes, wear them once, then stuff them in the back of the closet and never look at them again.

Nothing else in the blasted landscape deserved his attention, so he studied the shoe, pulling at his cigarette. He moved to the left and looked at it from another angle. Though it lay close to a large pool of oil, it appeared to rest on a patch of dry land. Cola took another step to the left, one that drew him out into the full violence of the sun, and studied the area around the shoe, looking for its mate. There, under the clump of grass, he saw an oblong shape that seemed to be the sole of the other one, it too lying on one side.

He dropped his cigarette and crushed it into the soft earth with his toe, walked down the fence a few metres, then bent low and crept through a large hole, careful of the jagged, rusty barbs of metal that encircled him. Straightening up, he walked back towards the shoe, now a pair of them and perhaps salvageable because of that.

Roba di puttana, he muttered under his breath, seeing the heel on the first shoe, taller than the pack of cigarettes in his pocket: only a whore would wear such things. He reached down and picked up the first shoe, careful to keep from touching the outside. As he had hoped, it was clean, had not fallen into the oily puddle. He took a few steps to the right, reached down and wrapped two fingers around the heel of its mate, but it appeared to be caught on a tuft of grass. He lowered himself to one knee, careful to see where he knelt, and gave the shoe a sharp tug. It came loose, but when Bettino Cola saw that what he had pulled it loose from was a human foot, he leaped back from the bush and dropped the first shoe into the black puddle from which it had survived the night.

The police arrived on the scene twenty minutes later, two blue and white sedans from the Squadra Mobile of Mestre. By then, the field at the back of the slaughterhouse was filled with men from inside the building, brought out into the sun by curiosity about this different kind of slaughter. Cola had run drunkenly back inside as soon as he saw the foot and the leg to which it was attached and gone into the foremans office to tell him there was a dead woman in the field beyond the fence.

Cola was a good worker, a serious man, and so the foreman believed him and called the police immediately without going outside himself to check and see that Cola was telling the truth. But others had seen Cola come into the building and came to ask what it was, what had he seen? The foreman snarled at them to get back to work: the refrigerated trucks were waiting at the loading docks, and they didnt have time to stand around all day and gabble about some whore who got her throat cut.