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Sze - The ginkgo light

Here you can read online Sze - The ginkgo light full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Port Townsend, Wash, year: 2009, publisher: Copper Canyon Press, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Sze The ginkgo light
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    The ginkgo light
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    Copper Canyon Press
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    2009
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    Port Townsend, Wash
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The ginkgo light: summary, description and annotation

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Classically elegant.The New York Times Book Review

Szes free verse emphasizes at once how difficult, and how necessary, it is for us to imagine our world as a system whose ecologies and societies require us to care for all their interdependent parts. Publishers Weekly

Szes list-laden sequences capture the worlds manifold facts one by one, then through discursive commentary exact from them a sense not only of aesthetic order but of universal cause and effect.Boston Review

Sze...here captures the energy of life in overshadowed daily events....His poems mine everything from geography, history, and biology to philosophy and nature, interweaving them to create a complex and luminous poetic texture....His poetry is an experience of awakening and pleasure that all serious students of contemporary poetry should have. Library Journal

Whether incorporating nature, philosophy, history, or science, Szes poems are expansive. They unfold like the time-slowed cinematic recording of a flowers blooming...Sze has a refreshingly original sensibility and style, and he approaches writing like a collagist by joining disparate elements into a cohesive whole. Booklist

A temple near the hypocenter of the atomic blast at Hiroshima was disintegrated, but its ginkgo tree survived to bud and bloom. Arthur Sze extends this metaphor of survival and perseverance to transform the worlds factual darkness into precarious splendor. Each hour teems, Sze writes, as he ingeniously integrates the worlds miraculous and mundanea woodpecker drilling a utility pole or a 1300-year-old lotus seedinto a moving, visionary journey.

Mayans charted Venuss motion across the sky,
poured chocolate into jars and interred them
with the dead. A woman dips three bowls into
hairs fur glaze, places them in a kiln, anticipates
removing them, red-hot, to a shelf to cool.
When samba melodies have dissipated into air,
when lights wrapped around a willow have vanished,
what pattern of shifting lines leads to Duration?

Arthur Sze, one of Americas leading poets, is the author of nine books of poetry and translation. He is professor emeritus of creative writing at the Institute of American Indian Arts and just completed a term as Poet Laureate of Santa Fe, New Mexico.

Sze: author's other books


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Chrysalis Corpses push up through thawing permafrost as I scrape salmon skin - photo 1
Chrysalis Corpses push up through thawing permafrost as I scrape salmon skin - photo 2
Chrysalis
Corpses push up through thawing permafrost as I scrape salmon skin off a pan at the sink; on the porch, motes in slanting yellow light undulate in air. Is Venus at dusk as luminous as Venus at dawn? Yesterday I was about to seal a borax capsule angled up from the bottom of a decaying exterior jamb when I glimpsed jagged ice floating in a bay. Naval sonar slices through whales, even as a portion of male dorsal fin is served to the captain of an umiak. Stopped in traffic, he swings from a chairlift, gazes down at scarlet paintbrush. Moistening an envelope before sealing it, I recall the slight noise you made when I grazed your shoulder. When a frost wiped out the chalk blue flowering plant by the door, I watered until it revived from the roots.

The song of a knife sharpener in an alley passes through the mind of a microbiologist before he undergoes anesthesia for surgery. The first night of autumn has singed bell peppers by the fence, while budding chamisa stalks in the courtyard bend to ground. Observing people conversing at a nearby table, he visualizes the momentary convergence and divergence of lines passing through a point. The wisteria along the porch never blooms; a praying mantis on the wood floor sips water from a dog bowl. Laughter from upstairs echoes downstairs as teenage girls compare bra sizes. An exarmy officer turned critic frets over the composition of a search committee, snickers and disparages rival candidates.

A welder, who turns away for a few seconds to gaze at the Sangre de Cristos, detects a line of trucks backed up on an international overpass where exhaust spews onto houses below. The day may be called One Toothroad or Six Thunderpain, but the naming of a day will not transform it, nor will the mathematics of time halt. An imprint of ginkgo leaffan-shaped, slightly thickened, slightly wavy on broad edge, two lobed, with forking parallel veins but no midveinin a slab of coal is momentary beauty, while ginkgoes along a street dropping gold leaves are mindless beauty of the quotidian. Once thought extinct, the ginkgo was discovered in Himalayan monasteries and propagated back into the world. Although I cannot save a grasshopper singed by frost trying to warm itself on a sunlit walkway, I ponder shadows of budding pink and orange bougainvilleas on a wall. As masons level sand, lay bricks in horizontal then vertical pairs, we construct a ground to render a space our own.

