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Foster - Beneath the Shadows

Here you can read online Foster - Beneath the Shadows full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: North Sydney;NSW, year: 2011;2012, publisher: Minotaur Books;Random House Australia, genre: Science fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Foster Beneath the Shadows
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    Beneath the Shadows
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    Minotaur Books;Random House Australia
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    2011;2012
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Beneath the Shadows: summary, description and annotation

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A tense, suspenseful story of loss, secrets and ghostly presences The West AustralianWhen Graces husband, Adam, inherits a cottage on the isolated North Yorkshire moors, they leave London behind to try a new life. However, a week later, Adam vanishes, abandoning their baby daughter on the doorstep. The following year, Grace returns to the tiny village of Roseby. She is desperate for answers, but it seems the slumbering village is unwilling to give up its secrets. As Grace learns more about the locals and the areas superstitions and folklore, strange dreams begin to trouble her. Are the villagers hiding something, or is she becoming increasingly paranoid? Only as snowfall threatens to cut them off from the rest of the world does Grace begin to understand just how close the threat lies, and that she and her daughter may be in terrible danger if she cannot get away in time.

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Sara Foster lives in Western Australia with her husband and young daughter She - photo 1

Sara Foster lives in Western Australia with her husband and young daughter. She divides her time between writing, book editing and being a mum. Her passions include the natural world, photography and travel.

You can find out more about Sara and her writing at www.sarafoster.com.au.

All rights reserved No part of this book may be reproduced or transmitted by - photo 2

All rights reserved. No part of this book may be reproduced or transmitted by any person or entity, including internet search engines or retailers, in any form or by any means, electronic or mechanical, including printing, photocopying (except under the statutory exceptions provisions of the Australian Copyright Act 1968 ), recording, scanning or by any information storage and retrieval system without the prior written permission of Random House Australia. Any unauthorised distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.

Beneath the Shadows

ePub ISBN 9781742742946
Kindle ISBN 9781742742953

This is a work of fiction. Names, characters, places and incidents either are the product of the authors imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Epigraph and quote on Chapter 30 from Rebecca reproduced with permission of Curtis Brown Group Ltd, London on behalf of The Estate of Daphne du Maurier, copyright Daphne du Maurier 1976

A Bantam book
Published by Random House Australia Pty Ltd
Level 3, 100 Pacific Highway, North Sydney NSW 2060
www.randomhouse.com.au

First published by Bantam in 2011

Copyright Sara Foster 2011

The moral right of the author has been asserted.

All rights reserved. No part of this book may be reproduced or transmitted by any person or entity, including internet search engines or retailers, in any form or by any means, electronic or mechanical, including photocopying (except under the statutory exceptions provisions of the Australian Copyright Act 1968 ), recording, scanning or by any information storage and retrieval system without the prior written permission of Random House Australia.

Addresses for companies within the Random House Group can be found at www.randomhouse.com.au/offices

National Library of Australia
Cataloguing-in-Publication Entry

Foster, Sara.
Beneath the shadows

ISBN 978 1 74166 871 1 (pbk).

A823.4

Cover photograph by Arcangel Images
Cover design by debbieclementdesign.com

CONTENTS

For the Curlew Cottage family

The past is still too close to us.

The things we have tried to forget and put behind us
would stir again

Rebecca
D APHNE DU MAURIER

Picture 3

They should be home.

The thought scratched at Graces mind as she peered out of a narrow upstairs window. The sun had long-since been banished behind a blanket of thick grey cloud. In front of her, the wild moorland rolled away to be absorbed by the gloom of twilight.

She turned and trailed through the cottage, flicking at wall switches, shaking the shadows from their slumbers and driving them out. She moved as though in a trance, the surroundings still surreal to her, although it had been over a week since they had moved in. The upstairs corridor was poky, and the ceiling so low that she had spent the last few days watching Adam stooping under the beams. The staircase was steep, the wood beneath the carpet uneven, so it was better to tread on the outer edges of each step rather than stumbling into the indentations of myriad footsteps gone before.

She made her careful way downstairs, through the small living room that was littered with packing boxes, and headed into the kitchen, moving again to a window, unable to stop herself from looking out across the sloping moors towards the distant road that wound in and out of sight. A few trees were silhouetted on the horizon, their brittle skeletons bent from regular lashings by the coastal winds. The view before her was utterly still.

She took a deep breath, trying to quell the worry that was winding her nerves into knots. Adams note had unsettled her. Wont be long. I have to talk to you when I get back, dont go anywhere. A x

Back in the lounge, Grace threw herself into an armchair, one hand brushing over the raked leather where a long-dead cat had once regularly sharpened its claws. She looked around the cottage their cottage, though it was nigh on impossible to think of it that way.

Its an incredible gift, she could still hear Adam enthusing, over and over, when they had first found out his grandparents had bequeathed Hawthorn Cottage to him. Its like fate is giving us a bloody great shove in the back. Our own place, no mortgage, away from the rat race, a chance for Millie to start life among nature rather than believing that trees grow through cracks in the paving. Come on, Gracie, lets give it a go.

At that point Grace had been overwhelmed by pads and pumps and nappies, and had somehow found herself agreeing with every point he made. Adam was right. Who wanted red-top buses flying past their flat at all hours; noise, lights, people everywhere? This way they could escape their financial pressures for a while. She didnt want to leave Millie while she was tiny, and go back to her marketing job, with its meagre wage and demanding retail clients. It wasnt her vocation, and to satisfy her demanding boss she often had to stay long after office hours were over.

They couldnt avoid the fact that their priorities were changing. Adam and Grace had begun their relationship to a backdrop of fine restaurants and raucous weekends away with friends. Now, in their thirties, most people they knew had children, their social life had dwindled, and they wouldnt be the first ones to make the move out of the city. Grace began to imagine the possibilities that the cottage in North Yorkshire would present: the chance to cook proper meals for a change, taking Millie for long country walks in the fresh air, and snuggling up to Adam in the evenings. She wouldnt have to give up anything either she could take the maximum maternity leave she was allowed while they gave it a try. To top it off, theyd be free of the extortionate rent on their tiny two-bedroom flat, so instead of struggling, they might even save. And, as Adam said, if it didnt work out, then they would simply come back.

Six months, shed agreed. Well try it for six months, see how we go.

But as they had packed their belongings, and the moving date drew nearer, something had begun to niggle at her. She couldnt put her finger on what it was that woke her in the early hours, well before the baby stirred. Eventually she had dismissed it as understandable nerves at such a big change. And yet, the nagging voice refused to quieten.

Now, she picked at the torn leather on the armchair as she thought about their first few days in the cottage. The unsettling silence as she had unpacked boxes. The stillness each time she looked out of the window. The black descent of night; and the relentless ticking and chiming of the grandfather clock in the hall. As she sat there, it was hard to imagine the throngs of people and traffic swirling around central London, an endlessly shifting kaleidoscope of colour and movement. The last week at the cottage had felt like the longest of Graces life. The six months she had promised Adam now lay interminably before them.

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