James Axler - Deathlands 62 Damnation Road Show

The rider removed his steel mask and bowed deeply

The crowd jumped to its feet, cheering.

Amid the tumult, something on the far side of the center ring caught Ryan's eye. Something flashed behind the mirror wall of the facing trailer. And for a fraction of a second, the silver reflective glass became vaguely, hazily transparent, as if through a pall of oily brown smoke.

Then it was over.

In that frozen moment Ryan glimpsed a ghostly figure whose afterimage was burned deeply into his brain. Spindly-limbed. Slouching. Menacing. Even if he hadn't seen the glare of the light on the steel, he would have known who it was.

The Magus.

A GOLD EAGLE BOOK FROM WORLDWIDE

TORONTO NEW YORK LONDON AMSTERDAM PARIS SYDNEY HAMBURG STOCKHOLM ATHENS TOKYO MILAN MADRID WARSAW BUDAPEST AUCKLAND

If you purchased this book without a cover you should be aware that this book is stolen property. It was reported as "unsold and destroyed" to the publisher, and neither the author nor the publisher has received any payment for this "stripped book."

O eyes, no eyes, but fountains fraught with tears;
O life, no life, but lively form of death;
O world, no world, but mass of public wrongs,
Confused and filled with murder and misdeeds.

First edition June 2003

ISBN 0-373-62572-3

DAMNATION ROAD SHOW

Copyright 2003 by Worldwide Library.

All rights reserved. Except for use in any review, the reproduction or utilization of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying and recording, or in any information storage or retrieval system, is forbidden without the written permission of the publisher, Worldwide Library, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9.

All characters in this book have no existence outside the imagination of the author and have no relation whatsoever to anyone bearing the same name or names. They are not even distantly inspired by any individual known or unknown to the author, and all incidents are pure invention.

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Printed in U.S.A.

THE DEATHLANDS SAGA

This world is their legacy, a world born in the violent nuclear spasm of 2001 that was the bitter outcome of a struggle for global dominance.

There is no real escape from this shockscape where life always hangs in the balance, vulnerable to newly demonic nature, barbarism, lawlessness.

But they are the warrior survivalists, and they endurein the way of the lion, the hawk and the tiger, true to nature's heart despite its ruination.

Ryan Cawdor: The privileged son of an East Coast baron. Acquainted with betrayal from a tender age, he is a master of the hard realities.

Krysty Wroth: Harmony ville's own Titian-haired beauty, a woman with the strength of tempered steel. Her premonitions and Gaia powers have been fostered by her Mother Sonja.

J. B. Dix, the Armorer: Weapons master and Ryan's close ally, he, too, honed his skills traversing the Deathlands with the legendary Trader.

Doctor Theophilus Tanner: Torn from his family and a gentler life in 1896, Doc has been thrown into a future he couldn't have imagined.

Dr. Mildred Wyeth: Her father was killed by the Ku Klux Klan, but her fate is not much lighter. Restored from predark cryogenic suspension, she brings twentieth-century healing skills to a nightmare.

Jak Lauren: A true child of the wastelands, reared on adversity, loss and danger, the albino teenager is a fierce fighter and loyal friend.

Dean Cawdor: Ryan's young son by Sharona accepts the only world he knows, and yet he is the seedling bearing the promise of tomorrow.

In a world where all was lost, they are humanity's last hope

Evening hung dead still and oppressively humid over the shallow, five-acre, seep-fed lake, the lavender dome of sky perfectly reflected in its mercury-smooth surface. Encircling the muddy bank was a fringe of stripped, bleached skeletons of trees. The intense quiet was neither peaceful nor serene; the very air seemed to vibrate in anticipation and dread. Terrible forces of nature were about to make themselves known.

Swish-swish.

Swish-swish.

From the north end of the lake came a rhythmic sound.

Not a bird, not an insect. Sensing the impending hell show, the birds and insects had gone to ground. A tall human figure stood on the bank in hip boots, waving a nine-foot-long, flexible rod back and forth. And as he did so, he sailed a bright-yellow line through the air, forward and back, forward and back, in a tight loop, out over the purple mirror of sky. The man wore a long, pointy, black goatee and his black hair was loosely tied in a ponytail, which hung to the middle of his back. On his head was a tatter-brimmed straw cowboy hat. His eyes were hidden behind wraparound sunglasses.

What face was visible was long, gaunt, perhaps tragic, certainly suffering, certainly world weary.

As the man cast, the water in front of him swirled and gurgled. The head of a huge mutie lungfish appeared in the middle of the ripples. The fish looked up at the man, then struggled out of the pool, walking on the bony spikes of its pectoral fins. Greenish-gray on the back with a light cream-colored belly, the mutie was easily five feet long and weighed more than sixty pounds. As it dragged itself from the world of fish into the world of men, its large, rubbery lipped mouth and its gill covers opened and closed, breathing air. Grunting from the effort, the lungfish crawled up beside the man. An odor rose up along with itthe smell of a slaughterhouse in August.

"You have no fly on the end of your line," it said in a strange, gravelly voice that was half croak, half belch. "You can't catch anything that way."

"I'm not fishing for anything," the bearded man said as he continued to cast far out over the smooth water, in the direction of the evening star.

"You're fishing for nothing?" the lungfish said.

"That's right."

"Are you catching any?"

"I'm catching and releasing nothing," the man replied.

As he continued to cast, to his left, a two-wheeled cart drawn by three men appeared over the rim of the slope. The lake sat on a stairstep rise in the land. Above it was mountainside; below it, the ground mostly bare, eroded limestoneangled three hundred feet down to a broad flat spot between surrounding peaks. There, in a grove of low, scrubby trees, stood the remote ville. Even by Deathlands standards, it was a scab-assed place: dirt-floor shacks and lean-tos built up against the outer wall of the ville's only permanent structure, a predark concrete blockhouse. Most of these shanties were big enough to house one or two people, and not tall enough to stand in.

The three men took axes and a heavy-bladed machete from the cart and started hacking away at its contents. They laughed as they sprayed one another with flying gore. After a few minutes of extreme effort, they paused to catch their breath, then started throwing human arms, legs and quartered torsos into the water. The erratic splashes broke the metronomic swish-swish, swish-swish of the fly rod.

The lungfish turned back from the commotion and asked the bearded man, "Am I real to you?"

The man let his line fall and settle. He pushed his sunglasses down the bridge of his nose, looked at the talking fish and said, "Nothing is real."