Orson Card - Songmaster

To Ben Bova,

a songmaster who takes as much care

to develop younger voices

as to sing his own songs

Nniv did not go to meet Mikal's starship. Instead, he waited in the rambling stone Songhouse, listening to the song of the walls, the whisper of the hundred young voices from the Chambers and the Stalls, the cold rhythm of the drafts. There were few in the galaxy who would dare to make Mikal come to them. Nniv was not daring, however. It did not occur to him that the Songmaster needed to go meet anyone.

Outside the Songhouse walls the rest of the people on the planet Tew were not so placid. When Mikal's starship sent its savage pulses of energy onto the landing field and settled hugely and delicately to the ground, there were thousands waiting to see him. He might have been a well-beloved leader, to hear the bands and see the cheering crowds that filled the landing field when it was cool enough to walk on again. He ought have been a national hero, with flowers spread in his path and dignitaries bowing and saluting and struggling to cope with a situation for which no protocol had yet been learned on Tew.

But the motive behind the ceremonies and the outward adoration was not love. It was an uncomfortable memory of the fact that Tew had been slow to submit to the Discipline of Frey. That Tew's ambassadors to other worlds had toyed with the plots and alliances that formed to make a last, pathetic resistance to the most irresistible conqueror in history. None of the plots came to anything. Too many greater leagues and nations had fallen, and now when 'Mikal's ships came no inner world resisted; no hostility was allowed to show.

To be sure, there was no great terror, either, in the hearts of the officials who rumbled their way through makeshift pomp. The days of ravaging conquered planers were over. Now that there was no resistance, Mikal proved that he could rule wisely and brutally and well, solidifying an empire from which he could reach farther out into the galaxy to the more distant worlds and confederations where his name was only a rumor. As long as the dignitaries were careful, Mikal's government on Tew would be reasonably fair, only mildly repressive, and disgustingly honest.

There were some who wondered why Mikal would bother with Tew at all. He seemed bored as he made his way along the flower-strewn path, his guards and retainers keeping the crowd a safe distance back. He did not look to the left or the right, and soon disappeared into the vehicles that rushed him to the government offices. And it was not Mikal but his aides who interviewed and fired and hired, who informed and explained about the new laws and the new order, who quickly revised the political system of the world to fit it into the pattern of Mikal's peaceful, well-governed empire. Why did Mikal need to come at all?

But the answer should have been obvious, and soon was obvious to those who were well-informed enough to know that Mikal had vanished from the building that was meant to house him. Mikal was really no different from the other tourists who came to Tew. The planet was pretty much a backwater, not important to any imperial plan. Except for the Songhouse. Mikal had come to see the Songhouse.

And for a man of wealth and power, there was only one reason, really, to visit there. He wanted a Songbird, of course.

You can't have a Songbird, sir, said the diffident young woman in the waiting room.

I haven't come to argue with gatekeepers.

Whom would you like to argue with? It will do you no good.

The Songmaster. Nniv."

You do not understand, the young woman explained. Songbirds are given only to those who can truly appreciate them. We invite people to accept them. We do not take applications.

Mikal looked at her coldly. I am not applying.

Then what are you doing here?

Mikal said no more. Merely stood, waiting. The young woman tried to argue with him, but he didn't answer. She tried to ignore him and go on with her work, but he waited for more than an hour, until she could stand no more. She got up and left without a word.

What is he like? sang Nniv, his voice low and comforting.

Impatient, she said.

Yet he waited for you. Correction did not give way to criticism in Nniv's voice. Ah, he is a kind master, the girl thought but did not say.

He is stern, she said. He is a ruler, and he will not believe there is anything he cannot get, anyone he cannot rule, anywhere he cannot fill with his presence.

No man can travel through space, Nniv answered gently, and not know there are places he cannot fill.

She bowed. What do I tell him?

Tell him that I will see him.

She was startled. She was confused. She abandoned words, and sang her confusion. The song was meek and uncontrolled, for she would never be a master, not even a teacher, but wordlessly she asked Nniv why he would

even listen to such a man, why he would risk having the rest of mankind think, The Songhouse treats all men alike, judging only on merit, not on power-except for Mikal.

I will not be corrupted, Nniv sang gently.

Send him away, she pleaded.

Bring him to me.

She broke Control and wept, then, and declared she could not do such a thing.

Nniv sighed. Then send me Esste. Send me Esste, and be relieved of duty until Mikal leaves.

Mikal still stood in the gateroom an hour later, when the door opened again. This time it was not the gatekeeper. It was another woman, more mature, with darkness under her eyes and power in her bearing. Mikal? she asked.

Are you the Songmaster? Mikal asked.

Not I, she said, and for a moment Mikal felt acutely embarrassed at having thought so. But why should I be embarrassed, he wondered, and shook off the feelings. The Songhouse weaves spells, said the common people on Tew, and it made Mikal uneasy. The woman led the way out of the room, humming. She said nothing, but her melody told Mikal he should follow, and so he pursued the thread of music through the cold stone halls. Doors opened here and there; windows let in the only light (and it was a dismal light of a gray winter sky); in all the wandering through the Songhouse they met no other person, heard no other voice.

At last, after many stairs, they reached a high room. The High Room, in fact, though no one mentioned it. Seated at one end of the room on a stone bench unsheltered from the cold breeze through the open shutters was Nniv. He was old, his face more sag than features, and Mikal was startled. Ancient. It reminded Mikal of mortality, which at the age of forty he was just beginning to be aware of. He had sixty years yet, but he was no longer young and knew that time was against him.

Nniv? Mikal asked.

Nniv nodded, and his voice rumbled a low mmmmm. Mikal turned to the woman who had led him. She was still humming. Leave us, Mikal said.

The woman stayed where she was, looking at him as if without comprehension. Mikal grew angry, but he said nothing because suddenly her melody counseled silence, insisted on silence, and instead Mikal turned to Nniv. Make her stop humming, he said. I refuse to be manipulated.

Then, Nniv said (and his song seemed to shout with laughter, though his voice remained soft), then you refuse to live.

Are you threatening me?

Nniv smiled. Oh, no, Mikal. I merely observe that all living things are manipulated. As long as there is a will, it is bent and twisted constantly. Only the dead are allowed the luxury of freedom, and then only because they want nothing, and therefore can't be thwarted.

Mikal's eyes grew cold then, and he spoke in measured voice, which sounded dissonant and awkward after the music of Nniv's speech. I could have come here in power, Songmaster Nniv. I could have landed huge armies and weapons that would hold the Songhouse itself for ransom to work my will. If I intended to coerce you or frighten . you or abuse you in any way, I would not have come alone, open to assassins, to ask for what I want. I have come to you with respect, and I will be treated with respect.