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Wright - Gods silence

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In this luminous new collection of poems, Franz Wright expands on the spiritual joy he found in his Pulitzer Prize-winning Walking to Marthas Vineyard. Wright, whom we know as a poet of exquisite miniatures, opens Gods Silence with East Boston, 1996, a powerful long poem that looks back at the darker moments in the formation of his sensibility. He shares his private rules for bus riding (No eye contact: the eyes of the terrified / terrify), and recalls, among other experiences, his first encounter with a shotgun, as an eight-year-old boy (In a clearing in the cornstalks . . . it was suggested / that I fire / on that muttering family of crows). Throughout this volume, Wright continues his penetrating study of his own and our collective soul. He reaches a new level of acceptance as he intones the paradox I have heard Gods silence like the sun, and marvels at our presumptions: We speak of Heaven who have not yet accomplished even this, the holiness of things precisely as they are, and never will! Though Wright often seeks forgiveness in these poems, his black wit and self-deprecation are reliably present, and he delights in reminding us that literature will lose, sunlight will win, dont worry. But in this book, literature wins as well. Gods Silence is a deeply felt celebration of what poetry (and its silences) can do for us. From the Hardcover edition. Read more...
Abstract: In this luminous new collection of poems, Franz Wright expands on the spiritual joy he found in his Pulitzer Prize-winning Walking to Marthas Vineyard. Wright, whom we know as a poet of exquisite miniatures, opens Gods Silence with East Boston, 1996, a powerful long poem that looks back at the darker moments in the formation of his sensibility. He shares his private rules for bus riding (No eye contact: the eyes of the terrified / terrify), and recalls, among other experiences, his first encounter with a shotgun, as an eight-year-old boy (In a clearing in the cornstalks . . . it was suggested / that I fire / on that muttering family of crows). Throughout this volume, Wright continues his penetrating study of his own and our collective soul. He reaches a new level of acceptance as he intones the paradox I have heard Gods silence like the sun, and marvels at our presumptions: We speak of Heaven who have not yet accomplished even this, the holiness of things precisely as they are, and never will! Though Wright often seeks forgiveness in these poems, his black wit and self-deprecation are reliably present, and he delights in reminding us that literature will lose, sunlight will win, dont worry. But in this book, literature wins as well. Gods Silence is a deeply felt celebration of what poetry (and its silences) can do for us. From the Hardcover edition

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ALSO BY FRANZ WRIGHT Poetry The Earth Without You 1980 The One Whose Eyes - photo 1

ALSO BY FRANZ WRIGHT

Poetry
The Earth Without You (1980)
The One Whose Eyes Open When You Close Your Eyes (1982)
Entry in an Unknown Hand (1989)
The Night World & the Word Night (1993)
Rorschach Test (1995)
Ill Lit: Selected & New Poems (1998) The Beforelife (2001)
Walking to Martha's Vineyard (2003)

Translations
Jarmila. Flies:10Prose Poems by Erica Pedretti (1976)
The Life of Mary (poems by Rainer Maria Rilke) (1981)
The Unknown Rilke (1983)
No Siege Is Absolute: Versions of Ren Char (1984)
The Unknown Rilke: Expanded Edition (1991)

For Elizabeth always Paradise may be the time when we can finally turn to - photo 2

For Elizabeth, always

Paradise may be the time when we can finally turn to our past and see that its beauty was there despite our being there. In fact, its beauty can finally be seen because we aren't there.

FANNY HOWE

Is escape too difficult? Evidently, for (1) the walls are strong and I am weak, and (2) I love my walls yet some have escaped. With an effort we lift our gaze from the walls upward and ask God to take the walls away. We look back down and they have disappeared. We turn back upward at once with love to the Person who has made us so happy, and desire to serve Him. Our state of mind is that of a bridegroom, that of a bride. We are married, who have been so lonely heretofore.

JOHN BERRYMAN

When Moses conversed with God, he asked, Lord, where shall I seek You?

God answered, Among the brokenhearted.

Moses continued, But, Lord, no heart could be more despairing than mine.

And God replied, Then I am where you are.

