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Richard Deming - Manhunt. Volume 1, Number 2, February, 1953

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Richard Deming Manhunt. Volume 1, Number 2, February, 1953
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    Manhunt. Volume 1, Number 2, February, 1953
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Manhunt. Volume 1, Number 2, February, 1953

The Imaginary Blonde by John Ross Macdonald How do you pin a murder on a - photo 1

The Imaginary Blonde

by John Ross Macdonald

How do you pin a murder on a woman who doesnt exist It was a Friday - photo 2

How do you pin a murder on a woman who doesnt exist?

* * *

It was a Friday night. I was tooling home from the Mexican border in a light blue convertible and a dark blue mood. I had followed a man from Fresno to San Diego and lost him in the maze of streets in Old Town. When I picked up his trail again, it was cold. He had crossed the border, and my instructions went no further than the United States.

Halfway home, just above Emerald Bay, I overtook the worst driver in the world. He was driving a black fishtail Cadillac as if he was tacking a sailboat. The heavy car wove back and forth across the freeway, using two of its four lanes, and sometimes three. It was late, and I was in a hurry to get some sleep. I started to pass it on the right, at a time when it was riding the double line. The cadillac drifted towards me like an unguided missile, and forced me off the road in a screeching skid.

I speeded up to pass on the left. Simultaneously, the driver of the Cadillac accelerated. My acceleration couldnt match his. We raced neck and neck down the middle of the road. I wondered if he was drunk or crazy or afraid of me. Then the freeway ended. I was doing eighty on the wrong side of a two-lane highway, and a truck came over a rise ahead like a blazing double comet. I floorboarded the gas pedal and cut over sharply to the right, threatening the Cadillacs fenders and its drivers life. In the approaching headlights, his face was as blank and white as a piece of paper, with charred black holes for eyes. His shoulders were naked.

At the last possible second he slowed enough to let me get by. The truck went off onto the shoulder, honking angrily. I braked gradually, hoping to force the Cadillac to stop. It looped past me in an insane arc, tires skittering, and was sucked away into darkness.

When I finally came to a full stop, I had to pry my fingers off the wheel. My knees were remote and watery. After smoking part of a cigarette, I U-turned and drove very cautiously back to Emerald Bay. I was long past the hot-rod age, and I needed rest.

The first motel I came to, the Siesta, was decorated with a vacancy sign and a neon Mexican sleeping luminously under a sombrero. Envying him, I parked on the gravel apron in front of the motel office. There was a light inside. The glass-paned door was standing open, and I went in. The little room was pleasantly furnished with rattan and chintz. I jangled the bell on the desk a few times. No one appeared, so I sat down to wait and lit a cigarette. An electric clock on the wall said a quarter to one.

I must have dozed for a few minutes. A dream rushed by the threshold of my consciousness, making a gentle noise. Death was in the dream. He drove a black Cadillac loaded with flowers. When I woke up, the cigarette was starting to burn my fingers. A thin man in a gray flannel shirt was standing over me with a doubtful look on his face.

He was big-nosed and small-chinned, and he wasnt as young as he gave the impression of being. His teeth were bad, the sandy hair was thinning and receding. He was the typical old youth who scrounged and wheedled his living around motor courts and restaurants and hotels, and hung on desperately to the frayed edge of other peoples lives.

What do you want? he said. Who are you? What do you want? His voice was reedy and changeable like an adolescents.

A room.

Is that all you want?

From where I sat, it sounded like an accusation. I let it pass. What else is there? Circassian dancing girls? Free popcorn?

He tried to smile without showing his bad teeth. The smile was a dismal failure, like my joke. Im sorry, sir, he said. You woke me up. I never make much sense right after I just wake up.

Have a nightmare?

His vague eyes expanded like blue bubblegum bubbles. Why did you ask me that?

Because I just had one. But skip it. Do you have a vacancy or dont you?

Yessir. Sorry, sir. He swallowed whatever bitter taste he had in his mouth, and assumed an impersonal, obsequious manner. You got any luggage, sir?

No luggage.

Moving silently in tennis sneakers like a frail ghost of the boy he once had been, he went behind the counter, and took my name, address, license number, and five dollars. In return, he gave me a key numbered fourteen and told me where to use it. Apparently he despaired of a tip.

Room fourteen was like any other middle-class motel room touched with the California-Spanish mania. Artificially roughened plaster painted adobe color, poinsettia-red curtains, imitation parchment lampshade on a twisted black iron stand. A Rivera reproduction of a sleeping Mexican hung on the wall over the bed. I succumbed to its suggestion right away, and dreamed about Circassian dancing girls.

Along towards morning one of them got frightened, through no fault of mine, and began to scream her little Circassian lungs out. I sat up in bed, making soothing noises, and woke up. It was nearly nine by my wristwatch. The screaming ceased and began again, spoiling the morning like a fire siren outside the window. I pulled on my trousers over the underwear Id been sleeping in, and went outside.

A young woman was standing on the walk outside the next room. She had a key in one hand and a handful of blood in the other. She wore a wide multi-colored skirt and a low-cut gypsy sort of blouse. The blouse was distended and her mouth was open, and she was yelling her head off. It was a fine dark head, but I hated her for spoiling my morning sleep.

I took her by the shoulders and said, Stop it.

The screaming stopped. She looked down sleepily at the blood on her hand. It was as thick as axle grease, and almost as dark in color.

Where did you get that?

I slipped and fell in it. I didnt see it.

Dropping the key on the walk, she pulled her skirt to one side with her clean hand. Her legs were bare and brown. Her skirt was stained at the back with the same thick fluid.

Where? In this room?

She faltered, Yes.

Doors were opening up and down the drive. Half-a-dozen people began to converge on us. A dark-faced man about four-and-a-half feet high came scampering from the direction of the office, his little pointed shoes dancing in the gravel.

Come inside and show me, I said to the girl.

I cant. I wont. Her eyes were very heavy, and surrounded by the bluish pallor of shock.

The little man slid to a stop between us, reached up and gripped the upper part of her arm. What is the matter, Ella? Are you crazy, disturbing the guests?

She said, Blood, and leaned against me with her eyes closed.

His sharp black glance probed the situation. He turned to the other guests, who had formed a murmurous semicircle around us.

It is perfectly hokay. Do not be concerned, ladies and gentlemen. My daughter cut herself a little bit. It is perfectly all right.

Circling her waist with one long hairy arm, he hustled her through the open door and slammed it behind him. I caught it on my foot and followed them in.

The room was a duplicate of mine, including the reproduction over the unmade bed, but everything was reversed as in a mirror image. The girl took a few weak steps by herself and sat on the edge of the bed. Then she noticed the blood spots on the sheets. She stood up quickly. Her mouth opened, rimmed with white teeth.

Dont do it, I said. We know you have a very fine pair of lungs.

The little man turned on me. Who do you think you are?

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