As light from a partial lunar eclipse diffuses down skylight walls, we rock and sluice, rock and sluice, fingertips fanned to fanned fingertips, debouch into plenitude. Venus vanishes in a brightening sky: the diamond ring of a solar eclipse persists. You did not have to fly to Zimbabwe in June 2001 to experience it. The day recalls Thirteen Death and One Deer when an end slips into a beginning. I recall mating butterflies with red dots on wings, the bow of a long liner thudding on waves, crescendo of water beginning to boil in a kettle, echoes of humpback whales. In silence, dancers concentrate on movements onstage; lilacs bud by a gate.

As bits of consciousness constellate, I rouse to a 3 A.M. December rain on the skylight. A woman sweeps glass shards in a driveway, oblivious to elm branches reflected on windshields of passing cars. Juniper crackles in the fireplace; flukes break the water as a whale dives. The path of totality is not marked by a shadow hurtling across the earths surface at three thousand kilometers per hour. Our eyelashes attune to each other.

At the mouth of an arroyo, a lamb skull and ribcage bleach in the sand; tufts of fleece caught on barbed wire vanish. The Shang carved characters in the skulls of their enemies, but what transpired here? You do not need to steep turtle shells in blood to prognosticate clouds. Someone dumps a refrigerator upstream in the riverbed while you admire the yellow blossoms of a golden rain tree. A woman weeds, sniffs fragrance from a line of onions in her garden; you scramble an egg, sip oolong tea. The continuous bifurcates into the segmented as the broken extends. Someone steals a newspaper while we doze.

A tiger swallowtail lands on a patio columbine; a single agaric breaks soil by a hollyhock. Pushing aside branches of Russian olives to approach the Pojoaque River, we spot a splatter of flicker feathers in the dirt. Here chance and fate enmesh. Here I hold a black bowl rinsed with tea, savor the warmth at my fingertips, aroma of emptiness. We rock back and forth, back and forth on water. Fins of spinner dolphins break the waves; a whale spouts to the north-northwest.

What is not impelled? Yellow hibiscus, zodiac, hairbrush; barbed wire, smog, snowflakewhen I still my eyes, the moments dilate. Rain darkens gravel in the courtyard; shriveled apples on branches are weightless against dawn.

Labrador Tea
Labrador leaves in a jar with a kerchief lid release an arctic aroma when simmered on a stove. Yesterday when fire broke out in the bosque, the air had the stench of cauliflower in a steamer when water evaporates and the pot scalds. Although Apache plume, along with clusters of western peppergrass, makes fragrant the wash, owls that frequent the hole high up the arroyos bank have already come and gone. Yesterday, though honey locust leaves shimmered in a gust, no wasp nest had yet formed under the porch.

Repotting a Spathiphyllum, then uncoiling a hose, I suddenly hear surf through open slats of a door. Sprinklers come on in the dark; a yellow slug crawls on a rain slicked banana leaf; as the mind flits, imbibes, leaves clothed underneath with rusty hairs suff use a boreal light glistening on tidal pools.

Crisscross
Meandering across a field with wild asparagus, I write with my body the characters for grass, water, transformation, ache to be one with spring. Biting into watermelon, spitting black seeds onto a plate, I watch the eyes of an Armenian accordion player, and before dropping a few euros into his brown cap, smell sweat and fear. I stay wary of the red horse, Relmpago, latch the gate behind me; a thorned Russian olive branch arcs across the path below my forehead, and, approaching the Pojoaque River, I recall the sign, Beware Pickpockets, find backhoe tracks, water diverted into a ditch.
The Gift
The pieces of this jigsaw puzzle will form King Tuts gold face, but, at the moment, they are bits of color strewn on the floor; these moments of consciousness have no jigsaw fitheartbeat of a swallow in flight, bobcat prints across the Winsor Trail, premonition that joy lurks inside a match, uprooting sunflower stalks, tipping an urn from a bridge so that ashes form a cloud.
The Gift
The pieces of this jigsaw puzzle will form King Tuts gold face, but, at the moment, they are bits of color strewn on the floor; these moments of consciousness have no jigsaw fitheartbeat of a swallow in flight, bobcat prints across the Winsor Trail, premonition that joy lurks inside a match, uprooting sunflower stalks, tipping an urn from a bridge so that ashes form a cloud.

The pieces of a life stay pieces at the end; no one restores papyrus once it has erupted into flame; but before agapanthus blooms, before the body scorches, razes consciousness, you have time to puzzle, sway, lurch, binge, skip, doodle, whine, incandesce.

Looking Back on the Muckleshoot Reservation from Galisteo Street, Santa Fe
The bow of a Muckleshoot canoe, blessed with eagle feather and sprig of yellow cedar, is launched into a bay. A girl watches her mother fry venison slabs in a skillet drops of blood sizzle, evaporate. Because a neighbor feeds them, they eat wordlessly; the silence breaks when she occasionally gags, reaches into her throat, pulls out hair. Gone is the father, riled, arguing with his boss, who drove to the shooting range after work; gone the accountant who embezzled funds, displayed a pickup, and proclaimed a winning flush at the casino. You donate chicken soup and clothes but never learn if they arrive at the south end of the city.
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