ABU L FAYD AL-MISRI

CONTENTS
I
EAST BOSTON, 1996

I

ARMED CONFLICT

Snowy light fills the room
pronouncing itself

softly. The telephone ringing

in the deserted city

ON THE BUS

It's one thing when you're twenty-one,
and I was way past twenty-one.
With unshaven face half concealed in the collar
of some deceased porcine philanthropist's
black cashmere rag of a coat,
I knew that I looked like a suicide
returning an overdue book to the library.
Almost everyone else did as well,
but I found no particular solace in this;
at best, the fact awakened some diverting speculations
on the comparative benefits
of waiting in front of a ditch to be shot
alone or in company
of others, and then whether one would prefer
these last hypothetical others
to be friends, family, enemies, total
or relative strangers. Would you hold hands?
Or would you rather like a good Homo sapiens
monster employ them
to cover your genitals?
What percentage would lose bowel control?
And given time restrictions
and assuming some still had the ability to move
would ostracism result? Anyway,
I knew the rules on this bus.
No eye contact: the eyes of the terrified
terrify. Look
like you know where you're going,
possess ample change to get there,
and don't move your lips when you talk
to yourself: the destroyed
and sick, the poor, the hungry
and the disturbed estrange.
The badly dressed estrange, even,
and that is uncalled for. The degree
of one's power to estrange will increase
in direct proportion to the depth
of need for others. Do not cry.
This can only bring about, on the one hand,
an instant condition of banishment
from the sole available companionship, or
on the other, a near
fatal beating (one more disappointment).
Just follow the simple instruction
if you ever come here.
It's easy to rememberany idiot can do it.
Don't cry,
the world has abandoned us.

NIGHT WALK

The all-night convenience store's empty
and no one is behind the counter.
You open and shut the glass door a few times
causing a bell to go off,
but no one appears. You only came
to buy a pack of cigarettes, maybe
a copy of yesterday's newspaper
finally you take one and leave
thirty-five cents in its place.
It is freezing, but it is a good thing
to step outside again:
you can feel less alone in the night,
with lights on here and there
between the dark buildings and trees.
Your own among them, somewhere.
There must be thousands of people
in this city who are dying
to welcome you into their small bolted rooms,
to sit you down and tell you
what has happened to their lives.
And the night smells like snow.
Walking home, for a moment
you almost believe you could start again.
And an intense love rushes to your heart,
and hope. It's unendurable, unendurable.
In a clearing in the cornstalks, in light
November snow it was suggested
that I fire
on that muttering family of crows.
I complied
and watched as those big ruffled shadows
rose from the ground, scattered and vanished
in the direction of barren
border trees, commencing
to speak all at once
in hysterical tongues.
All except for one,
deceased.
I turned it over with my boot.
The eyes stared
at the sky, the minute
snowflakes falling into them.
Its beak was partly opened.
It was then I vomited a little.
This achievement was the last thing I'd expected
when they dug up the old.
for my afternoon's amusement
and banishment. I was just eight, but I swore
then and there
my career as death was finished.
The ground was hard but I considered
going back to the house for a shovel;
it did not seem wholly implausible
that I might turn around to find
my victim limping after me,
and I ended up walking away from the house
for an hour or so.
Later on I cried and told my mother.
She comforted me, as I knew perfectly well she would.
In her opinion I was not to blame.
It was that gun. And besides,
she was certain crows had their own heaven.
I was off the hook.
My crow was much better off now.
That's what she thought.

HOME REMEDY

You could call someone
where it's still early.

Go out and look at the stars
shining
in the past.

Or open the Joachim Jeremias to the densely printed
page, its corner folded
for some reason
not yet remembered

before you set the clock.

You have to set the clock
for a moment that doesn't exist yet
or one that has already passed, interestingly
symbolized by the identical numeral.

The friendly medications are beginning
to kick in: the frightening
objects
emitting the faint nimbus
of their reality, slowly
returning
to normal,

if this had been an actual emergency.

II

The long silences need to be loved, perhaps
more than the words
which arrive
to describe them
in time.

REPARATIONS

The day's coming
when I will no longer consider
my mere presence inexpiable.
I will place my hand in that flame
and feel nothing.I will ask nobody's forgiveness again.
Or I will just go
among people no more
I may writhe with
remorse in the night, but
the operation must be
undertaken by
me, anesthesialess.
No one must be asked to relinquish
a grievance that can't be removed
without further destruction, it may be
it is lodged in who he is now
like a bullet in a brain
whose removal might just cause worse change.
The forgiveness! I know it

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